Q&A With Alfred Woollacott, III

Alfred with book resized to 300

I’d like to welcome Alfred Woollacott, III to Layered Pages today. Alfred retired from KPMG after a career spanning 34 years, choosing to reside full time at his summer residence on Martha’s Vineyard. Being “45 minutes from America” and with a 50 – 60 hour per week void to fill, he began dabbling into his family history. His dabbling grew into an obsession, and he published several genealogical summaries of his ancestors. But certain ones absorbed him such that he could not leave them. So, he researched their lives and times further while evolving his writing skills from “just the facts ma’am” to a fascinating narrative style. Thus, with imagination, anchored in fact and tempered with plausibility, a remote ancestor can achieve a robust life as envisioned by a writer with a few drops of his ancestor’s blood in his veins.

When not writing, Al serves on several Boards, and keeps physically active with golf, tennis, and hockey. He and his wife of 44 years, Jill, have four children and ten grandchildren.

Thank you for talking with me today, Alfred. Please tell you how you got into story-telling?

My blessing to spin a good story comes from my namesake, Alfred Sr., sprinkled, at times, with humor — genes from my maternal grandmother, Gracie. Beneath an extemporaneous exterior, lies a logical, results-oriented mind that spent a career at KPMG, an international accounting firm, researching facts and forming conclusions. So when I retired, dabbling in genealogical facts came naturally, and I got hooked. For a few on my ancestral tree, the facts cried out, “There’s a story here, add more leaves to the branches.” So I allowed the extemporaneous to spin a yarn around the facts and brought an ancestor to life

Tell me about your book, The Immigrant.

The Immigrant

The Immigrant is a fictionalized account of my seven-greats grandfather, John Law, who came to The Colonies in chains, a Scottish prisoner of war captured during the Battle of Dunbar. Upon his arrival in the winter of 1651, he began his indenture at the Saugus Iron Works and concluded it as a public shepherd for the town of Concord. Freed from his indenture, he began life anew to endure a Puritan Theocracy, English bigotry, and Native American dangers. Throughout all his ordeals, he wondered if God ever heard him. One day, he did.

 

Tell me about your book, The Believers in The Crucible Nauvoo.

The Believers In The Crucible Nauvoo

The book is the second of a planned trilogy, whose protagonist, Naamah Carter, like me descends from John Law. After enduring early parental deaths, she discovers renewed meaning to her strong Christian beliefs through Joseph Smith’s testaments. His following in Peterborough, New Hampshire flourishes, yet Naamah, her beloved Aunt Susan, and other believers suffer family strife and growing community resentment. She leaves her unfriendly situation and journeys to Nauvoo to be among thousands building their Prophet‘s revelation of an earthly Zion on a Mississippi River promontory. There, her faith is tested, enduring loss of loved ones and violence from those longing to destroy Nauvoo. With the western exodus imminent, she faces a decision that runs counter to her soul and all she holds sacred – whether to become Brigham Young’s plural wife.

The novel weaves the momentous events of Joseph Smith’s martyrdom and Brigham Young’s succession with Naamah’s story and offers differing perspectives to create a mosaic of Nauvoo, the crucible out of which arose today’s Church of Jesus Christ of the Latter-day Saints.

In your story, The Immigrant, you introduce an historical figure John Law, a young Scotsman captured by Cromwell’s forces during a well-known battle “The Battle of Dunbar.” For those who have not heard of John Law, can you please tell us a little about him historically and what his faith is?

