Interview with Author Jeannie Ruesch


 Jeannie Ruesch

Stephanie: I would like to welcome, Jeannie Ruesch to Layered Pages.

Jeannie wrote her first story at the age of the six, prompting her to give up an illustrious, hours-long ambition of becoming a Dallas Cowboy Cheerleader and declare that writing was her destiny. That journey to destiny took a few detours along the way, including a career in marketing and design.

Her first novel, a fairy-tale like historical romance, was published in 2009, but the darker side of life had always captivated her. So after a dinner conversation with friends about the best way to hide a dead body, she knew she had to find a way to incorporate suspense into her writing. (The legal outlet for her fascination.) Today, she continues writing what she loves to read – stories of history, romance and suspense. She lives in Northern California with her husband, their son and an 80 pound lapdog lab named Cooper.

Stephanie: Hello, Jeannie! Thank you for chatting with me today! Please tell me about your book, Cloak in Danger.

Jeannie: Thanks so much for having me today!  Here is the blurb for Cloaked:  Aria Whitney has little in common with the delicate ladies of London society. Her famous father made his fortune hunting archaeological treasures, and her rustic upbringing has left her ill-prepared for a life of parties and frippery. But when Gideon Whitney goes missing in Egypt, Aria must embrace the unknown—armed with only the short list of highborn men who’d backed her father’s venture, she poses as a woman looking for a husband. She doesn’t intend to find one.

Adam Willoughby, Earl of Merewood, finds London’s strangest new debutante fascinating, but when he catches her investigating his family’s secrets, he threatens to ruin her reputation. He doesn’t intend to enjoy it so much.

When their lustful indiscretion is discovered, Adam finds that he regrets nothing. But now, as her father’s enemy draws near, Adam must convince his betrothed that she can trust him with her own secrets…before it’s too late.

Stephanie: What genre does it fall under and what was your inspiration for your story?

Jeannie: Cloaked in Danger is a smooshing together of historical romance and romantic suspense, with a very unconventional heroine who doesn’t care much about the rules of London society.   I love the combination of history and suspense, and I’m always fascinated by the people that live on the edges of their world.  In Cloaked in Danger, there’s a melding of Aria’s world-view and the restrictions of London society, as well as a blurring of the line between the high society and the darker crime world in London.  I enjoy contrasts, I think — and that’s what inspires me to write.

Cloaked in Danger

Stephanie: How long did it take you to write your story and did you work with an outline or just write?

Jeannie: I am a plotter/outliner all the way.   My first step in writing a story is to build the outline all the way to the end.  So when I sit down to fill in the chapters, I know where I’m going, what’s next and my approximate page count.

Stephanie: Where there any challenging scenes or characters to write about?

Jeannie: Yes, absolutely.  This was a challenging book in the way that Aria, my heroine, goes through a tremendous amount through the book and I really wanted to honor the truth of that psychological place she was in.

Stephanie: How did you come up with your title?

Jeannie: The title was a blended effort with my editor and the amazing folks at Carina Press.  We threw out ideas and a bunch of different suggestions, and they came back with Cloaked in Danger. I loved it from the minute I saw it – it was perfect.

Stephanie: Have you learned anything new from writing your story?

Jeannie: I believe I learn something from every book I write, and the characters I build.  I think for all writers, we put little pieces of ourselves into our stories, sometimes without even realizing it.   And by the end of a book, I can look back at the characters and recognize what I’ve hidden inside – the parts of me, a memory, a trait of someone I love.  Also, I am always fascinated by why people do what they do — how our histories create our strengths, our weaknesses and I like to write characters who are flawed.   My heroine, Aria is very impulsive —and that’s not really meant as a strength. It’s a flaw in her character, one that’s built from the on-the-go world she lived in, one she inherited in some ways from her father and how he has reacted to things in his life.  I think every character I write teaches me something new.

Stephanie: What are some of the best compliments you have received about your book so far?

Jeannie: One reviewer said that Cloaked in Danger defied her expectations and caught her off-guard.  I was very happy to hear that, because I knew that mixing historical romance with romantic suspense would be tough for people to place.  In strictly historical romances, most other plots are subplots.  As I was writing the book, I believed the suspense plot needed as much presence and focus as the romantic connection, like you would find in modern romantic suspense.  Aria’s father is missing and her focus had to be on finding him and what she goes through in the process.  I didn’t want them to give up their goals just because they were having feelings for each other.  Another thing I like to hear is that my characters are unconventional because as I start to write,

Stephanie: What is up next for you?

Jeannie: I’m working on the next two books (writing my 3rd and plotting my 4th), as they are tied into Cloaked in Danger.  Adam, the hero in Cloaked has four sisters.  And two of those sisters are taking their turn in the spotlight in the next two books.  (My first book is about Adam’s sister, Blythe — titled Something About Her.)

Stephanie: What advice would you give to an aspiring author?

Jeannie: Keep writing, keep learning.  There are so many great tools, workshops, blogs and places to learn about your craft and hone your skills.  It’s well worth it to spend as much time as you can learning the “science” of writing fiction.   But that’s only one aspect of what makes writing magic —the rest is all you, your experiences, your thoughts, and the voice you want to share with the world.  Just believe in the fact that you have something worthwhile to share, because you do!

Stephanie: Where can readers buy your book?

