My latest pieces will feature some of the influences of Abstract Impressionism. My fascination for layers, texture and the depth come from this form of art from many artists I have studied over the years. No only that, but from patterns and colors I observe in nature and how they coincide with each other. Later on, I will be discussing further about my interest in the medium, the artists that inspire me and when I first discovered my passion for Abstract Impressionism.
This past Thursday, Georgia had a wicked storm come through and over a million people were out of power. Of course, that was the day I had planned on starting new art pieces. The lighting was poor in my art area so I eventually moved my panels to the kitchen island. I am working with Birch and MDF Boards and I have begun the first layers of three and prepping the others with Gesso. The third piece is not shown in these pictures. Have a blessed weekend! -Stephanie Hopkins
The definition of Abstract Impressionism according to Wikipedia: “Is an art movement that originated in New York City, in the 1940’s. It involves the painting of a subject such as real-life scenes, objects, or people (portraits) in an Impressionist-style, but with an emphasis on varying measures of abstraction. The paintings are often painted en plein air, an artistic style involving painting outside with the landscape directly in front of the artist. The movement works delicately between the lines of pure abstraction (the extent of which varies greatly) and the allowance of an impression of reality in the painting.”
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I’ve had several people ask me about how I blend my colors without the colors coming out muddy. That is an excellent question. Three things to remember: Know which colors are warm colors and cool colors. Know which colors not to blend together at the same time. Allow drying time between the layers of warm and cool colors. I recommend downloading or purchasing a color wheel as a guide.
Often times I get asked what is my favorite color. Asking a painter or crafter what their favorite color is, is like asking a book worm what their favorite book is. There usually isn’t just one favorite color or book. If we broke it down to cool and warm colors, I would have to say that currently Magenta and Lake Blue are the colors of choice for a few of my current projects. Having said. Lately I have been working a lot with Blues, and Greens. They represent Earth, Ocean and Sky.
If you’re unsure about what colors you want to start painting with, a good idea is to go for a walk and observe the colors around you. What colors are your eyes drawn to? If you are not able to go out-doors, pick up a magazine or look at your surroundings and observe the colors. Soon you will begin to notice depth and patterns for inspiration.
What are cool colors?
Greens, Blues, and Purples are considered cool colors with variations. Blue is the only primary color in the cool category.
What are warm colors?
Reds, Oranges and Yellows are considered warm colors. Red and Yellow are primary colors.
Once you learn how they react to each other, you will be able to create wonderful depth with the colors.
When working with colors-especially acrylic paint-it is always best to have White paint on hand. If the color you are working with is too vibrant-like an Orange color-you can add a little white to it to soften the hue.
In the near future, I will talk about neutral colors.
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Most of the materials I am using for these cards are my painted collage papers I make on a regular basis. I’m also using magazine clippings and images from old books for collage. As well as Tim Holtz and other artists ephemera you can purchase online or at craft stores. Many of these cards will be used for my 2021 Journals. Others I want to either frame for make another art piece out of them using the collage method.
There are several challenge days you can choose for this challenge and I chose 100 days. Check out Part 12 post in this challenge HERE, where I include more details of this art adventure.
Be sure to follow and check out more of my art at my Instagram!
Stephanie Hopkins
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Good morning, afternoon and evening depending where you are in the world! This year has brought so many changes in the world, including social media. With the lockdowns, people are utilizing the net in increasing rates, I believe. I know that is a no-brainer but lately is has me thinking about how one uses time and mindfulness. What is important, what content one puts out there and the influences it creates. Whether they are positive or negative influences.
I guess the point I’m getting at is that it is important to create a habit of mindfulness in all aspects of our lives. In everything we do and say. That extends to social media as well. Awareness and self-control are a powerful state of being. Is there a feeling, emotion, or thought process you would like to change? Everyone has them. Most time we get so caught up in them, we don’t realize how it is affecting us and those around us.
