BIG Book Sale Coming Soon

I am clearing out a LOT of my books and will be selling quite a bit of them at a good price and will include free shipping for USA Residents! Next Friday here at Layered Pages I will be starting to list the books for sale. I will not be selling books given to me by publishers and authors, nor sign copies. I do accept PayPal. Stay tuned! #books for sale. -Stephanie Hopkins

Book Sale

Novel Expressions Blog Tours

Novel Expressions Facebook Pic

If you are a Jane Austen fic Fan and have a blog, please get in contact with me! Thanks! My email:

Stephanie M. Hopkins

Novel Expressions Blog Tours


The Girls in the Picture by Melanie Benjamin Giveaway!

The Girls in the pciture giveaway

Novel Expressions Giveaway!

Enter to win a signed copy of The Girls in the Picture by Melanie Benjamin HERE

Giveaway starts today and ends on February 18th. Winner will be announced on February 19th.

This giveaway is open internationally.

Good luck!

Cover Crush: Hurricane Season by Lauren K. Denton


Cover Crush banner

I am not a cover designer but I can agree that cover layouts play an important role in the overall presentation of stories and I must admit, often times I first judge a book by its cover.

Cover Crush is a weekly series that originated with Erin at Flashlight Commentary.

Hurricane SeasonHurricane Season

A Southern Novel of Two Sisters and the Storms They Must Weather

by Lauren K. Denton

Thomas Nelson–FICTION

General Fiction (Adult) , Women’s Fiction


From the author of the USA Today Bestseller, The Hideaway comes another story of families and mending the past.

Betsy and Ty Franklin, owners of Franklin Dairy Farm in southern Alabama, have long since buried their desire for children of their own. While Ty manages their herd of dairy cows, Betsy busies herself with the farm’s day-to-day operations and tries to forget her dream of motherhood. But when her free-spirited sister, Jenna, drops off her two young daughters for “just two weeks,” Betsy’s carefully constructed wall of self-protection begins to crumble.

As the two weeks stretch deeper into the Alabama summer, Betsy and Ty learn to navigate the new additions in their world—and revel in the laughter that now fills their home. Meanwhile, record temperatures promise to usher in the most active hurricane season in decades.

Attending art retreat four hundred miles away, Jenna is fighting her own battles. She finally has time and energy to focus on her photography, a lifelong ambition. But she wonders how her rediscovered passion can fit in with the life she’s made back home as a single mom.

When Hurricane Ingrid aims a steady eye at the Alabama coast, Jenna must make a decision that will change her family’s future, even as Betsy and Ty try to protect their beloved farm and their hearts. Hurricane Season is the story of one family’s unconventional journey to healing—and the relationships that must be mended along the way.

“A story both powerful and enchanting: a don’t-miss novel in the greatest Southern traditions of storytelling.” —Patti Callahan Henry, New York Times bestselling author for The Hideaway

My thoughts:

What a magical cover…I love this layout and the colors used. It reminds me of those magical evenings in the south.

Stephanie M. Hopkins

Other great cover crushes from my fellow book bloggers: 

Magdalena at A Bookaholic Swede
Colleen at A Literary Vacation
Heather at The Maiden’s Court
Holly at 2 Kids and Tired
Meghan at Of Quills & Vellum

Stay calm and support book bloggers

Book Review: Camino Island by John Grisham

Camino IslandA gang of thieves stage a daring heist from a secure vault deep below Princeton University’s Firestone Library. Their loot is priceless, but Princeton has insured it for twenty-five million dollars.

Bruce Cable owns a popular bookstore in the sleepy resort town of Santa Rosa on Camino Island in Florida. He makes his real money, though, as a prominent dealer in rare books. Very few people know that he occasionally dabbles in the black market of stolen books and manuscripts.

Mercer Mann is a young novelist with a severe case of writer’s block who has recently been laid off from her teaching position. She is approached by an elegant, mysterious woman working for an even more mysterious company. A generous offer of money convinces Mercer to go undercover and infiltrate Bruce Cable’s circle of literary friends, ideally getting close enough to him to learn his secrets.

But eventually Mercer learns far too much, and there’s trouble in paradise as only John Grisham can deliver it.

My thoughts:

I had great hopes for this book but the further I got into it, I became disappointed somewhat. Not to say I didn’t enjoy it at all but there are some things I need to point out.