Jeannie: Pretty much wherever digital books are sold, including:

Amazon Barnes & Noble | Kobo Chapters | Google PlayCarina Press

Praise for Cloaked in Danger

“Cloaked in Danger has all the elements readers crave— larger-than-life characters, a vivid and believable setting, heart-pounding romance and just the right amount of mystery. Don’t miss it! It kept me reading deep into the night.” — New York Times Bestselling Author Brenda Novak

“In ‘Cloaked in Danger’ Jeannie Ruesch has crafted a taut, emotional thrill-ride through the streets of Regency London. Archaeological adventure and drawing room intrigue are combined in a story that will keep you reading late into the night. Jeannie Ruesch is an author to watch.” — RITA Award Nominated Author Elizabeth Essex

Monday, January 27
Review at Flashlight Commentary
Facebook Launch Party (3:00 – 7:00pm PST)

Tuesday, January 28
Interview at The Maiden’s Court

Wednesday, January 29
Spotlight & Giveaway at Unabridged Chick
Spotlight & Giveaway at Book Reviews & More by Kathy

Thursday, January 30
Review at History Undressed
Interview at Layered Pages

Friday, January 31
Guest Post & Giveaway at History Undressed

Monday, February 3
Review at Closed the Cover
Review at The Most Happy Reader

Tuesday, February 4
Review at The Lit Bitch
Review at Ageless Pages Reviews

Wednesday, February 5
Spotlight & Giveaway at Mina’s Bookshelf

Thursday, February 6
Review at Kincavel Korner
Review at I Heart Romance

Friday, February 7
Interview & Giveaway at Kincavel Korner

Publication Date: January 27, 2014
Carina Press

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Interview with Author Mariana R. Silva-Buck

Marianan Silva Buck

Mariana R. Silva-Buck is a photographer, a writer and a mother who has worked with children since she was a teenager, from teaching summer camp to volunteering at the orphanage in Rio de Janeiro, Brazil, where she was born and raised. She received her B.A. in Communication from the University of Massachusetts Amherst and currently lives in Wales, MA with her husband, her daughter and their big bud Zandor. She is a SCBWI member and has also earned the title of International correspondent from the Brazilian Sovereing Academy of Arts of Rio de Janeiro EstateHer passion for children, literature, multiculturalism and learning inspired her to write the children’s book, The Adventures of Zandor. 

Stephanie: Hello, Mariana! Congrats on winning the B.R.A.G Medallion. Please tell me about your book, The Adventures of Zandor.

Mariana: Hi Stephanie.  Thank you so much for interviewing me. Well, The Adventures of Zandor is the story of a little dog who teaches us to believe in the power of imagination, the importance of overcoming our fears and what can happen if you simply try.

Zandor is a dog who loves to play in the yard, however his biggest dream is to go on a real adventure. One day he goes on a trip with his family to explore nature and everyone is thrilled, but what he didn’t realize is how quickly the unknown can become overwhelming when it is right in front of you. Although the little dog is afraid, he doesn’t give up, instead Zandor transforms into a super hero (because super heroes can do anything) through the power of imagination, overcomes his fear and have the adventure of his dreams.

Stephanie: What inspired you to write your story?

Mariana: My inspiration to write this book came after seeing so many kids, especially young kids, like my 4 year old nephew being so caught up with new technology and not spending time to be creative with play time. Some of my best childhood memories are building forts, climbing trees and playing pretend. 21% of today’s kids regularly play outside, compared with 71% of their parents’ generation at their age. I certainly want to inspire children to have those experiences too. I thought to myself “what has happened to playing outside, using your imagination?” I felt I should do something about it. During my 2 years observing my friends and family’s children and teens I notice many of them didn’t have an interest in playing and being creative because they didn’t know what to do and quite honestly they were afraid to try or afraid to fail, it was much easy to play a game that was telling them what to do and how to play.

Soon after my other nephew was born and the following year my daughter was born, then everything changed. I felt it was the right time and I had a purpose, I was looking with the eyes of a mother and an artist, I truly believe that made the perfect combination, beside I had all the ingredients of good kid’s story, our awesome dog who has been to all kinds of crazy adventures with us, a focused message and a child.

]The adventures of Zandor

Stephanie: Have you written in the children’s genre before?

Mariana: No, I have never written in the children’s genre before but I am a bit of a story teller (giggles), I write articles for a whole different target group but children’s genre is my passion.

Stephanie: Is there a message or a lesson you would like your readers to come away with?

Mariana: Although I believe technology is very important, I also believe that learning problem solving skills and being creative is extremely necessary for child development. Some of my best childhood memories are playing pretend, building forts with sheets and chairs, making paper swords or playing with my dolls, I do understand things have changed but I want to at least try to inspire kids to use their imagination, believe in themselves and overcome their fears. According to experts, a lack of outside time can have a great impact in a child developmental growth. This unwanted side-effect is called Nature Deficit Disorder (NDD), a term coined by the writer Richard Louv. “Kids who do play outside are less likely to get sick, to be stressed or become aggressive, and are more adaptable to life’s unpredictable turns.”

Stephanie: How long did it take for you to write your story?

Mariana: It took me about 3 months and 8 drafts to figure out how the story should go.

Stephanie: Did you work with an outline or just write?

Mariana: I just started to write and let my imagination take over based on the message I wanted the book to have, the story kind of took its own direction, it is very different from what I had originally imagined.

Stephanie: Who designed your book cover?

Mariana: Her name is Marissa Perna, she is an amazing illustrator who really understood what I wanted and what tone the illustration should have, it was a perfect marriage, she did all the art work and I did the layout of the book and the cover title. I couldn’t have done it without her.

Stephanie: What is up next for you?

Mariana: I have just finished writing the second book from Zandor’s series, I am working on my publishing company Pink Boto Publishing and I am also the new editor in chief at CBP Magazine, an online luxury magazine. (

Stephanie: Is there a message you would like to give to your readers?

Mariana: Always believe in yourself, if you want to do something but you are afraid do it anyways. Try, dare to be brave and if you fail that’s ok, you get up and try again but don’t let fear stop you from doing your best and most important of all, have fun while doing it.

Stephanie: How did you discover indieBRAG?

Mariana: I spent a lot of time online researching for ways independent book authors were getting support and connecting, I came across IndieBRAG and as soon I saw the organization’s commitment to promote indie authors I knew right away I had found the right place.

Stephanie: Where can readers buy your book?

Mariana: My book is available as a hardcover and e-book on,, on my blog
My book was also published in Brazil, so the portuguese version is available on my blog also and on

Author LINKS:



A message from BRAG:

We are delighted that Stephanie has chosen to interview Mariana R. Silva-Buck  , who is the author of, Adventures of Zandor, one of our medallion honorees at . To be awarded a B.R.A.G. Medallion TM, a book must receive unanimous approval by a group of our readers. It is a daunting hurdle and it serves to reaffirm that a book such as, Adventures of Zandors, merits the investment of a reader’s time and money.