Murder at Queen’s Landing is part of the Wrexford & Sloane Series by Andrew Penrose. I must admit I have not started the series as of yet but I’m keeping a close eye on it. Today, I am highlighting this particular book because I absolutely love how the cover evokes hauntingly imagery. This cover would make a beautiful painting.
There are many elements to this story that interest me. Not only the cover but the genre and the time period the story is set in. A theme that really stood out to me is the, “World of banking and international arbitrage.” The world banks wield unspeakable power that the majority of the populous is completely unaware of that fact. I have a feeling this is an interesting story to say the least and I’m curious as to where the author goes with this. -Stephanie Hopkins
Book description:
Murder at Queen’s Landing (Wrexford & Sloane #4)
by Andrea Penrose
Published September 29th 2020 by Kensington Books/Kensington Publishing Corp.
The murder of a shipping clerk . . . the strange disappearance of trusted friends . . . rumors of corruption within the powerful East India Company . . . all add up to a dark mystery entangling Lady Charlotte Sloane and the Earl of Wrexford in a dangerous web of secrets and lies that will call into question how much they really know about the people they hold dear—and about each other . . .
When Lady Cordelia, a brilliant mathematician, and her brother, Lord Woodbridge, disappear from London, rumors swirl concerning fraudulent bank loans and a secret consortium engaged in an illicit—and highly profitable—trading scheme that threatens the entire British economy. The incriminating evidence mounts, but for Charlotte and Wrexford, it’s a question of loyalty and friendship. And so, they begin a new investigation to clear the siblings’ names, uncover their whereabouts, and unravel the truth behind the whispers.
As they delve into the murky world of banking and international arbitrage, Charlotte and Wrexford also struggle to navigate their increasingly complex feelings for each other. But the clock is ticking—a cunning mastermind has emerged . . . along with some unexpected allies—and Charlotte and Wrexford must race to prevent disasters both economic and personal as they are forced into a dangerous match of wits in an attempt to beat the enemy at his own game.
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Stephanie Hopkins
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“Whether you succeed or not is irrelevant, there is no such thing. Making your unknown known is the important thing.” – Georgia O’Keeffe
You want to create art with paints and all sorts of mediums but you don’t know where to begin or you’re afraid that you’ll mess up? Guess what? You can’t mess up. Create what you love. Below are some tips on how to leave that self-doubt in the dust.
Tips to create:
Don’t think too much about it. Learn by experimenting. Don’t pay attention to what others think. Validation comes from within. Get messy. Tear into your paper. Lose all self-doubt. Free your mind. Have fun. You got this!
Next week I will be talking a little about colors.
Be sure to follow and check out more of my art at my Instagram!
Stephanie Hopkins
Images may be subjected to copyright. In order to use art images or any content on Layered Pages platform, please ask permission from Stephanie Hopkins
Most of the materials I am using for these cards are my painted collage papers I make on a regular basis. I’m also using magazine clippings and images from old books for collage. As well as Tim Holtz and other artists ephemera you can purchase online or at craft stores. Many of these cards will be used for my 2021 Journals. Others I want to either frame for make another art piece out of them using the collage method.
There are several challenge days you can choose for this challenge and I chose 100 days. Check out Part 11 post in this challenge HERE, where I include more details of this art adventure.
Be sure to follow and check out more of my art at my Instagram!
Stephanie Hopkins
Images may be subjected to copyright. In order to use art images or any content on Layered Pages platform, please ask permission from Stephanie Hopkins
The Index Card Art Challenge 2020 is getting closer to the finish line! Today, I’m sharing part 11 of this challenge which entails day 68-75. On two of the cards you can see that I did some hand stitching. I find sewing on paper soothing as I do with fabric. The act forces you to slow down and be completely in the present.
Most of the materials I am using for these cards are my painted collage papers I make on a regular basis. I’m also using magazine clippings and images from old books for collage. As well as Tim Holtz and other artists ephemera you can purchase online or at craft stores. Many of these cards will be used for my 2021 Journals. Others I want to either frame for make another art piece out of them using the collage method.