Problems with the story:

  1. The character development needed to be much stronger. There was not one character I could connect too or particularly liked.
  2. Too much telling and not enough showing
  3. The premise is great but the overall story-telling is weak.
  4. The plot was too weak.
  5. This is not Grisham’s best story and I question the writing style-too breezy- and if someone else actually wrote it.

I would have liked to have read about Mercer sitting down trying to write a scene out and showing her frustrations of writer’s block. I think that would have been more realistic and would have made her character stronger and given that story-line a more polished feel. Not to give spoiler, in that regard the ending fell flat to me for reasons of her writer’s block. You’ll just have to read the story to understand what I’m saying. I would like to discuss it with someone when they read the book.

Things I liked about the story:

  1. I like the premise of valuable manuscripts being stolen and racing to finding out who done it and its recovery.
  2. Going undercover is a big risk. Especially for a civilian. That was interesting to read about.
  3. The setting of the story-an Island off of Florida. Nice touch.
  4. The bookstore-Love it when books and book people revolve around stories.
  5. The local literary circle-When writers get together to talk shop or take shots at each other. That was fun to read about.

Overall, this book could have potentially been a fantastic story. Too bad it fell short for me.

I recommend this book for a light read and I will be interested in seeing what a few of my friends come away with this story.

I have rated this story a generous three stars.

Four stars for the book cover.

Stephanie M. Hopkins


Interview with B.R.A.G. Medallion Honoree Author R. Cyril West

Rob West

Cyril West studied Arabic and International Relations at the University of Arizona, and grew up on Air Force bases ranging from Hickam A.F.B. to Lincoln A.F.B. He appreciates the work done by our veterans to keep America free and views the men and women who serve as the real heroes of our country. There is no freedom without the heroes who serve in our armed forces. He currently supports the Vietnam Veterans Memorial Fund and the Wounded Warrior Project. If he is fortunate enough to be successful as an author, he plans to create a MIA Recovery Fund to help families of the missing find and bring loved ones home.

Cyril West lives in Portland, Oregon with his wife and children.

Hello, Rob! Thank you for chatting with me today. It is an honor and congrats on the B.R.A.G. Medallion for you book, The Thin Wall. I am intrigued by your choice of majors in college. How did you get from Arabic Studies and International Relations to writing about the military?

I am interested in global politics and history. When I was in high school. I was attracted to World War I history and the creation of the modern Middle East. I have always been fascinated by T.E. Lawrence aka Lawrence of Arabia.

I gather from your biography that you were an Air Force brat. Was that the basis for your interest in the military in general, and POW’s in particular?

I am a proud USAF brat! I grew up on Air Force bases and among military heroes. My father served for 20 years and most of his pals served in WWII, Korea and Vietnam. The military culture is in my blood. One of my earliest childhood memories was in 1973 when American Prisoners of War returned home during Operation Homecoming. In writing about the POW/MIA Issue, I hope to spread awareness to the fact that many servicemen are still missing, as well, that the U.S. government has lied to families of the missing and to American citizens about the status of many heroes who were abandoned by the country they served.

Please tell me about your book?

The Thin Wall is a character-driven portrayal of the 1968 Soviet occupation of Czechoslovakia, brought to life through the conflict between an intriguingly cultured, yet conniving KGB colonel and the people of a small village who courageously (and sometimes timidly) try to resist oppression. It also tells the story of American Prisoners of War who were secretly transferred from Vietnam to the Soviet Union. The story is filled with tragedy, yet hope for the human spirit.

The Thin Wall

What was it about the Soviet invasion of Czechoslovakia that caught your attention?

In my research on the POW/MIA Issue, I uncovered little known information that suggests American Prisoners of War were taken from the battlefields of Vietnam in the late 1960s and secretly transferred to the Soviet Union – via Czechoslovakia. Once in the U.S.S.R., the POWs were interrogated, experimented on, punished and imprisoned in the Siberian Gulags. None of them ever came home. I felt the immediate weeks following the 1968 Soviet invasion would make for the perfect setting to tell my story because it was a time of turmoil and uncertainty. While The Thin Wall is a work of fiction, I believe the book’s premise — that the U.S. government was aware POWs were secretly transferred to the USSR (and not just during Vietnam, but after Korea, WWII and WWI) and did nothing to stop it. Most American people are not aware of this dark chapter in our history. Perhaps this is because certain bureaucrats in the U.S. government have conspired to cover up and erase the past.

