Putting Fiction and Art Together

Flying Fish Club (1)

A year or so ago I had this idea to bring artists and writers together for a collaboration of their work. I wondered what that would be like and how would their work complement each other. My client and friend, Janet Stafford wrote a book called, “Heart Soul & Rock ‘n’ Roll” and there is a Karaoke scene in the book and the setting is a place called, “The Flying Fish.” The story is about Forty-year-old Lindsay Mitchell is an assistant minister at a church where she’s always been happy. But suddenly she misses her old college rock band. “I just want to rock one more time before I die,” she moans to friends Sue and Patti. When Patti invites her to vacation at Point Pleasant Beach, Lins meets Neil Gardner, front man for the Grim Reapers. The two have musical chemistry. But a whirlwind romance with a broke, agnostic musician who lives over a music store? That just might be more than Lins bargained for. Thus, begins our project to put a collaboration together.

I contacted Graphic Designer Lee Davis whom I have known for quite a while now and I love his work and talent. I thought he would be perfect for this project because it would be completely different from anything he has ever done. I wanted to challenge him and have him reach deep down and come up with what he imagines the characters in the Karaoke scene looks like. To put a face to a name. Wow did he do a great job!

Janet had artist Dan Bush put together an image of the Karaoke Bar and in Janet’s blog post about the collaboration, she talks about how the image was inspired.  Head on over to Squeaking Pips Press Blog and check out the graphic pages designed by Lee Davis and the read the scene that inspired this project!

Stephanie M. Hopkins

Links:

Squeaking Pips Press Blog

Lee Davis

Amazon Link to Heart Soul & Rock ‘N’ Roll

L.A.P. it Marketing LLC

 

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The Ocean At The End Of The Lane by Neil Gailman

The Ocean at the End of the Lane II

I was hesitating to download this audio book because I read Neverwhere years ago for a book club read and it was too disturbing and dark for my taste to finish. Having said that, in no way am I saying Gailman is not a good writer. He is s superb story teller and his imagination is really something else.

Have you ever heard Him speak? I can listen to Him talk all day long. Anyhow, I came across The Ocean At The End of The Lane last night and decided to take a chance. Wow, am I glad I did! I was literally drawn in from the first few lines. That really says a lot about the story. At first, I was thinking maybe because it was His voice that is so mesmerizing…. but I think it’s everything about the story, the characters and the way He is weaving the tale. This is one story I am going to be sad when I get to the end of it.

Stephanie M. Hopkins

About the book:

The Ocean At The End Of The Lane by Neil Gailman

Sussex, England. A middle-aged man returns to his childhood home to attend a funeral. Although the house he lived in is long gone, he is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock, and her mother and grandmother. He hasn’t thought of Lettie in decades, and yet as he sits by the pond (a pond that she’d claimed was an ocean) behind the ramshackle old farmhouse, the unremembered past comes flooding back. And it is a past too strange, too frightening, too dangerous to have happened to anyone, let alone a small boy.

Forty years earlier, a man committed suicide in a stolen car at this farm at the end of the road. Like a fuse on a firework, his death lit a touchpaper and resonated in unimaginable ways. The darkness was unleashed, something scary and thoroughly incomprehensible to a little boy. And Lettie—magical, comforting, wise beyond her years—promised to protect him, no matter what.

A groundbreaking work from a master, The Ocean at the End of the Lane is told with a rare understanding of all that makes us human, and shows the power of stories to reveal and shelter us from the darkness inside and out. It is a stirring, terrifying, and elegiac fable as delicate as a butterfly’s wing and as menacing as a knife in the dark.

Cover Crush:Girls on the Line by Aimie K. Runyan

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I am not a cover designer but I can agree that cover layouts play an important role in the overall presentation of stories and I must admit, often times I first judge a book by its cover.

Girls on the LineGirls on the Line by Aimie K. Runyan

Lake Union Publishing

Pub Date 06 Nov 2018

Description

“A moving tale of female solidarity and courage.” —Kate Quinn, New York Times bestselling author of The Alice Network

December 1917. As World War I rages in Europe, twenty-four-year-old Ruby Wagner, the jewel in a prominent Philadelphia family, prepares for her upcoming wedding to a society scion. Like her life so far, it’s all been carefully arranged. But when her beloved older brother is killed in combat, Ruby follows her heart and answers the Army Signal Corps’ call for women operators to help overseas.