Yes, John law is a historic figure, yet deemed too insignificant for the historian’s lens. The Immigrant has brought him to life and, since he’s symbolic of 10,000 Scottish men at Dunbar 3 September 1650, their lives have been discovered in some way.  His father died in 1649 when John was thirteen. An only child, he and his widowed mother managed for a year until the War Councilor appeared in summer of 1650. “He’ll be back in time for harvest,” was the Councilor’s remark as John left. John would never see his mother again, and she would never know John’s fate.After John’s capture, he endured a ‘death march’ into northern England, a horrific six week incarceration at Durham Cathedral, and a life-changing, Trans-Atlantic crossing to the Colonies. The Massachusetts Bay Colony was established with a wave of English, the great Migration 1630-1640. Except for the indigenous, they owned a virgin paradise to craft to their liking until John Law and a few Scots trickled in as immigrants. Since then, waves of immigrants have come, even still today. Each new wave has encountered prejudice, but far less blatant or extreme than what John endured. In 1660, Mary Dyer and William Leddra were hanged on Boston Common because they were Quakers. We all are aware of Salem and 1692 witch trials.

Since John was fighting with The Covenanters against Cromwell, he was most likely a Presbyterian.

How much research went into The Immigrant?

I am a CPA turn genealogist, so a lot! Some of John Law’s genealogy down to myself has been published in two-parts in MASSOG, a genealogy-register — 16 pages with over 200 footnote. Dry as dust, yet available on my website if you’re interested. John is presumed to be a Scottish POW, which I attempted to prove through research on early Scots at NEHGS, reading books on the Saugus Iron Works, reading 1600s Middlesex County court reports including John’s will, and perusing passenger lists of the Unity and the John and Sara ships that brought Scottish POW to The Colonies. And while I know of his life from 1655 on, I can neither prove nor disprove how he got here.

I visited the Saugus Ironworks, learned how iron was made, and romanticized while at the intersection of Lawsbrook Road and School Street in Acton, MA, where John lived.  The influence of my Lawsbrook visit are the concluding scene in The Immigrant.

Who are your secondary characters in your story?

Obviously, Lydia Draper, John’s wife. During my research, I found more snippets about the Drapers than I did about John Law to wrap a story around. Lydia’s POV occurs often, particularly during the birth of their first born, later with the loss of an infant son, and during King Philip’s War. Mary Rowlandson’s capture and release had a profound effect on Lydia.

Nagoglancit, a Nashobah Native, is complete fiction. Like John, he is an outcast, and ironically unlike John, an outcast in his native land. But these two ‘outcast’ form a unique bond, tested, at times, when Lydia reveals a past encounter with natives and during King Philip’s War.

John Hoare – during my research I came to love this guy, so he is throughout the book. He counsels John to do the right thing and make an honest woman of Lydia Draper, rescues Mary Rowlandson, and builds a dormitory for the ‘friendly’ Nashobah during King Philip’s War much to Concord’s dismay.

How long did it take to write your story?

Excluding the research, which seems continual since I can be a bit anal, about a year or so.

In your story, The Believers in The Crucible Nauvoo you introduce Naamah Carter. What a beautiful name! Could you please tell us a little about her?

Naamah, wife of Noah, meaning pleasant because Naamah’s conduct was pleasing to God. Naamah Kendall Jenkins Carter was named for her aunt who died three weeks before she was born, which created an immediate bond and early interest in the afterlife.

We first meet Naamah, age 6, placing flowers on her father’s grave. There, she asks her grandfather, Reuben Law, a question, the answer to which comes years later as Naamah grapples with a life-changing decision. Precocious in her Christian beliefs, she soon found traditional teaching uninspiring until she meets Elder Eli Maginn, a Latter-day Saint missionary. The strength of her faith continues to ebb and flow as she endures life until she finds lasting solace in Temple life.

Her life is mostly among women – her mother who dies early, her sister, and her LDS sisters. Like all the women of Nauvoo, she has the resiliency needed to endure the pain and suffering that was the crucible Nauvoo. While inexperienced in dealing with men, she marries only to have her husband die soon afterward. Thus, when she meets the powerful ‘lion of the Lord’, Brigham Young, she’s at first ill-prepared, yet perseveres to forge a unique relationship.

Where can readers buy your books?

At Amazon, or discerning book stores like Bunch of Grapes, Vineyard Haven, MA, or on my website

What is up next for you?