How did you do your research for The Thin Wall? And in particular, how did you research such a secretive organization as the KGB?

Like most authors, I read a lot of books and articles online. I enjoy reading non-fiction more than fiction. My goal as an author is to write novels that make people think, as well include real moments in history. In The Thin Wall, readers will learn a lot about the political life of people living in Czechoslovakia under communism during the 1960s. In some ways, my novel is also a work of non-fiction.

What more can the U.S. Government and/or military do to determine the fate of the 83 thousand servicemen still missing from foreign wars?

Firstly, most of the 83,000 heroes who are still missing died on foreign lands fighting for our freedoms. For some, their deaths were met in a plane crash that has yet to be found, others went down at sea, still others were lost in a labyrinth jungle or a battlefield, or died in prison and were buried in unmarked graves. We must never stop searching for the remains of these heroes. We must bring them home to the country they loved and served.

Secondly, some of the 83,000 missing servicemen were POWs (by my estimate 9,000) who were never repatriated and ultimately were killed by their captors and buried in unmarked graves. It’s possible a few POWs from Vietnam could still be alive and incarcerated in Vietnam, Russia, North Korea or China. The bottom line is that all of these missing POWs were abandoned by the country they served. We owe it to them to not only recover their remains, and any hero who might still be alive, but to expose the crime the government has committed and kept secret from the American people.

Please tell me about Ayna and her role in this story.

Ayna is a single mother and an outcast of her remote mountain village because she is said to be cursed. In her late twenties, she has been in three serious relationships and all three of her lovers have died sudden and tragic deaths. As the story opens, she has given up any hope for love. When a egotistical and cruel Soviet KGB officer enters her village and begins to torment the local people, she rises up to defend the village while the villagers hide in cowardice. She soon attracts the KGB officer’s attention and he attempts to court her, but she refuses him. He grows angry that she has rejected him and begins to pick on her. Along the way, Ayna meets a mysterious doctor who arrives to the village and falls in love again. But the relationship is doomed. Or is it?

Who is Dr. Husak? What are his strengths and weaknesses?

Without giving away too much detail (and plot twists) Dr. Milan Husak is an American who fought alongside the Czech resistance during WWII. After the war he agreed to stay behind and spy for the U.S. government. However he became lost in the shuffle and was never contacted by anyone in the CIA, therefore, never spied. During WWII, he accidently killed 13 orphans. He has spent his entire life in Czechoslovakia as a pediatrician, helping children. In The Thin Wall, he moves to the village (where the story takes pace) to open a clinic. There he meets and falls in love with Ayna. He eventually discovers that the Soviets in town are holding an American POW. Suddenly his past has come back to haunt him. He is contacted by the CIA and asked to help rescue the American. It’s confusing for Dr. Husak because he no longer considers himself an American citizen. In the end, he must choose between his love for Ayna and attempting to rescue the American. Which will he do?

Were there any challenges in writing this story?

The book is very dark and doesn’t have a happy ending. There was a point where I stopped writing and thought about making substantial changes to the plot because I was so depressed about what I had written. But advisors, several of them Vietnam veterans who are close to the POW/MIA issue, encouraged me to finish. They reminded me that the POW/MIA issue is not a happy story and that my telling is entirely plausible. So I finished the novel.

Why did you chose to write a political conspiracy book?

I felt the truth about what happened to our missing POW heroes must be told. It’s been 40 years since the end of the Vietnam War. We can’t allow the government – at this point the few who are tasked with keeping POW secrets hidden from the public – to get away with a crime like this. We must expose the truth about what happened: that the government left servicemen behind in Vietnam, in Korea and after World War I and after World War II. Almost all of these POWs were hidden in communist countries, and except for a few, never came home. We must expose this little known fact to the American people so that it never happens again.

What are some of the response you’ve reviewed about your book besides the B.R.A.G. Medallion?

The response has been overwhelmingly positive. In particular, I have been contacted by family members of missing servicemen. Like me, they wonder what happened to their loved ones. Their story of loss and tragedy is personal and very real. There is no greater reward than to be thanked by a reader who is missing a loved one.

What has your experience been like with self-publishing so far?

I absolutely love being in control of the entire project. A true joy!

How did you discover indieBRAG?