Interview with Simon Stirling


Simon Stirling hails from Birmingham, England.  He went to Glasgow University, but left early to take part in a new play on the London fringe (written by John A. Bird, who went on to found The Big Issue).  Simon then spent three years training as an actor at LAMDA, during which time he got his first literary agent.  For the next decade or so he wrote scripts for theatre and various television drama series, picking up a Writer’s Guild Award for his work on “Between the Lines” and writing what is probably the rudest episode ever of “Casualty”!  In more recent years he has worked as a script consultant and scriptwriting tutor, and for two years he was Youth and Community Director at the Roses Theatre, Tewkesbury.  Many years of research went into his first two historical nonfiction books, The King Arthur Conspiracy (2012) and Who Killed William Shakespeare? (2013) – both published by The History Press – and his current project, “The Grail: Relic of an Ancient Religion” for Moon Books.  He now lives in Worcestershire, in the heart of Shakespeare country, with his wife Kim, who was born in Stratford-upon-Avon. They were married on the Isle of Iona in 2002.

Simon keeps a blog with regular updates on his research and adventures in publishing:

Stephanie: Hello, Simon! Thank you for chatting with me today! As a Shakespeare enthusiast, I am always intrigued with anything to do with him and was delighted you wrote a book about him. Please tell me a little about your book, Who Killed William Shakespeare?

Simon: Hello, Stephanie!  “Who Killed William Shakespeare?” was first published last year by The History Press.  It’s my second book for them.  I’d spent a little over 25 years researching Shakespeare’s life and times – starting with a particular interest in the character of Lady Macbeth (where did she come from?) and then gradually widening out from Shakespeare’s middle years to take in his youth and retirement.  When I met up with my editor at The History Press to discuss the publication of my first book (“The King Arthur Conspiracy” – 2012) I was hoping we’d have time to chat about the Shakespeare project I’d mentioned to her.  We didn’t, but I did notice that she had written in her notes, “Who killed William Shakespeare?”

When I’d first mentioned the project to her, I’d outlined very briefly what I had discovered about Shakespeare’s life and the three stages (childhood and youth, middle age, retirement and death) which I was keen to cover.  The fact that she had zeroed in on his sudden death told me that this was what the publishers would be most interested in (although I still managed to cover the rest of his life in the book) and, whether she realized it or not, she’d given me my title!

who killed ws

Stephanie: That is really intriguing. Your research must have been quite extensive. Could you tell me a little about it? Was there anything you discovered that you did not know before?

Simon: The research started the traditional way: reading any books I could get hold of about Shakespeare.  But I found them all rather disappointing.  None of them really told me who Shakespeare was.  After many years, I began to realize that this is one of the great stumbling blocks in Shakespeare studies.  We know quite a lot about Shakespeare, but many scholars prefer to pretend that we don’t.  And that got my antennae twitching.

I combined what you might call “mainstream” or “orthodox” Shakespeare research with more detailed investigations into the region he came from – which also happens to be my home region.  Most Shakespeare biographers pop up to Stratford to look around and then head straight back to London.  They’re really only interested in Shakespeare-in-London.  But the best material about him, his contacts, his family network, his background, etc., is to be found in the Midlands.  For example: we know that the 18-year old Shakespeare was first given a special license to marry “Annam Whateley” of Temple Grafton (a parish near Stratford), and that the next day a license was issued stipulating that Shakespeare would marry “Anne Hathwey” of Stratford.  For years, scholars have insisted that Anne Whateley (his first betrothed) didn’t exist – but a search of local records turned up a will which names her.

The biggest surprise came in the form of a skull.  I had been chasing up a local story, published by a Victorian clergyman, which insisted that Shakespeare’s skull had been stolen from his grave in Stratford and ended up in a private family crypt under another church altogether.  But it was only when I’d started writing my book that I discovered that this skull really did exist.  What is more, it shows various injuries which match those visible on the portraits of Shakespeare.  And these injuries both confirmed and added to the theory I had already formed about how Shakespeare died.  So that was a shocking moment – discovering that the Victorian vicar was (partly) right.  Shakespeare’s skull is NOT in Stratford!

Stephanie: Now that is really interesting! How long did it take you to write, Who Killed William Shakespeare? And what was your inspiration?

Simon: I’m not really sure how long it took.  For years, I was trying to write a sort of detailed novel about Shakespeare in 1605-6.  It would have covered the Gunpowder Plot (to which Shakespeare was connected in a number of alarming ways), the birth of his illegitimate son, Sir William Davenant, and the writing of “Macbeth”.  Then, little by little, I extended the scope of the project and decided to write it as non-fiction.  There were dozens of false starts.  But the manuscript for the final book actually took about nine months to write.  Some of that time, though, was spent doing very detailed comparisons of the skull, the Shakespeare portraiture, and a death mask which was probably of Shakespeare and is now in Germany.  I reckon I must have spent about two months in all, studying the similarities of these various images and objects and creating graphics which point up the comparisons.

As for the inspiration, that’s kind of complex.  I ended up believing that an enormous injustice had been done to Shakespeare, and it continues to this day.  He wasn’t alone in this: many of his friends, relatives and associates were Catholic, and they suffered horribly.  So if anything drove me in writing the book, it was the desire to right a dreadful wrong.  Shakespeare was murdered (in fact, I’ve since discovered that this was anything but secret), and the facts of his life have been systematically covered up since in order to invent a false Shakespeare, a patriotic Protestant.  That’s why so many scholars pretend that we know very little about him.  The truth is more shocking – but it also explains the man and his work, as well as his violent death.

Stephanie: Well, I am glad you wrote it as non-fiction and that is no easy task. I can’t wait to read your book! I agree with you. I have heard many stories of injustice about him and it is infuriating at times, I admit.

Have you read all his plays? His sonnets?

Simon: One way or another, yes (including a “lost” play of his).  But for the book itself, I didn’t really bother very much with his history plays (they weren’t terribly relevant), and there are others I left out because they would have cluttered up the narrative.  A few poems (“The Phoenix and the Turtle”, for example) were also side-lined, but that was really just because of space, or the lack thereof.

