I’d like to welcome Scott Moore today to talk with me about his photography business and how he got into photography.
Scott, what is the name of your Photography business?
The name of my business in WSM Photography. It’s an often-used formula, but the WSM stands for my initials “Walker Scott Moore”. I also have a variation of my initials I use online, as an online id, which is “Wizum”. Kind of how you would say my initials as a word… I use that identity quite a bit with social media and photo sharing sites.
How long have you been in photography?
I started shooting with a Minolta film camera back in the late 90’s. It was something very casual and I really didn’t have a clue what I was doing. After finishing up my degree in architecture in the early 2000’s, I picked up my first digital camera, a Coolpix 3200, and used it quite a bit on travels, especially when I visited famous buildings designed by architects I had studied in school. Two “point and shoot” cameras later I decided to buy my first SLR camera, a Canon XTi. From there, things really took off and around the start of 2009 I excepted my first architectural paid shoot, which just so happened to be a new high rise I could see from my work desk looking out the window. It must have been fate, right?
Professionally I’ve been photographing architecture for 8 years. I’ve also sold a number of prints and canvases over the years as well or Landscapes and Cityscapes, as well as having done some professional portraits and a wedding or two as a second shooter. This last year I shot the Tom Glavine Spring Training Georgia Transplant Foundation fundraiser event. I shot that for 5 years straight and it was always a rewarding and fun event to shoot.
What is your motivation in photography?
While studying architecture in school- a lot of time is spent studying other architects work and also their writings. This invariably led to other writings from non-architects, but still discussing related subjects, or subjects that could influence the world of architecture. One of the more influential writings led to the realization of how we interact with the world and how when we create architecture, it is something that does not sit in an open field of grass, it sits in a place. Buildings have context. and it is this context which can have a major influence on the design of a building.
So, context is such a key for me when I look at a place. Whether that place is in the city or in a natural setting. I love capturing places and subjects within these places.
What do you specialize in and what is your process?
For pay, my photography work is primarily shooting architecture. I obviously understand the subject well, as I have been trained to be an architect and have been practicing it for 20 plus years.
My process for shooting sometimes depends on the building I’m shooting, and also the client I am shooting for, but primarily I like to do a survey of the project and take sample shots before doing the final shooting. This allows me to get a feel for the project and how light, depending on the time of day, interacts with it. After that I’ll have a good understanding of the shots I will take, which are usually derived from a client request and ideas I see while shooting and reviewing the sample shots I took.
I also shoot multiple exposures when shooting. I sometimes will use these exposures in a blending process, but sometimes I am able to capture the right shot in one exposure. You might ask why I do this? Well, the camera does not have the same exposure adjustment that the human eye has. When dealing with multiple light levels, sometimes very drastic from each other, you shoot for these extremes so you can balance them out in post processing, so that the final image reflects more closely to what the eye can see of the scene you captured.
Who are a few of the businesses you have shot images for?
I have had the opportunity to shoot a number of buildings I have actually designed, while working for various architecture firms in Atlanta. These firms are DAG Architects, CDH partners and AE Perspective (formally AE Design). I’ve also shot for 2 firms in Chattanooga, TN as well as having the opportunity to shoot for an architect in Cape Town South Africa. The 2 homes I photographed in Cape Town were simply amazing, one having an open view of the Atlantic Ocean from the living room, overlooking an infinity edge pool, and the other on the beach, with a view of Table Mountain in the distance and across the bay.
I have also photographed for an architectural lighting company as well several General Contractors who constructed several of the projects I have photographed.
What gear do you prefer to use the most?
For my architectural work I shoot a lot with my 17mm Tilt Shift lens. It is very wide and it allows for me to correct perspective within the lens real-time. It is a really great lens and gives me some of my sharpest images.
When shooting landscapes or cityscapes I also tend to shoot with a wide angle, but generally I shoot with my L17-40 4.0 Lens.
My current camera body is the Canon 6D. I used to shoot with the 5D mark ii, but had a mishap with it in the ocean. 😦
What settings do you use when at a shooting site?
Not to give away too many secrets 😉 but when shooting architectural work, I keep my aperture around f11-f16. I shoot with a tripod 90% of the time, which allows for the multiple exposures I mentioned before. The ISO is usually at 100, for as little pixel noise (grain), and the exposures will vary drastically, but I do like to shoot with longish exposures.
Please share your favorite image you have taken.
I don’t know if I have just 1 favorite. So many of my shots remind me of those times I shot them and are also kind of a photographic journal of my journey, and development as a photographer. The one I will share with you though is from early on in my shooting career of a waterfall in Alabama. It is called, Caney Creek Falls. What is so cool about the shot is that visiting the place was really amazing. Call it a good day or the location itself, but a lot of things photographically really came to me when doing this shoot.
Who are your influences in the industry?
It is kind of funny, but I cannot really name one established or famous photographer that has been an influence on me. What I can name is the massive amount of talent that is out there, who share their work on sites like Flickr and 500px. Also, there is a local photography group in Atlanta called the Atlanta Photography Guild. They started out as a meet-up group from Flickr and met at a small local pub in Castleberry Hill. Every 2 weeks models would be there to photograph and the organizer, Mark Turnley, would setup different lighting. Everyone would pay 5 bucks to shoot and it was a really fun social, and engaging group. Though I don’t do a whole lot of portrait work the knowledge about lighting was important to my development as a photographer. The group is still around, though I’m not 100% where they meet these days.
How can people get in contact with you?
I can be reached easily online through my website or shoot me an email at email@example.com.
Also, if you find an image on my website or while exploring my work on Flickr or 500px, that you like, I can do custom prints. Contact me on those for a quote. These days I’ve sent photographs to be printed on metal sheets, canvas and even carpet. The options are abundant, so reach out to me.
About Scott Moore:
Scott Moore started his photography venture in 2008. His work is rooted in his love and practice of architecture. He has been practicing architecture for nearly 20 years, while shooting architecture, throughout the Southeast U.S. and abroad in South Africa, for 9 years.
What allows Scott’s work to stand apart from others is his background in architecture and design. By practice and training Scott understands the architect’s vision. He has had the opportunity to shoot a number of projects he also designed and managed through construction. It is this comprehensive understanding of place, design and architectural vision that influences his eye through the lens.
Scott also enjoys shooting landscapes and cityscapes from various continents. This love of architecture and photography comes from his understanding and appreciation of the context all of us live around and within. Capturing places and things, while an extension of his education and practice in architecture, is an extension of his passion for the beautiful world we all live in.
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