I did a search for self-published book honors

And now, I have Author Stuart S. Laing as a guest interviewer on Layered Pages today who has some questions political to ask you.

Stuart: Had Dubcek’s attempt to loosen central control of the Communist Party succeeded in 1968, do you think it would have created a domino effect across the Warsaw Pact 20 years earlier than the era of Perestroika and Gorbachev?

In theory, yes. However I can’t imagine that it would have occurred because Brezhnev and his supporting cast of iron-handed cronies would have never stood by and allowed the reforms to take root. Keep in mind, the key to the break-up of the Soviet Union and the Warsaw Pact was having a reformer like Gorbachev at the top—someone who was looking to improve ties with the West. Like Dubcek, Gorbachev wanted to reform the political and social structure of what was defined as the communist nation; this included less government control over the lives of people and economic enterprises.

Do you think that Putin’s iron man image threatens to create a new Cold War?

It already has. Putin has nationalistic ambitions. He has secured Crimea and I expect before President Obama leaves office will make a move on the Baltics. If a major war breaks out in the Middle East with ISIS, or Iran, I expect the Russians to move quickly to secure their interests in Eastern Europe. As well, with the tanking Russian economy, Putin might do something desperate . . . like escalate the current hostilities in Syria. He has high approval ratings in Russia because he is seen by the Russian people as being a strong leader. He risks losing power by softening his image.

If so can you see a time when US service personnel risk being drawn into situations where they risk falling into the hands of Russian forces again, even if they are operating under the guise of anti-government rebels such as in eastern Ukraine?

We are possibly in the early stages of WWIII. If a large war breaks out in the Middle East, the Russians will likely side with Syria and Iran. If the war spirals out of control, and Russia invades the Baltics and also attempts to take over Ukraine, then yes.

And finally, does the situation in Ukraine have any parallels with the Soviet invasion of Czechoslovakia back in ’68?

Absolutely. The leadership and people of Ukraine wanted to align themselves with democracy and with Western society. Only this time, when the Russians attempted to invade, the United States and NATO (and to some degree the world) were ready. But have they done enough to thwart a full-scale invasion? I am not so sure. I suspect the Russians will not withdraw from their proxy control over Crimea and have ambitions for future expansion. Right now everything hinges on how things play out in the Middle East with ISIS and the growing shadow of Iran.

Author Website

A message from BRAG:

We are delighted that Stephanie has chosen to interview R. Cyril West, who is the author of, The Thin Wall, our medallion honorees at indieBRAG . To be awarded a B.R.A.G. Medallion TM, a book must receive unanimous approval by a group of our readers. It is a daunting hurdle and it serves to reaffirm that a book such as, The Thin Wall, merits the investment of a reader’s time and money.




Interview with Author Lorna Fergusson


Born and brought up in the north of Scotland, Lorna Fergusson studied English at Aberdeen and Oxford Universities. She now runs Fictionfire Literary Consultancy. In addition to her own workshops, she teaches creative writing at the University of Winchester’s Writers’ Festival and for various Oxford University writing programmes. Her novel The Chase was originally published by Bloomsbury and is now published under her own imprint, Fictionfire Press. Her stories have won an Ian St James Award, been shortlisted for the Bridport Prize and long listed for the Fish Short Story Prize. Her unpublished children’s novel Hinterland reached the shortlist of four for Pan Macmillan’s Write Now prize. Her chapter on Pre-Writing appears in Studying Creative Writing, in the Creative Writing Series published by The Professional and Higher Partnership. Her story ‘Reputation’, longlisted in the Historical Novel Society’s short story award 2012, appears in the e-anthology TheBeggar at the Gate. She is working on a collection of historical short stories and a novel, the opening of which has recently won Words with Jam magazine’s First Page Competition. She has just won the Historical Novel Society’s London 2014 Conference Short Story Award with her story ‘Salt’.

Stephanie: I am so delighted to be interviewing Author Lorna Fergusson about her book, The Chase.

Hello, Lorna! It is truly a pleasure to be chatting with you today.

Lorna: Thanks Stephanie! I’m delighted to be here – thank you so much for inviting me.

Stephanie: Congratulations on the HNS Short Story Award. That is absolutely wonderful! Before we officially start this interview about your book, The Chase, could you tell me a little about ‘Salt’?