Reuben Law and the trilogy’s last book. You have met Reuben in the first and last chapters of The Immigrant. He’s on Jarmany Hill in the opening scene of The Believers In The Crucible Nauvoo and sprinkled throughout. He’s the lynchpin between the two novels. For more about Reuben, visit my website. I sensed John Law’s presence when I paused on Lawsbrook Road, but I sensed Reuben even more. Here is a link to what I experienced in September 2009.

Is there a message you would like to give to your readers?

Historical novelists research and pour their heart and soul into their writings, as do I. But my heart has a few drops of their blood and my soul has part of their DNA. My characters bore witness to King Philip’s War, The American Revolution, and Joseph Smith’s Martyrdom and encountered prejudice for being a Scottish POW in a Puritan Theocracy or a believer in a scorned prophet. I trust that the tingles I experienced at Lawsbrook Road or on Jarmany Hill came from erstwhile dormant DNA exploding thoughts that coalesced to say, “There’s a story here.”

Author Links:

Facebook Page

Twitter

Website 

L.A.P. it Marketing LLC

What is L.A.P. it Marketing?

LAPit Logo

L.A.P. it is a social media platform that applies to a variety of professions-such as-Literature, Art and Photography. The practicalities of Internet life can be tricky for many, not everyone is computer savvy and would prefer to solely focus on their craft or they have a tight budget but need help in this arena. How does one market their own work if they have little money or they don’t understand how the market works or both? There are so many entities out there charging fees that are not doable for most or they promise what they cannot deliver. L.A.P. it has created a new concept of social media marketing and provides a unique service to showcase writers, artists and photographers work. L.A.P. it will also work with publishers, independent presses, artist/photographer galleries and other entities that involve the three areas mentioned.

L.A.P. it Marketing Website

Twitter: @lapitmarketing

Facebook Page

Instagram 

 

Advertisements

Interview with Jenny Q-Historical Fiction Book Covers

Jenny Q

I’d like to welcome Jennifer Quinlan to Layered Pages today to talk with me about her book cover design business. Jennifer, aka Jenny Q, owner of Historical Editorial, is an editor and cover designer specializing in historical fiction, romance, and fantasy. A member of the Historical Novel Society, the Editorial Freelancer’s Association, the American Historical Association, and various local and regional historical organizations, she lives in Virginia with her husband, a Civil War re-enactor and fellow history buff.

Jenny, please tell me about your graphic design company and how you got into the business.

I’ve always been an extremely visual person, and my love for design began about eighteen years ago when I started scrapbooking. That was back when we worked with actual printed photos and paper, scissors, glue, etc. A few years later, I started working in the advertising department of my hometown daily newspaper. As an outside sales rep, I met with local and regional business owners and helped them create print and online advertising campaigns, and I worked with our team of graphic designers to bring the ads to life. I learned more about the process then and the collaborative relationship designers have with their clients. Then I moved into real estate and began designing marketing materials for my brokerage. When the economy collapsed and advertising and real estate both collapsed along with it, I turned my attention and my skills to my biggest passions—books!—and  helping self-published authors, and thus Historical Fiction Book Covers was born.

What is the latest book cover you designed?

I have several completed covers that I can’t share to the public yet, though I’m itching to do so! My most recent published cover is Blood Enemy by Martin Lake.

How far in advance do you schedule clients work?

My schedule is usually filled several months in advance, and I’m currently scheduling cover designs for March 2018 and beyond. A piece of advice for indie authors: Don’t wait till the last minute to choose a cover designer and book a spot in their schedule. Busy designers are often booked well in advance and are rarely able to take you on immediately. Plus you’ll want to have your cover early so you can start generating some pre-publication buzz. It’s also required to make your book available for pre-order.

What have you learned the most about book cover design along the way?