Stephanie: Which sonnet is your favorite?

Simon: The sonnets are fascinating – they’re more personal than letters, though I sometimes felt that I was reading somebody’s emails!  Picking a favourite is very difficult: they cover such a long span (from about 1592 up till at least 1606), and the subject matter is so varied.  If I had a favourite, it would probably be Sonnet 126, which is “unfinished” (the final couplet was never published) and was, I think, addressed to his infant son or godson, William Davenant, who was illegitimate, but whose birth in late February 1606 made up for the death of Shakespeare’s son and heir, Hamnet, ten years earlier.

Stephanie: My favorite play is the Twelfth Night and Hamlet. Which one is yours and why?

Simon: I ought to say “Macbeth”, because that was the starting point for so much of my research.  But the fact is that it took me many years to learn how to enjoy reading Shakespeare (the key was to understand his latent Catholicism: suddenly, every poem and play became very readable, and intensely emotional, once I’d latched on to that forbidden information; I remember watching a very good movie version of “Titus Andronicus” and having my usual response of, “Well, that meant nothing to me” – and then spending a year or so researching Catholicism in Shakespeare’s England, and then watching the same movie again, and I was in floods of tears throughout).  The play I found myself enjoying the most when I was working on “Who Killed William Shakespeare?”, though, was “Pericles”.  I found it a really colourful, heart-warming experience.  It was the first of Shakespeare’s plays of reconciliation, the first of his “romances” or tragi-comedies, and it was hugely popular with the Catholic community.  I think I can see why.  It promises salvation, of a sort, after many horrors.

Stephanie: Now, about you and what you read for pleasure. Who are your influences?

Simon: Well, I’m a pretty big fan of William Shakespeare!  But while I was growing up, the stories of Alan Garner really grabbed me.  He always wrote brilliantly, and his stories became more mature as he went on (he’s still alive, I should add).  In my teens, I discovered his very short novel, “Red Shift”, which remains my personal favourite.  Nobody – apart from Shakespeare, perhaps – has ever managed to squeeze so much meaning into so few words.  That book taught me that you should never go overboard with description.  Keep it simple and to the point.  Too much description cheats the reader.  Less is more.

Stephanie: I agree about going overboard with description and less is more. It certainly is an art to write that way.

How often do you write and where in your home do you write?

Simon: I write every day, if I can.  Using a laptop, I can write pretty much anywhere.  But we only have a small house, and my main work station is in the main room.  I have my back to the television, but if I’m working late into the night I’ll often have the TV on in the background, just so that the room isn’t too quiet.

Stephanie: Coffee or tea?

Simon: Coffee in the morning, and plenty of it: strong and black (I broke my old cafetiere a few days ago, and my wife made sure she’d bought me a new one by the following morning; she knows how important it is to me!).  But in the afternoon or evening, tea.  I have a very big mug, about the size of two normal mugs, which I drink my tea out of.  And I only have a splash of goat’s milk in my tea.  Cow’s milk really isn’t very good these days.

Stephanie: Historical fiction or non-fiction? Or both?

Simon: Non-fiction.  Most of my reading is research, one way or another, and while you can soak up atmosphere from fiction, I prefer hard facts.  The other problem is that my background as a dramatist means that I still mentally “adapt” novels for the screen whenever I’m reading them, which is annoying.  But I suppose the main thing is that I see reading as ongoing education.  Novels are a form of escapism, which means that I don’t really trust them.

Stephanie: Favorite read(s)?

Simon: Depends what I’m working on.  Sometimes, it’ll be something scientific (Simon Singh’s “Big Bang”, for example, which is a brilliant history of cosmology; I wrote a script for the Open University, here in the UK, back in the 90s, and we introduced the nation to the COBE satellite and the discovery of cosmic background radiation – it was good to read about how that all fitted in to the history of our understanding of the universe).  I also find biographies intriguing, because they’re so difficult to do well, and so when I find one I think is really excellent (like Kate Williams’ “England’s Mistress”, about Emma, Lady Hamilton, or W.H. Murray’s “Rob Roy MacGregor”) I’ll tend to recommend it.  Also, I would always recommend Evelyn Farr’s “Marie-Antoinette and Count Fersen: The Untold Love Story”.  That’s a book I’d love to have written.

Stephanie:  What would you like to say to your readers?

Simon: The research (into King Arthur and William Shakespeare) isn’t finished.  I’m expecting to unveil a “new” Shakespeare portrait during a public lecture I’ll be giving at Goldsmiths, University of London, in March, and that portrait appears to confirm what my research has revealed about Shakespeare’s death.  Plus, we’ll be able to access the actual skull, later this year, so there’s a lot more news to come.  Both my books could be thought of as primers – they’re introductions to the subject, and they both present a very different story to what you’ve heard previously, but most exciting of all is the fact that, as the research continues, more and more details get filled in, and I really look forward to updating my readers on the outcomes of these investigations.  So if you want a head start – read the books, and you’ll be ready for the new information as it emerges!

Stephanie: Where can readers buy your book?

Simon: There seem to be quite a lot of places around the world that are stocking it – you can even buy it in Lagos!  But there’s always Amazon, of course, and it is available both in hardback and Kindle.

Jeannie Ruesch’s Facebook Launch Party for Cloaked in Danger

Cloaked in Danger book cover

What: Jeannie Ruesch’s Facebook Launch Party for Cloaked in Danger

Monday, January 27.  3:00 – 7:00pm PST
About Cloaked in Danger
Publication Date: January 27, 2014 Carina Press eBook ASIN: B00F93X7ZI

Aria Whitney has little in common with the delicate ladies of London  society. Her famous father made his fortune hunting archaeological  treasures, and her rustic upbringing has left her ill prepared for a  life of parties and frippery. But when Gideon Whitney goes missing in  Egypt, Aria must embrace the unknown. Armed with only the short list of  highborn men who’d backed her father’s venture, she poses as a woman  looking for a husband. She doesn’t intend to find one.

Adam Willoughby, Earl of Merewood, finds London’s strangest new  debutante fascinating, but when he catches her investigating his  family’s secrets, he threatens to ruin her reputation. He doesn’t intend to enjoy it so much.