Lorna: I come from the north of Scotland and the story is inspired by memories of my grandmother, who was a ‘herring lassie’ at the time when the herring trade was huge. The fish were known as ‘the silver darlings’. The men went out to sea and the women followed the fishing fleet to gut the catch and pack it in barrels. Incredibly hard work and not in the least bit glamorous! My grandmother was working in Great Yarmouth, on the east coast of England, at the start of World War 1 and something she said about that experience when I was a little girl is what triggered the story.

Stephanie: How wonderful to have such amazing memories and to share them. I would love to hear more about your grandmother sometime…

Your story, The Chase, sounds amazing! I love stories like this and I have lots of questions and I MUST read your story soon. Please tell your audience a little about it and what genre it falls under.

Lorna: The story is about an English couple, Netty and Gerald Feldwick, who move to the Dordogne region of France. Gerald has fallen in love with a house there, deep in the woods near the village of Malignac. Netty is less happy about the move and is soon oppressed by the house, which is imbued with an almost supernatural sense of the past. We learn that their real reason for leaving England is to try to escape memories of a traumatic loss. They need to heal their marriage.

In France, they meet a range of characters, some English like themselves, some French, including the wealthy owner of a nearby château and a local wine farmer. Netty becomes friendly with a Cambridge professor who has retired to a cottage nearby. Gerald returns temporarily to England – and while he’s there he does something that will only add to Netty’s pain.

As the shadows close in and Netty learns the truth about her husband, her state of long-suffering passivity is about to change …

As for genre, well, that’s always been a tricky question to answer! It’s ‘literary fiction’, I suppose, though that can be an off-putting description. It has thriller, suspense and mystery aspects, along with satire of the English expatriate community and the social class system. The Chase has been compared to Daphne du Maurier – who famously wrote Rebecca – because the atmosphere of place and the sinister brooding quality is there, and also to Joanne Harris, who wrote Chocolat, because of the descriptions of the sensory pleasure of living in France. It’s Chocolat, with a darker bite!

The Chase_MEDIUM

Stephanie: Why did you choose the Dordogne region of south western France in 1989 for your period and setting? And please tell me, if it won’t give anything away, how the past is revealed to Gerald Feldwick and his wife Netty?

Lorna: I chose the Dordogne region because for several years my husband and I part-owned a house there. Le Périer stood on a hillside overlooking a vineyard – that’s the view I had when I flung open the shutters and sat at my desk to write! We grew to know the area very well, and I was fascinated by the rich layers of history all around, from prehistoric caves to Roman ruins, to medieval castles. Our house had an old bread oven built into the back wall of the kitchen and we were told the German soldiers used to get their bread there during the occupation of the region in World War II. I wanted to celebrate the richness of the location from its natural beauties to the pleasures of its food and drink. 1989 was a time when even more English people than usual were choosing to have holiday homes there or even move out there permanently, so there were villages which were like little England. The English and French have had a long-term relationship in that part of France, going back to the Middle Ages. There are castles there which changed hands repeatedly during the Hundred Years’ War.

In the novel, it’s Netty who is more sensitive to the echoes of the past, when she converses with the Professor or visits Claudine Bellenger, the châtelaine of Bel Arbre. She senses the dark memories of Le Sanglier – is almost haunted by them, you might say …

Stephanie: What is an example of the house’s history they live in and how old is the house?

Lorna: Le Sanglier, we learn, was built as a hunting lodge just prior to the French Revolution, by the Comte de Saint Eymet – and he got up to fairly nefarious activities there. What Netty and Gerald don’t know is that the location has been the site of dramatic events for centuries. The novel opens with the caves beneath it being painted with images of the animals of the hunt, like the famous cave at Lascaux. Only the reader knows those caves are there.

Stephanie: The past covers a pretty wide range of history from the Roman period, through the Hundred Years’ War, the French Revolution period, to the early nineteenth century and the Second World War. Was there extensive research involved for you to cover these periods? Or were some of them mentioned briefly in your story? And what is one of the ways the past affects the people living on the land in the modern period of your story?

Lorna: I did quite a lot of research, especially on the Roman aspect and the French Revolution, partly by reading, partly by visiting places such as the Roman Tour de Vésone in Périgueux and the museum there. Each of these periods features as an inset narrative, a self-contained short story – but I enjoyed relating those periods to the modern era by showing the ruin of a Roman temple, the descendants of a character featured in the Revolutionary period – and even the consequences of what happens in the World War II episode. I wanted to show that everything is connected and everything repeats itself.

