Characters in Motion: Naamah Carter

Today I am talking with Alfred Woollacott III about his character, “Naamah Carter.” Alfred retired from KPMG after a career spanning 34 years, choosing to reside full time at his summer residence on Martha’s Vineyard. Being “45 minutes from America” and with a 50 – 60 hour per week void to fill, he began dabbling into his family history. His dabbling grew into an obsession, and he published several genealogical summaries of his ancestors. But certain ones absorbed him such that he could not leave them. So, he researched their lives and times further while evolving his writing skills from “just the facts ma’am” to a fascinating narrative style. Thus, with imagination, anchored in fact and tempered with plausibility, a remote ancestor can achieve a robust life as envisioned by a writer with a few drops of his ancestor’s blood in his veins.

Alfred, why did you choose to write about Naamah?

Naamah_Carter_Young

Naamah continues the planned trilogy, albeit chronologically out of order since her story had to be told. She and her four-greats grandfather John Law the first novel’s protagonist faced similar challenges. Both held shunned Christian beliefs, were forced from their homeland, endured tragic losses, and persevered against prejudice and hostility. In “The Believers in the Crucible Nauvoo” Naamah symbolized the pioneering women of the early LDS church, just as John Law exemplified the Scottish Prisoners of Wars struggles in the Puritan Theocracy of Colonial America. Carol Cornwell Madsen’s book “In Their Own Words” enriched my knowledge about Nauvoo’s women, a story that had to be told.

Delving further, I found some of Joseph Smith’s discourses not dissimilar to my Episcopalian beliefs and broadened my Christian foundation. However, the plural wives principle was an anathema that I had dismissed as justification to institutionalize man’s polygamous tendencies. Yet I continued wondering about Naamah’s perspective. Laurel Thatcher Ulrich’s book “A House Full of Females” provided further insight. Each relationship was unique and multi-faceted as was Naamah’s with Brigham.

What is the mood or tone Naamah portrays and how does this affect the story?

Naamah is a strong, resilient woman of deep faith. She is six-years-old when we first meet her placing flowers on her father’s gravesite in remembrance of his birthday. Her unique name honors her aunt, Naamah Kendall Jenkins, who had died three weeks before her birth. Early in life, Naamah connected to family residing in heaven. Her mother’s death several years later tightened those heavenly bonds. In a larger sense, the Calvinist doctrine of the First Awakening had formed her Christian beliefs and had grown stale. Something was lacking. Joseph Smith’s teachings offered refreshment and a romanticized view of principles she held dear. The Second Awakening gave an offer of hope, salvation, and glory to those who had believed their lives were pre-determined to be ‘sinners in the hand of an angry God. Many still clung to past and persecuted those who followed the teachings of these ‘false prophets’.

What are Naamah’s role in her family and some emotions triggered by it?

Naamah lost her father early and her mother several years later. Being the eldest of three sisters, she assumed a surrogate mother role for her ‘baby sister’ Susan, protecting her from the acid-tongued, narrow-minded, middle sister Betsey. Susan’s relationship with Naamah changed as she matured while Naamah’s did not. Her baby Susan still needed care; she had to stay in Peterborough and not leave with the Saints for Nauvoo. Eventually, she realized that Susan had become her crutch, which caused her to doubt the depth of her faith.

Soon after arriving in Nauvoo, she marries, only to lose her husband a few months later. A month later her beloved Aunt Susan dies and compounds her sense of loss. Now virtually alone and feeling isolated, she longed to return to Peterborough. Her emotions overwhelmed and paralyzed her until two Sisters rekindled her belief in eternal life giving her a path out of her nadir.

What is one of her beliefs as a Christian and how does this affect her life?

Naamah believed in eternal life, and Joseph’s teachings enhanced her understanding of it. He prophesized that we reside in heaven like Jesus did until we are sent to the earthly kingdom. While there, those who believed in Joseph’s prophecy and lived the gospel daily will return to the heavenly kingdom.