When their lustful indiscretion is discovered, Adam finds that he  regrets nothing. But now, as Aria’s father’s enemy draws near, Adam must convince his betrothed that she can trust him with her own  secrets…before it’s too late.

About Jeannie Ruesch

Jeannie Ruesch wrote her first story at the age of the six, prompting her to give up an illustrious, hours-long ambition of becoming a Dallas Cowboy Cheerleader and declare that writing was her destiny. That journey to  destiny took a few detours along the way, including a career in  marketing and design.

Her first novel, a fairy-tale like historical romance, was published  in 2009, but the darker side of life had always captivated her. So after a dinner conversation with friends about the best way to hide a dead body, she  knew she had to find a way to incorporate suspense into her writing.  (The legal outlet for her fascination.) Today, she continues writing what she loves to read – stories of history, romance and suspense. She lives in  Northern California with her husband, their son and an 80 pound lapdog lab named Cooper.

She is also the creator of the WIP Notebook, a writer’s tool to help stay organized while you write, which you can find at her website. You can also follow her on Facebook, Twitter, Goodreads and Pinterest.

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Interview with Author Stuart S. Laing

Stuart Laing

Born in 1966 and raised on the east coast of Scotland in the ancient Pictish Kingdom of Fife. Stuart has been married to the love of his life for 20 years and they have blessed with a daughter. Completing the household is a cat which is also female leaving him heavily outnumbered. He has always been fascinated by the history of Edinburgh and has spends most of his adult life studying Scottish history in all its aspects but always find himself being drawn back to the cobbled streets of the Old Town. He would urge all visitors to Scotland’s ancient capital to (briefly) venture into one of the narrow closes running down from the Royal Mile to get a flavour of how alive with mischief, mayhem, love and laughter these streets once were.

Stephanie: Thank you for chatting with me today, Stuart. It is always a pleasure. You have written so many wonderful stories. Today I want to talk with you about, The Children in the Shadows. Great title by the way. Tell me a little about your story.

Stuart: While Robert and his friends and family attend an engagement party the murder of a young girl casts a grim pall over the evening. Everyone seems convinced that the woman who carried the body into the town Guardhouse is guilty and no investigation is necessary. Robert is pressed to do what he can to help the woman and by doing so he opens up a can of worms that certain people in high office want closed for their own reasons.

The story also allowed me to shine more of a light on the female characters who come to the fore in this. I have always sought to allow them to be as strong and outspoken as they wanted to be and in TCiTS they seize the opportunity with both fair hands.

Alice Galbraith especially truly came into her own when she decides she is going to solve the crime. While this decision places her in great danger as she is kidnapped by the murderer she is not the type of girl who is prepared to set back and wait to be rescued.

Faith also plays a strong part in the book. It serves both as comfort at times of sorrow and inspiration to stay the course and bring the guilty to justice.

Stuarts book cover

Stephanie: What was your inspiration?

Stuart: There has been much said in the British media over recent years regarding ‘people trafficking’ and ‘economic migrants’ from Eastern Europe coming to our shores in search of a better life as though this was something new. Throughout the 18th Century people from the Scottish Highlands had been trickling southwards to find hopefully a better life in the cities of the central Lowlands. Glasgow and Edinburgh had probably hundreds of Gaels struggling to eke out a new life for themselves by 1745 alone. I took that fact and mixed it with my fictional creation of a heartless man who lures children from the Highlands with promises of a happy and wealthy future only to put them to work in the worst sort of brothel.

It was the sad fact that such places existed and the fact that the victims were hidden from sight that gave me the title. That and the fact that certain people wanted the children to remain hidden in the shadows so that their own sins would remain unseen.

Stephanie: Tell me a little about Captain Travers.

Stuart: Charles Travers is a young man aged 25. Formerly an officer in the regular army who sold his commission and returned to his hometown where he was able to secure the position of captain in Edinburgh’s Town Guard. He is looked upon as a popular figure but other than Robert has no’one he can call a true friend. His single interest is solving crimes and this has been to the detriment of his social life. He has allowed nothing else to come before that and it was through work that he first met and then became close friends with Robert. Romance has never really figured in his thoughts.

His parents died when he was a child and he had been raised by an elderly relative who passed away while he was in the army so has no family left.

It was while he was attending Kitty’s to make an arrest that he met Miss Estelle Cannonby who he fell in love with at first sight. He is convinced she is his soul mate and the woman he wishes to make his wife.

Stephanie: What is the most dangerous encounter that Robert Young, Captain Travers have had?

Stuart: For Charles it is when he corners the murderer in A Pound of Flesh in the climactic scene when he finds himself unarmed facing a desperate man armed with a pistol. He tries to persuade him to surrender but…

Robert has largely managed to avoid placing his life in real danger, although like Charles he is there when the killer is confronted in ApoF. However his luck runs out dramatically in The Children in The Shadows when he discovers the identity of the man responsible for exploiting children. Rather than wait for Charles and the Town Guard he attempts to capture the man himself trusting in his own skill with a rapier. His skills may not be all that he hoped however!

Stephanie: Out of all the characters you have written about, which one are you most partial to?

Stuart: Arghhh! Does it have to be only one? Obviously I have to say Robert Young himself as the driving force of the stories but I love his wife Euphemia who has to deal with worrying about him when he is investigating a dastardly crime while looking after two young children. I also have a real fondness for Sergeant MacIan of the Town Guard who believes in ‘traditional’ methods of policing while dear Captain Travers prefers a modern, analytical approach to a crime scene. One character who is always an absolute pleasure to write is Alice Galbraith, a high class prostitute who delights in causing mischief for Robert and Captain Travers whenever she speaks to them. She is not a malicious character in any way, more just a saucy minx with a wicked sense of humour. She really came into her own in the most recent book The Children in The Shadows where she revealed herself to be much more than just an amusing supporting character. Even as I wrote her scenes I was cheering her on.

Stephanie: Is there a scene you wrote where you burst out laughing? If so, do tell.