Stephanie: Please describe Gerald and Netty’s relationship. And what are their strengths and weaknesses?

Lorna: Their relationship is in serious trouble, even though they’ve loved one another for a long time. I wanted to explore the effects of trauma – how individuals deal with loss, plus the paradox that grief can tear people apart rather than bring them together. Netty and Gerald have very different ways of handling their situation. Gerald is a doer and a talker – he has energy and drive but is self-pitying and lacks dignity, Netty feels. Netty is buttoned-up and passive – but there’s a lot going on beneath the surface. She has a lot of anger brewing. She is also sensitive and creative; during the course of the story she learns a lot about who she really is – and she doesn’t always like that person.

Stephanie: Could you give an example of what their relationship is like with their children?

Lorna: I don’t want to go into too much detail, but alienation and secrets play their parts!

Stephanie: Please introduce me to Professor Rutherford Appleby. What is he a professor of and what is his role in the story? And does he know the history of the land?

Lorna: Professor Rutherford Appleby is genial and sensible and he understands Netty better than her husband does. He’s a kind of wise old uncle figure – but Netty has to learn he isn’t perfect either. He’s a Professor of Comparative Mythology and understands not only the history of place but the history of beliefs about place. He’s particularly expert in the Gallo-Roman history of that part of France and has chosen to retire there because he knows it so well.

Stephanie: In my questionnaire to you, you told me beautifully how you came to write your story and I absolutely love what you said. Could you please tell your audience what that is?

Lorna: The Chase is, first of all, an expression of love for France and for a special time in my life. The story came to me out there, via a vision of its ending. I started to explore what would bring the characters I visualised to such a pass, and the whole novel developed from there. I incorporated images of hunting and of tapestry to illustrate the tension between death and life, between destruction and creation. I focussed on how hard it is for people who love each other to handle loss – how people cope, or don’t cope, in different ways. My characters question the very notion of a benign order to the world and they demonstrate that even when you try to escape your past, the past is always with you.

Stephanie: Who are your influences? And what are you currently reading?

Lorna: My influences are probably too many to mention! I love writers who create a sense of place, definitely. I studied English Literature and specialised in Medieval English, so have an affinity with that, which meant I loved writing the Hundred Years’ War vignette in The Chase! Currently I’m reading an excellent non-fiction work, Philip Marsden’s Rising Ground, which is about the search for the spirit of place and why places are so important to us and have been throughout history. He lives in Cornwall and describes it so well – and Cornwall is one of my favourite places in the world.

Stephanie: How much time do you spend writing and where in your home do you like to write?

Lorna: I write in my study upstairs, which is a lovely room fast disappearing behind ramparts of books and piles of paper! It’s painted ivory white and a Greek island blue, which I find both restful and stimulating. As for time, well, there’s never enough. I run a literary consultancy so spend much of my time thinking about, editing and responding to other people’s fiction! When I do write, it tends to be in the middle of the night, because I’m quite an owl. It’s usually past 3 a.m. before I go to bed.

Stephanie: How has writing played an important role in your life?

Lorna: Writing is central – it’s central to my sense of who I am and what I’m here for. I can’t remember a time when I didn’t want to be a writer and even when I’m not being productive, I think like a writer – I notice things, formulate things in my head, jot notes and phrases on scraps of paper which then get lost, and wonder ‘What if …?’ all the time!

Stephanie: Thank you, Lorna! Your story sounds absolutely wonderful and I look forward to reading it soon!


‘Lorna Fergusson weaves a vivid but dark tale set in the beautiful Dordogne, where past and present fuse in a page-turning mystery. I could go back to this again and again.’ Alison Weir, novelist and historian

‘Superbly written, ambitious in scope, morally complex, emotionally challenging, this is a real page-turner.’ Linda Gillard

‘Steeped in the atmosphere, history and excitement of France … It is definitely the sort of book that is difficult to put down.’ Living France magazine

‘Lorna Fergusson has a natural gift for telling a story – think of Daphne du Maurier.’ Scotsman newspaper

The Chase is available as a paperback and an ebook and also on Kobo

Fictionfire Literary Consultancy

Fictionfire Press

Lorna’s blog, Literascribe


Facebook and Facebook Fictionfire-Inspiration-for-Writers

Twitter: @LornaFergusson