Expected publication January 14, 2025, by G.P. Putnam’s Sons

The Last Room on the Left is a darkly woven philological thriller that takes place in the mountains of the Catskills in New York during the winter and presents the reader with an immensely isolated, and claustrophobic setting.

The story is told in Kerry’s, Siobhan’s, and Allison’s point of view. Kerry- whose husband has left her because of her drinking problems and Kerry needing to finish writing a book due to a deadline- takes a job as caretaker at a motel. When she arrives, almost immediately, bizarre and creepy things start to happen. Not only that, she also discovers a dead and frozen body in the snow, and the mystery of who the victim is and what happened, begins to take shape, and unfold in the most astonishing way.

The reader quickly begins to doubt Kerry’s perspective due to alcohol and pills in the mix. As the story further escalates, all three of the women end up heavily drinking while emotions are running high. This highly charged element makes an interesting mix of dysfunction and drama among them to say the least.

The whole “feminist take on The Shining” by Stephen King mention as a “praiseworthy” comparison in the description of this book is quite a stretch. I did not see any sense of true feminism in this story whatsoever. If anything, there are few thoughts on two of the white males from two of the female’s perspective that are straight up assumptions at best. Not sure what Konen was trying to achieve with this. As for the comparison to “The Shining”, it isn’t in the least bit like it. There are literally zero supernatural elements, nor are the characters going totally mental in this story. Harsh, I know, but it is too glaring for me not to point out.

Despite my criticisms, Konen is a great storyteller, and I enjoyed this fast pace physiological thriller. There are a lot of twists and turns that leave the reader guessing as to what is really going on and there is suspense in all the right places. Everyone is a suspect and Konen did a terrific job in portraying that. An atmospheric, chilling and a perfect read to hunker down with during the winter season. 

I’ve rated this book 3 stars.

Stephanie

I obtained an ARC from the Publishers for an honest review. 

Side bar: In the beginning of November of last year, I blogged about differentiating between red herrings and explicit content for shock value or book sales in mystery-thrillers. I use this book as an example. You may want to check it out for further information about my thoughts on this book: Link HERE or you can search the title of the post:  Reader’s Log 023: Current Read and Difficult Passages

Book description from goodreads:

The caretaker at an isolated mountain hotel finds herself fighting for her life—and sanity—in this “twisty, addictive, feminist take on The Shining” (Andrea Bartz).

Kerry’s life is in shambles: Her husband has left her, her drinking habit has officially become a problem, and though the deadline for her big book deal—the one that was supposed to change everything—is looming, she can’t write a word. When she sees an ad for a caretaker position at a revitalized roadside motel in the Catskills, she jumps at the chance. It’s the perfect getaway to finish her book and start fresh.

But as she hunkers down in a blizzard, she spots something through the window: a pale arm peeking out from a heap of snow. Trapped in the mountains and alone with a dead, frozen body, Kerry must keep her head and make it out before the killer comes for her too. But is the deadly game of cat-and-mouse all in her mind? The body count begs to differ . . .