Naamah accepted that God spoke through the prophets and came to believe that Joseph was his latest. She dreamed to hear directly from Joseph. She first witnessed Joseph through Brigham as he preached to the faithful in Peterborough. After Joseph’s death, she rationalized that the closest she would come to him while on earth was through Brigham. In Nauvoo, She worked daily with Brigham at the temple doing the Lord’s work. She is torn when he proposed marriage to her. She had been sealed for eternity to another who awaited her in heaven. Brigham was married, and becoming his plural wife ran violated what she held sacred. Yet, through marriage, she would be closer to him, and thus, to God.

How is she influenced by her setting?

A tight-knit Peterborough began unraveling as Joseph Smith obtained a following. Erstwhile friends and family turned from Naamah and her rapidly-growing community of Saints. Many Saints left for Nauvoo while Naamah dawdled. But as Peterborough’s animosity increased, she left, too. Tenfold larger than Peterborough and unified in a belief, Naamah saw Nauvoo as Joseph Smith had promised — God’s earthly kingdom, But over time, Nauvoo grew more hostile and threatening than Peterborough ever had been.

Did she ever have doubts about Joseph Smith’s testaments? 

As her beloved Aunt Susan oft said, “Even Jesus had doubts while in the garden of Gethsemane.” Family ridiculed her, former friends turned from her, the death of loved ones caused her to grieve, hostile surroundings threatened her peace, and the offer of a plural marriage challenged a sacred belief. With each, doubts arose that she eventually overcame when she realized God would be with her . . . always.

Please talk about the courage and strength of Naamah and possibly the isolation?

On her wedding day, Naamah felt as though she was atop an alabaster column that extended to the heavens. As the newlyweds neared Nauvoo’s temple, she said, “Once the temple is completed, we must have our marriage endowed in it.” To which her husband replied, “Once it’s completed, we’ll leave Nauvoo.” “Leave Nauvoo?” She said. “I’ve just arrived here. Why? Why?”

Chip, chip, and cracks appeared in the alabaster. Chip, chip; increasing enmity surrounded Nauvoo, her husband died, and Aunt Susan died, and within months of her marriage, Naamah lay amid the rubble of alabaster. She wallowed in her nadir until uplifted by doing the Lord’s work alongside Brigham made her realize again that God would be with her always.

What are some similarities that a modern-day woman would have with Naamah?

Naamah with sisters wives editted

Naamah with Sisters Wives

Naamah’s challenges were not dissimilar to those women have faced for eternity. But she had fewer options than today’s women. A couple of centuries ago, it was more a ‘Man’s world’ than today. As such, we are less aware of the women’s perspective than we are now. Ulrich’s book “A House Full of Females” would have been near impossible to publish in the 1800s. Roles are less defined by gender than before, giving women more options and more reasons to question.  Of course, “Even Jesus had doubts while in the Garden of Gethsemane.”, and questions will eventually be answered.

Where can readers buy your book?

Alfred with book resized to 300

Available at Amazon, my website, or directly from me at mv4al@aol.com.

Interview with Alfred about his books HERE

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The Ocean At The End Of The Lane by Neil Gailman

The Ocean at the End of the Lane II

I was hesitating to download this audio book because I read Neverwhere years ago for a book club read and it was too disturbing and dark for my taste to finish. Having said that, in no way am I saying Gailman is not a good writer. He is s superb story teller and his imagination is really something else.

Have you ever heard Him speak? I can listen to Him talk all day long. Anyhow, I came across The Ocean At The End of The Lane last night and decided to take a chance. Wow, am I glad I did! I was literally drawn in from the first few lines. That really says a lot about the story. At first, I was thinking maybe because it was His voice that is so mesmerizing…. but I think it’s everything about the story, the characters and the way He is weaving the tale. This is one story I am going to be sad when I get to the end of it.

Stephanie M. Hopkins

About the book:

The Ocean At The End Of The Lane by Neil Gailman

Sussex, England. A middle-aged man returns to his childhood home to attend a funeral. Although the house he lived in is long gone, he is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock, and her mother and grandmother. He hasn’t thought of Lettie in decades, and yet as he sits by the pond (a pond that she’d claimed was an ocean) behind the ramshackle old farmhouse, the unremembered past comes flooding back. And it is a past too strange, too frightening, too dangerous to have happened to anyone, let alone a small boy.