As one of the trailblazing “Hello Girls” deployed to war-torn France, Ruby must find her place in the military strata, fight for authority and respect among the Allied soldiers, and work to secure a victory for the cause. But balancing service to country is complicated further by a burgeoning relationship with army medic Andrew Carrigan.

What begins as a friendship forged on the front lines soon blossoms into something more, forcing Ruby to choose between the conventions of a well-ordered life back home, and the risk of an unknown future.

My Thoughts:

Wow! This cover alone makes me want to read the book. Then when I read the description, I downloaded the book immediately from NetGalley to review. Lately I have been mostly listening to audio books because of my schedule and so forth but I’m slowing getting back into reading print books. Hooray!

I love reading stories that take place during this era and the cover really gives you the vibe of the story. One can tell this will be a wonderful story. Well, not because of the cover per say but because the author is a great story-teller.

Stephanie M. Hopkins

Cover Crush is a weekly series that originated with Erin at Flashlight Commentary.

Other great cover crushes from my fellow book bloggers: 

Magdalena at A Bookaholic Swede
Colleen at A Literary Vacation
Heather at The Maiden’s Court
Holly at 2 Kids and Tired

 

Author Interview with Janet Stafford -The Great Central Fair

I’d like to welcome back Janet Stafford to Layered Pages today! Janet has several books published including the historical fiction novels, “Saint Maggie Series”.  Hi, Janet! Please tell everyone a little about your Saint Maggie Series as a whole.

Hi, Stephanie! Thank you for talking the time to talk with me about my novels.

The Saint Maggie series is about love, hope, forgiveness, strength, and faith during difficult times. It is set in Civil War America and focuses on Maggie Blaine Smith and her unconventional family. Maggie learns the value of compassion and love after she is disowned by her family for marrying the son of a rival businessman. Fortunately, she and her husband are taken in by her husband’s Aunt Letty. After her husband and young son die, Maggie is encouraged by Aunt Letty to start a boarding house to make ends meet. Maggie does this and takes in people who need help, who need love, and who cannot pay her very much in the way of rent.

That’s her situation at the beginning of the first novel, Saint Maggie. The story is set in a fictional town called Blaineton in Warren County, New Jersey. Maggie has two teenage daughters (Lydia and Frances) and runs a rooming house with struggling boarders. She is best friends with her cook Emily Johnson and Emily’s husband Nate. The town’s folks look askance at Maggie and Emily’s friendship, since Maggie is white, and Emily is black. Eli Smith, owner and editor of the Gazette, a penny weekly newspaper, is sweet on Maggie. And Nate, Emily, Maggie, and Eli are station masters on an Underground Railroad stop, something the town may suspect, but cannot prove.

Maggie and her family of “blood relatives” and fictive kin take on the issues, dangers, and heartbreak of the American Civil War. They do it earnestly, compassionately and passionately, but also with humor. The series gives me an opportunity to look at the issues of their time through their eyes. Over the course of four full-length novels, I have been able to dig into the how the exposure to battle changed soldiers and civilians; slavery, race relations, and the work of the Underground Railroad; women’s rights; the treatment of mental illness; medicine’s first notice of Post-Traumatic Stress Disorder; the first hints of the Gilded Age that will come. The fifth book, which is my current work-in-progress, deals with segregation in education, as well as the power of the press and attempts to suppress the it. Lest you think my stories are all issue-oriented, I assure you that my characters also fall in love, have children, try to understand each other, and have moments of silliness and fun.

Please tell me about your latest book in the series, “The Great Central Fair.”

The Great Central Fair

The Great Central Fair is a novella. It had its roots in A Time to Heal: Saint Maggie Series 3 but I removed it because I realized that I had enough side plots going. I tried inserting it into my current work-in-progress, but again it just got in the way. Finally, I said, “Enough! Why don’t I make it a short story or a novella?”

The story is a solidly a romance, and I got to leave most of the social and political issues of the time behind. The Great Central Fair is about being young and in love during a time of war (1864). One of the relationships is well-established and looking toward the future. The other relationship is new and evolving. The city of Philadelphia serves as the catalyst for some of the changes that occur for the couples and the interaction among the characters in the story.

I love the title and how it stands out to grab the reader’s attention. Will you please tell your audience about the Fair and an example how it ties into your story?