That I will probably work my whole life and never know how to use even half of Photoshop’s amazing capabilities! I’ve also had to learn how to swallow my pride and handle feedback and criticism of my work objectively and professionally. And I’ve learned that although I may have strong opinions about each cover I design, I have to always remember that it’s not my book, it’s the author’s, and ultimately they have to make the final decision and walk away with a cover they love and feel is most appropriate for their book.

Where do you find inspiration?

Everywhere! But mostly I draw inspiration from other covers. Covers are like eye candy for me, and I’m always browsing through them, studying them, drooling over them.  It’s important to be knowledgeable about trends in my genres and also to keep an eye on which types of covers are selling the most books.  I also find inspiration in artwork as I’m browsing. I’m constantly finding images of models or backgrounds or historical paintings that make me stop and say, “Oh, that would make a great cover someday! I better save this.”

As a Historical Fiction enthusiast, do you feel this helps when creating book covers for Historical Fiction writers?

No doubt about it. Spending so much time in the genre makes me very familiar with cover trends and the types of covers that appeal to particular audiences. It’s also immensely helpful in choosing accurate period clothing and settings.

In your professional opinion, what is the importance of book cover designs?

Your book cover is at the top of the list in terms of importance. You’ve poured your heart and soul into your book, but no one outside of your immediate sphere of influence will read it if you don’t have a cover that catches their attention. I’m sure we all wish it weren’t so, but we do tend to judge books by their covers, and I think this is especially true of indie books. I tend to skip right over books with crappy covers. Not because I’m a cover snob (okay, maybe a little bit), but because I expect an indie book to be just as professionally produced as a book coming from one of the big publishing houses.

What are the other services you offer?

I often create social media banners for my clients based on the covers we design, and I can also prepare print files for bookmarks, business cards, and other marketing materials. On another note, I do offer several tiers of pricing for cover designs. A custom cover design can be expensive (as it should be given the hours and hours of work that go into finding and choosing the right artwork, creating concepts and putting together multiple mockups, and then the rounds of revisions necessary until the final product is complete), but authors who already have their art or who are willing to take on the responsibility of finding their own cover art get steep discounts from me.

Where can people find you on social media?

I’m on Facebook, Twitter, Goodreads, Google +, and LinkedIn.

What advice can you give to inspiring graphic designers?

Keep honing your craft and studying your market. Don’t be afraid to promote yourself. Be sociable and network, which is easier to do than ever thanks to the digital world and social media. Strive for professionalism and to develop a reputation for being easy to work with, but don’t let people take advantage of you either.

Links:

Facebook Page

Facebook

Twitter

Jenny Q -twitter

goodreads

linkedin

Google +

A Message from L.A.P. it Marketing LLC:

LAPit Logo

Writers, Artists and Photographers, are you wanting to spend less time on social media and spend more time on your craft or are you looking to expand your brand? L.A.P. it Marketing can help you in your endeavor! For more information about our company, visit our Website

Vintage Art & Historical Fiction

 

Image two vintage

This week’s vintage art collage/card turned out great! I had a lot of fun with this project and reflected on its meaning for my life and the lives of others. The month of November is one of my favorite times of the year and this piece shows much of my creative side. Many of you will recognize the mix-media I used for this craft. Among the supplies are Tim Holtz products and The Paper Studio. The background is heavy card stock and pattern paper I punched out into small squares. As you can see, I used layers and added metal and brads.

By Gaslight

I’m not sure I will have time for art this weekend. I have several social functions to attend to and I want to get a little bit more through, By Gaslight by Seven Price. This story has over seven hundred pages! Ahem, that is a lot of pages for someone who has a backlog of reviews a mile long and has a millions other things going on.

I hope you all have a wonderful weekend and thank you for visiting Layered Pages this week.

