I’d like to welcome Award Winning Author Molly Greene to Layered Pages today. Molly writes the Gen Delacourt Mystery Series, which includes Mark of the Loon, The Last Fairytale, Paint Me Gone, A Thousand Tombs, Swindle Town, Lock the Cellar Door, Midnight at Half Moon Bay, The India Archives, and, out soon, Burn Rubber. For freebies, giveaways, and news about upcoming releases, join her Reader’s Club.
Thank you for talking with me today, Molly. Tell me how you discovered indieBRAG?
Hello Stephanie, it’s a pleasure to join you, thanks so much for the opportunity to talk about myself and my books! I heard about the indieBRAG program through my friend Virginia King, author and fellow B.R.A.G. Medallion Honoree. Virginia is a staunch supporter of the program, and suggested I apply when I inquired about the Medallion on her book’s cover. I’m thrilled to have been chosen.
Please tell me a little about the premise of your book.
Mark of the Loon is about a single, semi-isolated, thirty-something female real estate agent who falls in love with a cottage, side-steps a potential relationship and several obstacles to buy it, then slowly discovers that the house is so much more than it appears to be on the surface. As she and college friend Gen Delacourt unravel the mysteries attached to the property, she examines her personal issues and (better late than never) embarks on a new chapter of her life. Every title in my Gen Delacourt series involves a mystery, but also reveals some level of personal growth on the part of the characters.
Tell me a little about Madison and her strengths and weaknesses.
Madison is strong, disciplined, knowledgeable, and resourceful, but afraid of getting too close to a man. She has great relationships with smart, supportive, funny women. She does what she says she will do. She’s not afraid of taking risks, unless that risk involves her heart.
What is some of the history that surrounds this story?
The plot involves WWII, an Irish spy, Nazi looting, and Hitler’s plan to destroy the economics of the US and the UK by flooding the market with counterfeit bills.
How did you come to write this story and how many books will be in this series?
I’m an avid reader of mysteries and I love great writing, but over the years I grew tired of all the graphic gore and serial killers and child predators and unnecessary sex that so many authors depend on. So I set out to write a book that did not incorporate those things. The plot grew in my mind while my dog and I were on our daily walks, something I still rely on to hash things out as I’m writing.
Since then, I’ve grown the series to include eight titles with plots that avoid all the above-mentioned elements. I’m planning at least twelve Gen Delacourt Mysteries, then I’ll write a few standalones and/or another series that spin off a couple of Gen’s secondary characters I’ve grown to love.
What is the easiest and most difficult part of writing a series?
The most fabulous part by far is getting to know and understand characters so well that I know exactly what they’ll say and how they’ll react in most situations. It’s like having invisible friends! The challenging part, especially since I avoid many typical plot situations (sex, cursing, gore) is coming up with plausible cases and situations for my characters to react to. So far I’ve had great good fortune making this happen. I have two future book ideas in my head, and I also keep a file of real-life articles about weird and wacky stuff that might prove interesting for future story lines and characters.
How long did it take for you to write your story and what was your process?
I began LOON in 2009 when I was working full time, and it took a year to complete the first rough draft. A dozen full-book edits later it was published in 2012, then I edited the manuscript again in 2013. From 2014-2015 I wrote like a madwoman, publishing four more titles, then slowed a bit. Eight are available at this writing. My goal now is to publish two new titles a year.
Where can readers buy your book?
When did you first know you wanted to be a writer?
I have a marketing background and have always done a lot of business-related writing. I wrote narrative poetry when I was in high school. I never planned to be a writer of fiction; not until I sent Mark of the Loon to a friend to read and she told me she couldn’t put it down. I chose to believe her and embarked on a new path.
What are some of the writing tools you have learned along that way that has helped you?
I’m a panster at heart, which means I don’t know how a book will end until I’m at least halfway there. At first, I wrote knowing nothing about future events in the plot. But having a clue about what’s going to happen before it does helps an author write faster, so now I do a bit of outlining before each book, usually the first 10 chapters or so. That way I have to backtrack less, revise less, and it gives me an opportunity to think up cool scenes I might otherwise miss. Outlining is one of the best production-boosting tools I’ve learned.
Is there a particular message you would like to give to your readers?
I write mystery novels that include elements of cozy mysteries and women’s fiction. So far, all these stories are set in California. They each feature strong, independent female characters who are professional and/or amateur sleuths. My novels are both character and plot-driven, include both friend and romantic relationship elements, but no graphic sex or gore. My protagonists are flawed and smart and imperfect but manage to improve, both personally and professionally, in some way, through every story line. Think whodunit suspense solved by smart women!
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A message from indieBRAG:
We are delighted that Stephanie has chosen to interview Molly Greene who is the author of, Mark of the Loon, our medallion honoree at indieBRAG. To be awarded a B.R.A.G. Medallion ®, a book must receive unanimous approval by a group of our readers. It is a daunting hurdle and it serves to reaffirm that a book such as, Mark of the Loon, merits the investment of a reader’s time and money.