Stuart: There is a short scene in A Pound of Flesh where Captain Travers and Robert visit Kitty’s (a gentleman’s club for games of chance and meeting young ladies of negotiable affections) to arrest a dubious character. He is busily engaging with two ‘ladies’ in a bedroom and while they arrest him the women, naked as the day they were born, applaud their efforts while they cringe with embarrassment. It was just one of those little scenes that is both important as it leads to a break in the investigation and just amusing for the sheer awful embarrassment for the men as they try to arrest the villain while doing their best not to stare at the naked flesh on display.

Stephanie: Where in your home is your favorite place to write? Do you have a favorite coffee or tea by your side when you write?

Stuart: Normally my armchair with my netbook perched on my lap. I like the small size of the netbook compared to a full size laptop when I am writing. Now, coffee or tea? The eternal conundrum! I tend to stick with coffee when writing but a mug, never a cup, of strong tea is always welcome. Just don’t add sugar!

Stephanie: I write at my desk, living room, kitchen and sometimes in my bed early in the morning. When writing, what is your process?

Stuart: I generally work out the full plot from beginning to end before I write the first word, I even work out a chapter by chapter guide of who does what, when and where in advance. However…pretty much as soon as I get past the first chapter things start to move, if not in a completely different direction, then in a way which I had not planned in advance. Generally only the very beginning and the end will remain unchanged. The crime and the criminal will be as I planned but anything else between the first and last page tends to weave its own path. Characters have a bad habit of doing their own thing. When I am actually writing though I prefer to have the TV switched off and have music playing in the background. Mumford and Sons, Marillion and the Scottish band from the 1980’s Big Country all feature fairly regularly on my writing playlist.

Stephanie: Yes, I agree. Characters do tend to do their own thing. I have noticed a lot of writers like having music on while writing. I’m must be strange, because I need complete silence and no distractions. How many books a year on average do you read?

Stuart: A rough estimate would be somewhere in the region of 50-60 full length books a year on average. I generally read at least one novel a week and goodness only knows how many short stories!

Stephanie: That is about the amount I read. Good number of books. What advice would you give to someone who wanted to try their hand at writing?

Stuart: Do it! Work out your basic storyline, plot and main characters and then just write. It doesn’t matter if you miss words or letters or even have gaps in the plot in that first draft, just get your idea down on paper (or on the computer screen these days) Once you have written that first draft then you can go back over it and catch the things you missed first time around. The single most important piece of advice I could possibly give is simply this. Do it! And have fun while you are doing it! Is that two pieces of advice? Do it and have fun!

Stephanie: Agreed!  

What is up next for you?

Stuart: I am nearing completion of the fourth Robert Young tale, so I think it is safe to say he doesn’t die when he confronts the cad in TCiTS. It has the working title of Major Weir’s Dark Legacy and is about an ongoing argument between two elderly booksellers. When one is murdered and the other found standing over the body with a knife in hand Charles is prepared to see things as an open and shut case. His attention is focussed on an upcoming wedding and he doesn’t want any distractions to get in the way of that. Robert, at his wife’s insistence agrees to do what he can for the accused. Meanwhile a sneak thief is plaguing the town, Robert’s adopted daughter Effie has discovered boys and a demon raising lunatic from the past haunts the dark rooms of an empty mansion.

 Stephanie: How exciting!  

Is there a message you would like to give to your readers?

Stuart: I think the only message I would dare try to give to my readers is that no matter how grim things may seem at the moment, there is always a light at the end of the tunnel. With some of my characters that light is provided by their belief in Jesus Christ as their Savior. Others settle for the contents of a bottle! What I hope readers would take from my books is that our troubles, even on the darkest days can be overcome. I would suggest that faith was a better source of hope than a bottle though!

Stephanie: Where can readers buy your book?

Stuart: All three novels are available on Amazon in ebook and paperback. A short story featuring the regular cast is also available for the Kindle.



Interview with Karen Aminadra


Karen Aminadra is an English author who was born in London, and grew up in Hertfordshire, England. As a teacher, she worked in academies, schools, and universities in Ecuador, Russia, and Spain as well as the U.K. She returned to England in 2005 where she met the man who was to become her husband. They settled in Northamptonshire where Karen embarked on a writing career to fulfil a life-long ambition. She is now the author of five novels, Charlotte – Pride & Prejudice Continues, Rosings – Pride & Prejudice Continues book 2, Relative Deceit, The Uncanny Life of Polly, and It’s a Man’s World. In 2012 she received a B.R.A.G Medallion ™ for her debut novel Charlotte – Pride & Prejudice Continues and in 2013 she was once again honoured with a B.R.A.G Medallion ™ for Rosings – Pride & Prejudice Continues book 2. More information can be found on her two blogs and  

Stephanie: Hello, Karen! It is always a pleasure to chat with you and congrats on winning the B.R.A.G Medallion. First off I would like to say that your stories are fantastic and I have enjoyed them very much. They are not only engaging but your character development is brilliant. Please tell your audience about your book, Rosings.

Karen: Hi Stephanie.  Thank you so much for interviewing me and thank you for the compliment—for me the characters are the most important part of any story. If they cannot engage me and I cannot love them, how can I expect my reader to?

Rosings began when a few readers asked me to write a little something about Anne and Lady Catherine de Bourgh.  I was happy to oblige and Rosings was born.  The story is about poor Anne the downtrodden daughter of the inimitable Lady Catherine De Bourgh.  We know from Jane Austen’s Pride and Prejudice that Anne, in her mother’s opinion, is sickly and of a delicate constitution, and that Lady Catherine had intended Mr. Darcy to marry her.  Well, we all know how that turned out. I turned my imagination to wondering what Anne’s life would be like once the prospect of marrying Mr. Darcy was no longer an option.  The De Bourgh family had to continue so Lady Catherine hatches a plan to marry off her daughter.

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Stephanie: I absolutely love your portrayal of Catherine De Bourgh. How long did it take you to write your story?

Karen: Catherine De Bourgh is a favourite of mine too.  She comes from a different time, her sensibilities are different to her daughter’s. I guess it is like trying to get your Nan to understand today’s society. It is almost alien to her generation and Lady Catherine doesn’t like change at all! The book took me about three to four months to write out the first draft, of course, after that there are weeks of editing etc.  However, once I have a story planned out, I really like to crack on with it and get it written.