Stephanie M. Hopkins

 

Novel Expressions: Book Bloggers Wanted

Novel ExpressionsPromotions & Book Tours (1)

Flashlight Commentary and Layered Pages have come together to develop a new and creative platform for Historical Fiction on-line book tours and we are looking for Historical Fiction Book Bloggers to join our team! Novel Expressions will open its promotions and tours in January 2018. As Book Bloggers ourselves we have closely watched -for a few years now- the trends in historical fiction, what readers really want and what book promotions appeal to us. This has helped us tremendously come up with fresh and exciting new ways to spotlight the genre.

We will promote your blog on various social media sites, provide free printed books, ebooks, and have occasional gifts for our team. If you don’t receive the book in time for a review or can’t review the book for a particular reason? No problem, we’ve got you covered. We will provide a tailored blog post option for you.

For more information about Novel Expressions and how to join our team please contact us at novelexpressions1@yahoo.com

Facebook Page

We look forward to hearing from you!

Thanks!

Erin & Stephanie

 

Book Spotlight: A Bridge Across the Ocean by Susan Susan Meissner

A birdge across the ocean

About the book:

Wartime intrigue spans the lives of three women—past and present—in the latest novel from the acclaimed author of Secrets of a Charmed Life.
 
February, 1946. World War Two is over, but the recovery from the most intimate of its horrors has only just begun for Annaliese Lange, a German ballerina desperate to escape her past, and Simone Deveraux, the wronged daughter of a French Résistance spy.

Now the two women are joining hundreds of other European war brides aboard the renowned RMSQueen Mary to cross the Atlantic and be reunited with their American husbands. Their new lives in the United States brightly beckon until their tightly-held secrets are laid bare in their shared stateroom. When the voyage ends at New York Harbor, only one of them will disembark…

Present day. Facing a crossroads in her own life, Brette Caslake visits the famously haunted Queen Mary at the request of an old friend. What she finds will set her on a course to solve a seventy-year-old tragedy that will draw her into the heartaches and triumphs of the courageous war brides—and will ultimately lead her to reconsider what she has to sacrifice to achieve her own deepest longings.

Available on Amazon

Author Website 

Characters in Motion with Cryssa Bazos

When I first started writing, I took a historical fiction course and I still remember the advice that the instructor gave us, which can apply to any fiction: Consider how the character moves around the page. This breathes life into the character as he/she goes about the business of achieving their personal story quest. I quickly found out that it was not enough for them do random actions; instead, the action should do double duty to reflect back on character.

Traitor's KnotTraitor’s Knot, is the story of two fictional characters, James Hart, a former Royalist officer, and Elizabeth Seaton, a herbalist, who fall in love against the backdrop of the English Civil War.

James hasn’t been able to put the war behind him. After the execution of King Charles I, the regicide Parliamentarians are now in control of the country. James refuses to swear allegiance to the new regime, nor will he return home to Coventry to repair his severed relationship with his father. Everyone in Warwick knows him as the ostler of the Chequer and Crowne, but few realize that he’s the highwayman who has been preying on Roundheads.

The first scene that I wrote with that advice in mind is still in my novel today. The scene has been modified through subsequent drafts, but this particular piece survived as it initially written:

“The war’s over, lad. Put it behind you, and look to the future before it’s too late.”

 James studied his chipped tankard. “You have tables to clean.”

 Henry merely snorted and left.

Put it behind him? He’d have to accept defeat first. James traced his thumb along the    hairline cracks in his cup, then rotated it until he found a smooth, unblemished curve. If only he saw this section, would he fool himself into believing the tankard was undamaged? Frowning, he took another swig of ale. The brew failed to wash the bitterness away.’

Here is a man who spent long, bitter years fighting for the king, but now he’s forced to accept that the usurpers have taken over the country. James has had to pretend to pick up the pieces, but he can’t let go of the past. He’s had to swallow his pride while biding his time for the return of the new king, Charles II, to regain his crown. James’s apparent compliance to the new regime is as precarious as that tankard, and any moment he will shatter.