There are several challenge days you can choose for this challenge and I chose 100 days. Check out Part 10 post in this challenge HERE, where I include more details of this art adventure.
Be sure to follow and check out more of my art at my Instagram!
Stephanie Hopkins
Images may be subjected to copyright. In order to use art images or any content on Layered Pages platform, please ask permission from Stephanie Hopkins
I’ve recently added these books to my to-read list. Definitely worth checking out. -Stephanie
The Man Called Red: An Autobiography of a Guide and Outfitter in Northern British Columbia by N.B. Sorensen
“Red” Sorensen tells his life in The Man Called Red with the characteristic reserve and understated humor typical of men seduced by the great outdoors. One likes him almost immediately, both for his character, his honesty, and integrity and for his singular, unbending self-accountability.
He gets on well with almost everyone he meets – becoming the bane of those who cheat and lie and steal – and marries a woman he deserves and appreciates as much as he does the land that he explores and worships.
From the early 1900s until the present day, “Red” Sorensen recounts with exquisitely detailed descriptiveness his wilderness adventures and all-too-frequent brushes with mortal danger, whether from ubiquitous mountain predators, natural catastrophes, foolish fellow men, or his planes that seem to crash too often.
I find myself in awe of this man, and I admire his wife who kept up with him; It takes a special kind of women to love a man extraordinary as Red. If you sign up for his ride, prepare to be awestruck by the country he guides you through, and the quality of this man called simple “Red.
Rescued from the Ashes: The Diary of Leokadia Schmidt, Survivor of the Warsaw Ghetto
by Leokadia Schmidt
The diary of a young Jewish housewife who, together with her husband and five-month-old baby, fled the Warsaw ghetto at the last possible moment and survived the Holocaust hidden on the “Aryan” side of town in the loft of a run-down tinsmith’s shed.
A Square Meal: A Culinary History of the Great Depression by Jane Ziegelman
From the author of the acclaimed 97 Orchard and her husband, a culinary historian, an in-depth exploration of the greatest food crisis the nation has ever faced—the Great Depression—and how it transformed America’s culinary culture.
The decade-long Great Depression, a period of shifts in the country’s political and social landscape, forever changed the way America eats. Before 1929, America’s relationship with food was defined by abundance. But the collapse the economy, in both urban and rural America, left a quarter of all Americans out of work and undernourished—shattering long-held assumptions about the limitlessness of the national larder.
In 1933, as women struggled to feed their families, President Roosevelt reversed longstanding biases toward government sponsored “food charity.” For the first time in American history, the federal government assumed, for a while, responsibility for feeding its citizens. The effects were widespread. Championed by Eleanor Roosevelt, “home economists” who had long fought to bring science into the kitchen rose to national stature. Tapping into America’s longstanding ambivalence toward culinary enjoyment, they imposed their vision of a sturdy, utilitarian cuisine on the American dinner table.
Through the Bureau of Home Economics, these women led a sweeping campaign to instill dietary recommendations, the forerunners of today’s Dietary Guidelines for Americans. At the same time, rising food conglomerates introduced packaged and processed foods that gave rise to a new American cuisine based on speed and convenience. This movement toward a homogenized national cuisine sparked a revival of American regional cooking. In the ensuing decades, this tension between local traditions and culinary science have defined our national cuisine—a battle that continues today.
A Square Meal examines the impact of economic contraction and environmental disaster on how Americans ate then—and the lessons and insights those experiences may hold for us today.
This painting spoke to me as I created the depth of the background and the collage house. There is a story within those walls. I find myself drawn to explore houses further in my work. Houses have always been a deep fascination of mine. Especially old dwellings. -Stephanie Hopkins
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Images may be subjected to copyright. In order to use art images or any content on Layered Pages platform, please ask permission from Stephanie Hopkins