Stephanie: I don’t blame you. Getting your story down is the most important. Editing can come later. Is there a scene you wrote that had you bursting out laughing? 

Karen: The scene with Lady Catherine and Mr. Collins in the drawing room was funny.  He’s such a great, fun, and bumbling character to write.  I may well have to slip him into one of my other books just for the fun of it.

Stephanie: Who is your favorite character and least favorite character? If you have any. 

Karen: My least favourite would have to be Monty, without a doubt.  He doesn’t address Anne correctly, he takes liberties, and you just want to slap him in the end. If there was ever a character that you want to fail in his endeavors, it’s him. My favourite is probably Mr. Watkins senior.  He’s a really nice chap, the kind of friend you’d want to keep close.

Stephanie: He sounds like and interesting character. Who designed your book cover? 

Karen: I had an idea of what I wanted for the cover but I passed the mechanics of it over to Moon Rose Covers.

Stephanie: Where there any scenes that you found a challenge to write?

Karen: There were a couple of scenes where Lady Catherine is angry, and in my mind, she became someone whom I know and has always behaved in such a way.  As a writer, your life and experiences often come out in your work and I was surprised to see Lady Catherine take on this person’s personality, but it fit so well.  Those scenes were difficult to write but I felt so good after they were down on paper.

Stephanie: I agree. Those scenes are difficult to write. What do you love most about writing?

Karen: Hmm… I love spending entire days, weeks, and months in my own imagination.  It’s such an escape.  I write first thing in the morning, while it’s dark outside and the rest of the world is sleeping.  I find that I get the most done at that time of the day and I love that aspect of my work.  I also love the freedom it brings.  If I am unwell, then I don’t have to work.  I have no nagging boss and I never have to deal with rush hour traffic.

Stephanie: Your love for writing sounds just like mine. J Where in your home is your favorite place to write? Do you have a favorite coffee or tea by your side when writing?

Karen: I actually don’t have a desk.  I used to write in the living room but that gave everyone an excuse to interrupt me.  Now I sit on my bed with the laptop on a tray over my legs – glamorous, eh? I like working in my bedroom actually. It’s a sanctuary.  No one, apart from my husband, is allowed in.  It’s private.  As for what I drink, I sometimes have a juice of some sort, but I don’t drink coffee – it gives me palpitations. However, I am a huge tea fan.  I’m English, of course I have tea by my side when I write. I drink a decaffeinated blend of tea, either PG Tips or Tetley, and I drink it with soya milk (most Brits have white tea.)

Stephanie: My bedroom is where I write often. Sometimes in the living room. But only when I’m the alone. Sometimes early in the morning, I will get up and write while in bed. Some of my best ideas are in the morning. I’m not a coffee drinker all that much. I do love tea however. So funny how similar we are, Karen. I use soy for my tea as well.  What is up next for you?

Karen: That is strange how similar we are. I’m glad I’m not alone 😉  So, what’s next for me? Since receiving a B.R.A.G Medallion for Rosings, I wrote and published a spin off from my novel Relative Deceit called It’s a Man’s World. Right now I’m taking a few days off to collect my thoughts before I dive into another project. I know my readers are desperate for book three in my Pride and Prejudice Continues series, so doubtless that will be on my ‘to do’ list. I also have a few other ideas in mind. I have been planning a children’s series for a while now and I’d like to get working on that too.

Stephanie: Can’t wait to hear more about your children’s series! Is there a message you would like to tell your readers?

Karen: I would like to say thank you for coming on this fantastic journey with me.  It’s been so much fun and it’s made even better by the support and loyalty of my readers. I love the emails I receive from you all and I especially love your thoughts on the characters’ lives in my books. From time to time, I’ve even been asked to write something particular and that’s how Rosings was born. So, I cannot do it without you – thank you all, again.

Stephanie: Where can readers buy your book? 

Karen: Rosings is available in ebook version from Amazon, Kobo, and Xinxii. It’s also available to order in paperback from all major stockists.

Stephanie: Thank you, Karen! Please come back to Layered Pages and chat with me again soon! 

Links – – Kobo – Xinxii –

Paperback – Amazon –

Twitter – @kaminadra Facebook –

A message from BRAG:

We are delighted that Stephanie has chosen to interview Karen Aminadra, who is the author of, Rosings, one of our medallion honorees at . To be awarded a B.R.A.G. Medallion TM, a book must receive unanimous approval by a group of our readers. It is a daunting hurdle and it serves to reaffirm that a book such as, Rosings, merits the investment of a reader’s time and money.

Interview with David Ebsworth

David Ebsworth

Dave began to write seriously in the following year, 2009, and maintains a strict daily writing and marketing routine – though he still manages to find time for a regular morning swim, as well as for sailing.

Apart from that, he still does some voluntary work for the TUC (Britain’s union confederation), representing them in the organizations… Migrant Workers North West, Justice for Colombia and the Manufacturing Institute.

Dave is a member of the Historical Novel Society, the International Brigades Memorial Trust, the Anglo-Zulu War Historical Society and the Alliance of Independent Authors.

Praise for David Ebsworth’s debut novel, The Jacobites’ Apprentice – critically reviewed by the Historical Novel Society who deemed it “worthy of a place on every historical fiction bookshelf.”

David,  thank you for chatting with me today. Please tell me a little about your book, The Assassins Mark.

Thanks, Steph. It’s really great to be here – another stop on the book tour for Assassins. And a bit of an irony too, since the book itself is a political thriller, following the trials and tribulations of some eccentric travellers taking part in a factually-based battlefield tour towards the end of the Spanish Civil War, while the war was still raging. It’s a bit Christie-esque, a bit Graham Greene.

The Assassins Mark

What was your inspiration for this story?

Mainly my own interest in the Spanish Civil War, I guess. Over the years I’ve worked with a lot of people who fought there between 1936 and 1939. Lots of historians see the Spanish Civil War as the prelude to World War Two. Or worse, that it was a major cause of the Second World War, since Germany and Italy used Spain both as a military training ground and a source for much of the raw materials that helped them build their tanks and guns – while Britain and France effectively sat back and watched. So it’s a key bit of history, but one largely neglected by fiction writers, with a few honourable exceptions.

Please tell me about your character, Jack Telford. What are his strengths and weaknesses?

Well, Telford was born in the early 1900s. His father, a banker, committed suicide rather than return to the trenches of the Western Front, and this helped to deeply engrain pacifism into Jack’s psyche. But like most of his characteristics, his pacifism was both a strength and a weakness. His beliefs cost him several good jobs in his early career as a journalist, for example, before he finally landed on his feet as a correspondent for Reynold’s News, the well-known Sunday weekly of the 1930s. It was Jack’s editor, Sydney Elliott, who sent Jack to Spain in ’38 to cover the bizarre but true tale of the battlefield tours established by rebel General Franco, as a propaganda tool, while the war was still raging. It was a good testing ground for Jack’s language skills (French, Spanish and Esperanto) but the pressures of that strange trip sometimes triggered the worst of his traits – his occasional arrogance and his double-edged, cat-killing curiosity. His most troublesome characteristic, however, was always an abiding juvenile self-deception that any woman showing him the slightest interest must, somehow, be smitten by his charms. Famously, Jack appeared in the late-Seventies, towards the end of his life, on Desert Island Discs – and many of these characteristics were still evident, even then.

(A transcript of the programme was featured earlier during David Ebsworth’s book tour on the Lily Lives Indie blog last Saturday –

What was some of the research involved and how long did it take to write your story?

There are always at least two separate blocks of research for Historical Fiction writers, I think. The first involves all the “big” factual subjects – in this case, the background to the Spanish Civil War itself, the battlefield tours that took place in Spain between 1938 and 1945, and the detailed progress of the war along Spain’s north coast. The second requires a real understanding of all the “small” stuff that gives a book its sense of period and location. So, in Assassins, for example, one of the ‘characters’ (for me, at least) is the yellow Chrysler 14-seater Dodge bus that carries my travellers on their journey through the story. But what did a 1938-vintage Dodge bus sound like? How did it smell? Could they keep the inside cool in all that Spanish heat? How? What was it like to drive? What road conditions could it cope with? It’s the sort of research that you undertake as you go along, maybe when you’ve finished the first outline draft. Because otherwise you’d never get the book written. I now always allow a year for each novel. That’s usually a couple of months planning and doing the “big” research. Then up to eight months for the main writing. And a couple more months for re-writes and polishing.

I do not know a whole lot about the Spanish War. Could you give me some insight?

You have to remember that, in 1930, Spain was still largely stuck in the Middle Ages – a state controlled almost entirely by an autocratic monarchy, the Catholic Church and feudal landowners. The country finally tried to throw all this off by declaring itself a Republic in 1931, and this triggered further turmoil, with power and control swinging violently between Left and Right. Then, in February 1936, a Popular Front Coalition Government was democratically elected. This was intolerable to the Right-wing establishment and, in July that year, one of Spain’s leading army generals, Francisco Franco, launched a coup in an effort to establish a military dictatorship. But he badly under-estimated the spirit of the Spanish people – ordinary workers and campesinos – who resisted him. Franco called in support from his fascist friends, Hitler and Mussolini, and a bitter civil war waged until 1939. Franco finally emerged victorious, largely due to German and Italian involvement. Poor Spain paid the price by remaining a Dictatorship until 1976, after Franco’s death.

Is this your first published novel? What book project are you currently working on?

No, Assassins is my second. I published my first novel, The Jacobites’ Apprentice, in 2012. My third, The Kraals of Ulundi, is due to publish later this year and it’s a novel of the Zulu War that picks up, basically, where Michael Caine left off. My current project is a story about the Battle of Waterloo – but told from the French perspective and centres on the women cantinières who were formally part of Bonaparte’s battalions and went into action alongside the troops. Their exploits were legendary and almost unbelievable.

Where is your favorite place in your home to write? Do you have a favorite coffee or tea by your side when writing?

We have an old box-room that’s now basically been commandeered as my “office”. Computer, of course. Work desk. Wall to wall books. Lots of bric-a-brac – old clay pipes, 18th century tea caddies, 1930s cameras, antique maps. But, oddly, I very rarely drink tea or coffee (or anything else) up there. Instead, when I’ve done my first block of writing, between 7.00 in the morning to about 9.30am, I take myself off for a long swim, then head to Caffè Nero to revise and write my next batch of word-count. So my favourite drink there? Espresso Macchiato normally – with a decent piece of cake, naturally.

Who are your favorite authors?

This is really difficult. I just have a passion for books – anything from the classics to Science Fantasy or contemporary fiction. But over the years, I suppose it’s been historical fiction to which I’ve returned most often. I was a huge fan of Rosemary Sutcliff when I was a teenager. Then it was John Fowles and Timothy Mo. More recently, my main influences have probably been Steven Pressfield, Hilary Mantel, and Patrick O’Brian. And I’d have to add Bernard Cornwell to the list, naturally. Yet I’d still put Dickens right at the top – simply because I feel like I grew up with him. My dad was in the Royal Navy for most of his life, was entirely self-taught and had always carried pocket versions of Pickwick Papers, David Copperfield or Great Expectations with him through many circumnavigations of the world and the dark days of the Second World War. So if we ever needed to be given a lesson about life or morality, it was usually through the medium of a verbatim rendition from one of the Dickens novels – and it’s Dickens that I still “hear” most frequently, chiding me when the writing gets a bit sloppy.

Is there a message you would like to give to your readers?

Mainly to thank them for all their support. I try to make sure that each book is unique, written as well as I can manage, and each better than the one before. I also appreciate all the feedback I get from readers – particularly through my monthly e-newsletter. This just keeps family, friends and supporters updated so, if anybody wants to receive the newsletter, just drop me an e-mail:  Alternatively, I also post it on my website:

Where can readers buy your book?

They’re stocked in quite a few Waterstones and Foyles stores but, if you can’t find them there, any bookshop will order them for you. Otherwise, they can be ordered online, either in paperback of eBook formats through sites like…

And thanks once again, Steph, for organising this stop.

Thank you, David!