James’s frustration is manifested in many ways. After being rejected by Elizabeth and having to deal with annoying enquiries from the new constable, Lieutenant Hammond, James’s agitation escalates through the scene. At first, as he’s grooming his horse, his brush strokes are harsher than normal:

‘James reached for a brush and started running it through Sovereign’s coat with brisk strokes. He made several passes before the horse tossed his head and took a step back. “Easy,” James said, and grasped him by the halter. When the horse continued to agitated, James grimaced and eased the pressure.’

Later on the scene, when Henry tries to drill into his head, ‘The war is over, and nothing you do will change the fact that these Roundheads control our lives, from that horse brush you’re holding to the ale that flows through my kegs.” James’s temper boils over:

“I will not accept that,” James snapped and whipped the brush into the bucket. The tin rattled and nearly tipped. “If I could, I’d have gone back to Coventry, belly exposed, to take my kicks there. I am not a beaten dog…’”

He then kicks the bucket and sends it clattering across the straw.

But it’s not all teeth grinding frustration for James. Even in a quieter moment of reflection, I use his actions to demonstrate that:

‘Through there were a number of chores he needed to finish in the barn before he turned in, he couldn’t muster the will to leave. Instead, he picked up a long twig and started drawing shapes in the ground with its tip. It was only when the door opened and Elizabeth stepped outside that he realized he had been waiting for her.’

My heroine, Elizabeth Seton, is a young woman who has had her family ripped apart during the war. She and her mother have been shunned in her community after her father was killed during a failed Royalist uprising. After her mother passes away, she is determined to carve out a new life out for herself and moves to Warwick to live with her aunt.

Elizabeth is subtler in how she walks around the page, but her actions reflect her character. Being a healer, she’s keenly attuned to the sense of touch. When she first sees her aunt’s stillroom, she connects to the wonders through touch.

‘Elizabeth’s fingertips brushed over the labels: monkshood, foxglove, and sweet woodruff. I could lose myself in this place. A thrill rippled through her.’

Even her aunt’s coveted collection of herbal recipes is handled with reverence, and as she examines the volume, she’s careful not to crease the pages.

The first time that Elizabeth finds herself alone with James, she’s on a riverbank working out her frustration by throwing rocks in the river. Later, when he’s managed to take her hand, she responds to the awakening of new emotions:

‘His touch was warm and stirring, the contact intimate. His fingers explored her palm, following the gentle curves to its hollow, then lingering on the tips of her fingers. The way his fingers brushed over her skin felt as she imagined a kiss to be.’

Elizabeth is a woman who has to maneuver between living within the rigid constricts of society and expressing her individuality. I often show this in a number of ways, from the way she dresses (she opts for a blue woolen skirt, over more serviceable greys or browns) to even how she deals with her hair.

Women at that time would have worn a coif with hair sedately bound. Elizabeth is no different, however, there is always one dark lock that will not be pinned back or confined, and she is often trying to tuck it behind her ear. I intended this to represent Elizabeth’s streak of independence. While she attempts to subdue it, its nature is otherwise.

Even a first meet market scene provides an opportunity to show her individuality. When James sees Elizabeth wending her way through the market, he notices what draws her attention amongst the stalls:

‘While fancy ribbons and laces had not attracted her interest, a stack of pamphlets and chapbooks made the difference.’

Literacy was growing amongst women during this century, but her interests would have still marked her as unique, and James was struck by this.

I believe it’s important to reveal characters through a variety of different ways, not just through dialogue. How they walk around the page and their reflective actions often reveal more than any declarations they make.

About Author: 

Cryssa

Cryssa Bazos is an award winning historical fiction writer and 17th century enthusiast with a particular interest in the English Civil War. She is a member of the Historical Novel Society, the Romantic Novelist Association and is a co-editor and contributor of the English Historical Fiction Authors blog. Her debut novel, Traitor’s Knot, is published by Endeavour Press. For more stories, visit her blog.

Social media links:

Website

Facebook

Twitter: @CryssaBazos

Instagram

Traitor’s Knot is available: