Cover Crush: Murderous Mistral by Cay Rademacher

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I am not a cover designer but I can agree that cover layouts play an important role in the overall presentation of stories and I must admit, often times I first judge a book by its cover.

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Murderous MistralMurderous Mistral (A Provence Mystery) by Cay Rademacher

St. Martin’s Press/Minotaur Books/Mystery & Thrillers

Pub Date 19 Sep 2017

Description:

International Dagger Award shortlisted author of The Murderer in Ruins, Cay Rademacher, delivers a beautifully atmospheric new story with a captivating main character in Murderous Mistral: A Provence Mystery.

Capitaine Roger Blanc, an investigator with the anti-corruption-unit of the French Gendarmerie, was a bit too succesfull in his investigations. He finds himself removed from Paris to the south of France, far away from political power. Or so it would seem.

The stress is too much for his marriage, and he attempts to manage the break up while trying to settle into his new life in Provence in a 200-year-old, half-ruined house. At the same time, Blanc is tasked with his first murder case: A man with no friends and a lot of enemies, an outsider, was found shot and burned. When a second man dies under suspicious circumstances in the quaint French countryside, the Capitaine from Paris has to dig deep into the hidden, dark undersides of the Provence he never expected to see.

My thoughts:

I love the colors and the overall layout of this cover. I have not read any stories by this author and look forward to reading this one. I enjoy a murder mystery!

Stephanie M. Hopkins

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Cover Crush is a weekly series that originated with Erin at Flashlight Commentary. Erin’s latest cover crush HERE.

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Heather @ The Maiden’s Court

Magdalena @ A Bookaholic Swede

Holly @ 2 Kids and Tired Books

Colleen @ A Literary Vacation

Meghan @ Of Quills & Vellum

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2 thoughts on “Cover Crush: Murderous Mistral by Cay Rademacher

  1. I love this cover, too, as I’m always impressed when a designer uses colors that are unexpected, such as the orange sky and purple fields. It seems perfect for this book, as many of the first Impressionists (think Van Gogh) who painted in Provence experimented with unexpected colors, too.

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