Forty years earlier, a man committed suicide in a stolen car at this farm at the end of the road. Like a fuse on a firework, his death lit a touchpaper and resonated in unimaginable ways. The darkness was unleashed, something scary and thoroughly incomprehensible to a little boy. And Lettie—magical, comforting, wise beyond her years—promised to protect him, no matter what.

A groundbreaking work from a master, The Ocean at the End of the Lane is told with a rare understanding of all that makes us human, and shows the power of stories to reveal and shelter us from the darkness inside and out. It is a stirring, terrifying, and elegiac fable as delicate as a butterfly’s wing and as menacing as a knife in the dark.

A glance at a Southern Story: One Good Mama Bone by Bren McClain

Back in November of 2017 I posted about a book event I went to, and southern authors and their stories were featured. This gave me an idea to start a series on southern writers and how important their stories are and what makes them unique. Today I am featuring a unique southern story One Good Mama Bone by Bren McClain.

Stephanie M. Hopkins

ONE GOOD MAMA BONEBook Description:

Set in early 1950s rural South Carolina, One Good Mama Bone chronicles Sarah Creamer’s quest to find her “mama bone,” after she is left to care for a boy who is not her own but instead is the product of an affair between her husband and her best friend and neighbor, a woman she calls “Sister.” When her husband drinks himself to death, Sarah, a dirt-poor homemaker with no family to rely on and the note on the farm long past due, must find a way for her and young Emerson Bridge to survive. But the more daunting obstacle is Sarah’s fear that her mother’s words, seared in her memory since she first heard them at the age of six, were a prophesy, “You ain’t got you one good mama bone in you, girl.”

When Sarah reads in the local newspaper that a boy won $680 with his Grand Champion steer at the recent 1951 Fat Cattle Show & Sale, she sees this as their financial salvation and finds a way to get Emerson Bridge a steer from a local farmer to compete in the 1952 show. But the young calf is unsettled at Sarah’s farm, crying out in distress and growing louder as the night wears on. Some four miles away, the steer’s mother hears his cries and breaks out of a barbed-wire fence to go in search of him. The next morning Sarah finds the young steer quiet, content, and nursing a large cow. Inspired by the mother cow’s act of love, Sarah names her Mama Red. And so Sarah’s education in motherhood begins with Mama Red as her teacher.

But Luther Dobbins, the man who sold Sarah the steer, has his sights set on winning too, and, like Sarah, he is desperate, but not for money. Dobbins is desperate for glory, wanting to regain his lost grand-champion dynasty, and he will stop at nothing to win. Emboldened by her lessons from Mama Red and her budding mama bone, Sarah is committed to victory even after she learns the winning steer’s ultimate fate. Will she stop at nothing, even if it means betraying her teacher?

McClain’s writing is distinguished by a sophisticated and detailed portrayal of the day-to-day realities of rural poverty and an authentic sense of time and place that marks the best southern fiction. Her characters transcend their archetypes and her animal-as-teacher theme recalls the likes of Water for Elephants and The Art of Racing in the Rain. One Good Mama Bone explores the strengths and limitations of parental love, the healing power of the human-animal bond, and the ethical dilemmas of raising animals for food.

Recording by Bren of One Good Mama Bone, first chapter

Author Bio:

Brenda

Bren McClain’s literary novel, ONE GOOD MAMA BONE, debuted in February with Pat Conroy’s original fiction imprint, Story River Books. The novel has been named a Great Group Reads 2017 Selection by the Women’s National Book Association, named the top pick for 2017 by Lit Picks, long-listed for the 2018 Crook’s Corner Book Prize, received a starred review in “Booklist,” named a 2017 winter Okra pick by the Southeastern Independent Booksellers Alliance and made a Pulpwood Queens worldwide book club selection. Bren is at work on her next novel, TOOK, which received the gold medal for the 2016 William Faulkner –William Wisdom Novel-in-Progress. Bren was born and raised in Anderson, South Carolina, on a beef cattle and grain farm and now makes her home on 100 acres outside of Nashville, Tennessee. Find her online at her  Website .