I’d love to do that! When I realized I was bringing my characters to Philadelphia, I did a little research about what was going on in the city at that time. I thought it would be fun if they could engage in something that also was rooted in history. Well, I ran across a comment about the city hosting a “sanitary fair” and that stopped me dead in my tracks. What on earth was a “sanitary fair?” A showcase of bathtubs? An exhibition of the latest in sanitized drinking water? A display of modern sewage systems?

The answer both surprised me and made me slap my head and shout, “Duh!” A “sanitary fair” was a fair held to raise money for the Sanitary Commission, a civilian-run organization approved by the U.S. government. The Commission provided medical help and sanitary assistance (regarding food and general health issues) to soldiers and, sometimes, civilians. It also sent nurses and cooks to regiments and helped set up field hospitals.

The Commission was a huge effort initiated by the people to make life bearable for their soldiers. To support the Commission’s work, Sanitary Fairs were held throughout the Union and raised, by the time of the Philadelphia Sanitary Fair, over two million dollars. All the donations seemed to come from the Union’s citizens. The Philadelphia Sanitary Fair also was known as “The Great Central Fair” because it reached beyond its city and state to include people living in New Jersey and Delaware.

The connection of the fair comes into the story after the two young couples ask Chester Carson to be their chaperone on a three-day, two-night trip to Philadelphia before their young men report for duty at Mower General U.S. Hospital. It is Carson who mentions the fair a place to visit during the trip. The fair then provides a new experience for the couples, as well as (I hope) for readers. It is an 1864 exhibit of past and present during wartime that contains the hope that the Union will win the conflict and become whole once again at some future date. Within that environment, the characters all look toward their own futures.

Who are the characters in your story?

The novella revolves around Maggie’s daughters, Lydia and Frankie. By 1864, they are young women aged 22 and 18 respectively. That they are leaving the childhood behind is not lost on Maggie, who is feeling the tug of “empty nest syndrome,” especially when Frankie’s beau, Patrick, arrives at the household for a week’s leave from the army before he reports for duty as a steward at Mower General Hospital. She sees their relationship and knows it will lead to marriage. Maggie’s husband Eli also finds his stepdaughters’ maturing to be difficult. As Frankie’s in loco father, he goes a wee bit overboard to guard her purity. In Eli’s eyes Lydia is older, a widow, and the sensible sister. So, he figures he does not have to worry about her. We find out whether that is true.

Lydia’s friend, Philip, an army doctor who had been serving at Harwood General Hospital in Washington D. C., has also been ordered to report to Mower. He, too, arrives at in Blaineton to spend a week’s leave with his friend and her family.

The story follows the young couples as they become reacquainted. For Frankie and Patrick, that means making plans. For Lydia and Philip, it means a shift in their relationship from friends to something more. Both couples decide to have a holiday in Philadelphia before the men must report and, since it is 1864, they choose Chester Carson, Eli’s senior editor and one of the boarding house family, to accompany them.

For the readers who are not familiar with Eli Smith, can you talk a little about him?

Eli Smith – dark hair and eyes, short, portly, rumpled, and bespectacled. An incident in the first novel has left him with an unsteady left leg and his needs to use a cane to help him get around.

By 1864, Eli has been married to Maggie for nearly four years. He and Maggie are the parents of Bob, whom they adopted, and infant Faith, who was a surprise.

When we first meet Eli in Saint Maggie, he is a newspaperman who owns and prints the Gazette. He was raised as a Quaker but abandoned his faith and has become a free-thinker. I wanted him to be a free-thinker because Maggie’s strong Methodism needed some balance on her mate’s side. However, throughout the series, God clearly is not interested in abandoning Eli, and the newspaperman experiences the occasional bewildering supernatural intrusion. Eli also retains some of his early training as a Friend: he is anti-violence, anti-war, and a strong abolitionist. He’s an intriguing mix of a free-thinking agnostic, a man being shaped by his wife, and a man being chased by Something Else.

If Maggie is, as one of my beta readers puts it, someone who experiences ten different emotions at once, Eli generally tends to have one at a time and they’re usually strong: angry, remorseful, sorrowful, tender, thoughtful, questioning, and… funny. He’s good comic relief.

Over the course of the Saint Maggie series, Eli loses his precious Gazette weekly newspaper to an arson fire. He tries to continue to make a go as a war correspondent for the New York Times but loses the job when he writes something other than what the editors demanded. The experience demoralizes him and feels like a failure, professionally and personally. Fortunately, Tryphena Moore (Blaineton’s richest and most intimidating citizen) decides to start a paper of her own called The Blaineton Register. She invites Eli to be her editor-in-chief because she hopes he will create “controversy of the best kind.” So, in The Great Central Fair, Eli now oversees a growing newspaper and is living his dream. He may be in a smallish western New Jersey town but now he is a miniature version of his hero Horace Greeley.

I use Eli in the first chapter to introduce the characters and the setting in The Great Central Fair.

Were there any particular scenes you found challenging to write?

Good question! The chapter at the fair was quite challenging for me. Research-wise, I was lucky to find copies of the fair’s visitor guide online and in paperback form. I also found a great many black and white photos of the Philadelphia fair at the Library of Congress. But when I tried to bring the fair to life, that was rather tough. Sometimes it was difficult to imagine the black and white photos in color and teeming with the people. Also, the way people in the 1800s mounted exhibits is quite different than way we do today. From what I could observe, fair’s displays simply were hung on walls and set up on tables. I saw none of the installation methodologies we are familiar with today. My head kept thinking, “wow, all this stuff was just sitting around and hanging on walls. Boring!” And I had to remind myself that this was all new for my characters and therefore exciting. I think the easiest thing to imagine was the Floral Department because the guide book was bubbling over with nineteenth-century enthusiasm about all the flowers and displays.

Imagining the physical scope of the building was tough, too. It took up all of Logan Square! Trying to get the feeling of the walking in the space was next to impossible, but I gave it my best shot. Again, the pictures with some of the descriptions from the guide books helped.

What is some of the research that goes into writing an historical fiction novel?

I generally start with secondary sources – people who are writing about an era, its events, and people from a distance. That gives me context and a general understanding. But I love to get hold of primary sources – things written at the time the event or person lived. Frankly, I would love to be able to go and hang out in an archival library for a week, but I have another form of employment other than writing, so taking the time off to do that is not possible. That means I need to rely on books and the articles on the internet. However, I am fortunate to have a solid background in the 19th century, thanks to a Ph.D. in North American Religion and Culture from Drew University. So, that background plus the research starts me on my way. And yet research also occurs while I’m writing. I can’t tell you how many times I have stopped to look something up because I’m not sure what I’m doing is true to the era. That goes for everything from language to laundry to the type of press Eli’s newspapers have and what they look like.

Some friends have been encouraging me to write a YA (Young Adult) fantasy and I tried to put them off by saying that means I’d have to create a coherent world of my own. They immediately responded by saying that wasn’t a problem, it was a benefit. All I had to do would be make stuff up and make sure it makes sense. I wouldn’t have to research every little thing. Really? I don’t know about that. One of the authors I know has written a fantasy series and it looks like hard work to imagine a coherent, detailed world. I’ll probably take a stab at writing a book like that but I believe it will be every bit as difficult as historical fiction.

Reading your novels, it is apparent how much the 19th Century interest you. What are some of the misconceptions people might have about the time period?

We’ve talked about this on the phone, Stephanie, so you know what I’m going to say! The big misconception about the time period is that we see it as so much simpler than it was. An extreme example of this is the Civil War: North=good, South=bad. Wrong! The politics before, during, and after the war were complex, the emotions were complex, the beliefs were complex, the situations were complex. People did not march in lock-step physically, nor did they march in lock-step emotionally, intellectually, or spiritually.

A good example of this is my home state of New Jersey. It was part of the Union during the Civil War, but it was not overwhelmingly pro-war or anti-slavery. In fact, my state was the last to outlaw slavery in the Union and even then, we did it gradually. We also had many “Copperheads,” people who were anti-war and anti-Lincoln. In my series, I try to point out the conflicts that are peculiar to New Jersey.

We also like to think that 19th century Americans were basically the same in their ethnicity and religious beliefs. But even in the 1860s United States was a varied place. Living in the nation were Native peoples, people enslaved and free whose background was African, people from Ireland, England, France, Germany, and other European nations. Religions were diverse, too: Judaism, Islam (10-15% of African slaves were Muslim when they arrived & struggled to practice their faith in secret), native religions from Africa, Native American religions, Christianity (in all its diverse forms), and Mormonism. And I’m sure I missed more examples.

I firmly believe that the roots of who we are today and the issues with which we struggle today have their roots in the 19th century. Why? Simply because we haven’t dealt with them.

Will you continue to write more books in this series?

I’m thinking of ending the series in 1865, shortly after the war. However, Maggie and Eli may let me know that their story goes on beyond that. So, all I can say is that my plan is to end it in 1865, but I may get out-voted by my characters.

In the meantime, I am “spinning off” a series for Frankie and probably one for Lydia. The Great Central Fair and The Enlistment are my first attempts at focusing more closely on Maggie’s daughters.

Where can readers buy your book?

Once it is published, you may buy The Great Central Fair (or any of the other books or short stories related to the Saint Maggie series) at the following places:

Squeaking Pips Press, Inc. This is my micro publishing house. The website is Squeaking Pips  and I have a convenient Store page on it. I sell only the paperbacks there.

Amazon carries the books in paperback and on Kindle. You’ll also find the books at Barnes & Noble, and other online distributors.

You might find them in a bookstore or a library. If you don’t see them, please request them!

The one store that I know you can find two of the series in is the Lahaska Bookshop, Peddler’s Village Store, 162 Carousel Ln & Rte 263 A, Lahaska, PA 18931. Dolyestown & Lahaska Book Shop

Thank you for the interview, Stephanie. I really enjoyed the questions!

About Janet Stafford:

Janet R Stafford

Janet Stafford is a Jersey girl, book lover and lifelong scribbler. She readily confesses to being overly-educated, having received a B.A. in Asian Studies from Seton Hall University, as well as a Master of Divinity degree and a Ph.D. in North American Religion and Culture from Drew University. Having answered a call to vocational, but non-ordained ministry, Janet has served six United Methodist Churches, working in spiritual formation, communications, and ministries with children, youth, and families. She also was an adjunct professor for six years, teaching college classes in interdisciplinary studies and world history.
Writing, history, and religion came together for Janet when she authored Saint Maggie, an historical novel set in 1860-61 and based on a research paper written during her Ph.D. studies. She thought the book would be a single novel, but kept hearing readers ask, “What happens next?” In response, Janet created a series that follows the unconventional family from the first book through three other novels and three short stories, all set in the traumatic years of the American Civil War. Janet also ventured into the contemporary romance genre, going closer to home (the church) for her source material. Heart Soul & Rock ’n’ Roll tells the story of 40-year-old Lindsay Mitchell, who led a rock band in college but for the past fifteen years has worked as an assistant minister. Besieged by mid-life crisis, Lins wonders if perhaps she isn’t called to something new. But could that “something new” be a relationship with Neil, a man with a messy life and a bar band called the Grim Reapers?

Links:

Website

Amazon

Twitter: @JanetRStafford

Instagram

Facebook

L.A.P. it Marketing

Cover Crush: The Glass Ocean by Beatriz Williams, Lauren Willig , Karen White

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I am not a cover designer but I can agree that cover layouts play an important role in the overall presentation of stories and I must admit, often times I first judge a book by its cover.

The Glass OceanThe Glass Ocean by Beatriz Williams, Lauren Willig , Karen White

From the New York Times bestselling authors of The Forgotten Room comes a captivating historical mystery, infused with romance, that links the lives of three women across a century—two deep in the past, one in the present—to the doomed passenger liner, RMS Lusitania.

May 2013
Her finances are in dire straits and bestselling author Sarah Blake is struggling to find a big idea for her next book. Desperate, she breaks the one promise she made to her Alzheimer’s-stricken mother and opens an old chest that belonged to her great-grandfather, who died when the RMS Lusitania was sunk by a German U-Boat in 1915. What she discovers there could change history. Sarah embarks on an ambitious journey to England to enlist the help of John Langford, a recently disgraced Member of Parliament whose family archives might contain the only key to the long-ago catastrophe. . . .

April 1915
Southern belle Caroline Telfair Hochstetter’s marriage is in crisis. Her formerly attentive industrialist husband, Gilbert, has become remote, pre-occupied with business . . . and something else that she can’t quite put a finger on. She’s hoping a trip to London in Lusitania’s lavish first-class accommodations will help them reconnect—but she can’t ignore the spark she feels for her old friend, Robert Langford, who turns out to be on the same voyage. Feeling restless and longing for a different existence, Caroline is determined to stop being a bystander, and take charge of her own life. . . .

Tessa Fairweather is traveling second-class on the Lusitania, returning home to Devon. Or at least, that’s her story. Tessa has never left the United States and her English accent is a hasty fake. She’s really Tennessee Schaff, the daughter of a roving con man, and she can steal and forge just about anything. But she’s had enough. Her partner has promised that if they can pull off this one last heist aboard the Lusitania, they’ll finally leave the game behind. Tess desperately wants to believe that, but Tess has the uneasy feeling there’s something about this job that isn’t as it seems. . . .

As the Lusitania steams toward its fate, three women work against time to unravel a plot that will change the course of their own lives . . . and history itself.

My thoughts:

Just looking at the cover you must know the story takes place on a cruise liner. There is really nothing spectacular about the cover but knowing that the cover depicts the setting of the story and leads me to investigate further…Yeah, this is a good cover.

Stephanie M. Hopkins

Cover Crush is a weekly series that originated with Erin at Flashlight Commentary.

Other great cover crushes from my fellow book bloggers: 

Magdalena at A Bookaholic Swede
Colleen at A Literary Vacation
Heather at The Maiden’s Court
Holly at 2 Kids and Tired

 

Cover Crush: Saving Phoebe Murrow by Herta Feely

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I am not a cover designer but I can agree that cover layouts play an important role in the overall presentation of stories and I must admit, often times I first judge a book by its cover.

Saving Phoebe MurrowSaving Phoebe Murrow by Herta Feely

Upper Hand Press

Pub Date 02 Sep 2016

Description

Inspired by the tragic story of Megan Meier, who committed suicide following a cyber-bullying incident, Saving Phoebe Murrow follows DC lawyer Isabel Winthrop as she struggles to balance work and the responsibilities of being a mother and wife. She does everything in her power to keep Phoebe safe but fails when the mysterious Shane appears on Facebook and flirts with her teenage daughter.

This novel, which has won three separate awards (most recently a 2018 National Indie Excellence Award), explores the devastating impact social media can have on teenage girls along with the difficult, yet delicate relationship between mothers and their teenage daughters through five different points-of-view.

My thoughts:

I really can’t pin point why I’m drawn to this cover so much. Maybe it’s the rain on the widow effect and how the butterfly is up against it and the colors of the wings seem to be bleeding…? Does that make sense or does it sound totally morbid! *laughing* Yikes! Anyhow, the cover is great and I think it draws one in to find out more about the story.

Stephanie M. Hopkins

Cover Crush is a weekly series that originated with Erin at Flashlight Commentary.

Other great cover crushes from my fellow book bloggers: 

Magdalena at A Bookaholic Swede
Colleen at A Literary Vacation
Heather at The Maiden’s Court
Holly at 2 Kids and Tired

 

Cover Crush: The Deserving by Efren O’Brien

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The DeservingThe Deserving by Efren O’Brien

BooksGoSocial

Historical Fiction, Romance

Pub Date 16 Aug 2017

In early 1862, General Henry Hopkins Sibley and his Confederate Brigade rode across the West Texas desert from San Antonio to El Paso and followed the Rio Grande north into the New Mexico Territory.

Their goal was nothing less than to conquer the entire Western US for the Confederacy. During this time a young New Mexican named E’mile Deschampes who was only eighteen years old, enlisted in the Union Army to oppose the Confederates in New Mexico.

A prolific battle takes place at Valverde Ford near Socorro New Mexico in February of 1862, and E’mile is nearly killed there. He is rescued from the battlefield by a local villager Carmen Reyes. Together, at Valverde they begin their relationship and strange odyssey with a brutal Confederate Lieutenant, Aubrey McGrath.

Their conflict with McGrath will last nearly twenty years and almost cost them their lives. And as luck and fate play a part in life’s events, the couple encounter McGrath after the war in Santa Fe in the late 1800’s. McGrath tries again without success to kill E’mile. E’mile prepares for one final battle against his longtime rival as Carmen is kidnapped in Santa Fe by McGrath and his gang.

Will Carmen and E’mile survive to tell the tale of their ordeal with their former Civil War enemy? Or in 1881 will they both become victims to Aubrey McGrath and his evil gang?

My thoughts:

The premise of the story is of interest to me and I really like the dramatic feel to the cover. The layout definitely gives the reader an indication of what the book is about and the period the story is written in.

Stephanie M. Hopkins

Cover Crush is a weekly series that originated with Erin at HISTORICAL FICTION READER

Other great cover crushes from my fellow book bloggers: 

Magdalena at A Bookaholic Swede
Colleen at A Literary Vacation
Heather at The Maiden’s Court
Holly at 2 Kids and Tired