Interview with Best-Selling Author Lynn Cullen

Lynn Cullen Twains EndI have the great pleasure of welcoming back Lynn Cullen to Layered Pages to talk with me about her current novel. Lynn’s recent novel, Mrs. Poe, a national bestseller, has been named a Target Book Club Pick, an NPR 2013 Great Read, an Oprah.com “Book that Makes Time Stand Still,” and an Indie Next List selection.  Her current release, Twain’s End, called “reputation squaring…incendiary” by the New York Times and “intelligently drawn” by Library Journal, is a People pick, an Indie Next selection, and a 2016 Townsend Prize finalist.  Cullen, named “the Bronte of our day” by the Huffington Post, grew up in Fort Wayne, Indiana.  She now lives in Atlanta surrounded by her large family, and, like Mark Twain, enjoys being bossed around by cats.

Hi, Lynn! Tell me about your story, Twain’s End.

Thank you for inviting me to chat with you about Twain’s End at Layered Pages, Stephanie.  I’m so happy to be with you here!  To get things started, at its core. Twain’s End is a tale of The Other Woman.  The real-life woman in the shadows in this case is Mark Twain’s secretary, Isabel Lyon.   But the story, Isabel Lyon is not competing for Twain’s heart and soul with his wife, Livy Clemens.  No, Isabel’s competition is much stiffer.  Isabel must battle with “Mark Twain,” the extraordinarily successful character the real life man, Samuel Clemens, created in his thirst for fame and adulation.  Isabel Lyon fell in love with the real man behind the legend, and ultimately, forced him to choose between her and the love of his public.

What made you decide to write this story?

I ‘m always interested in the underdog.  When I learned about Mark Twain’s tragic childhood, my antennae went up.  Among other horrific incidents that he experienced as a boy, he watched doctors dissect his own father through the keyhole of his parents’ bedroom door.  This episode said a lot about the toxic, hostile state of his parents’ marriage and about their extreme poverty.  It was unspeakably taboo for a wife to sell her own husband as a cadaver in those days.  How she must have hated the man to do so!  But as damaging as little Sammy’s boyhood was, I was more astonished by his brutal turning against his secretary, Isabel Lyon, after nearly seven years of devoted service.  She was more than an employee.  She traveled with him, entertained his daughters, oversaw the family medical needs, handled his social life and reporters, and oversaw the construction and furnishing of his home.  She even washed that white hair and bought those white suits! He told her, as well as friends and reporters, that she knew him better than anyone.  It was obvious to their friends that they were a couple.  Yet, a month after she married his business manager, Twain told those same people that Isabel was “a liar, a forger, a thief, a hypocrite, a drunkard, a sneak, a humbug, a traitor, a conspirator, a filthy-minded and salacious slut pining for seduction.” I wanted to know what caused the radical turnabout.

02_Twains-EndTell me a little about the research you did.

It’s important to me for my readers to know that everything they read in my novels could have actually happened–at least to my knowledge, they could have.  I like to take known events and flesh them out without changing the facts I have learned through painstaking research.  To give my readers confidence in the plausibility of my stories, I go to great lengths to track down the truth behind the legend.

To this end, I’ve found that there’s no substitute for traveling to the setting of every scene in my books.  For Twain’s End, combing through family writings and photographs gave me clues beyond reading dozens of Mark Twain biographies, as well.

The most helpful of sources was Isabel Lyon’s own diary, in which she kept a daily record of her life with the man she called “The King.”  I shaped many of the scenes in the book around her diary entries.

Tell me about Isabel V. Lyon.

Isabel is a remarkable example of someone trying to make the best out of the limited opportunities for women in the decades around the turn of the twentieth century.  She was born into a wealthy Eastern family but after her father’s death when she was a teenager, it was up to her to support herself and her mother.   The only work available to someone in her class was as a governess, at which she worked until Mark Twain hired her in her early thirties as a social secretary to his ailing wife.   She also made pincushions to sell in those pre-Etsy days.  Once working for the Clemenses, Isabel quickly became more than a secretary to the entire eccentric Clemens family, eventually assuming the role as mother when Livy died.  Yet within seven years, the family turned against her and ended up ensuring that her name was mud for all time.  I try to explain why and how this happened in my story.

What do you think of Clara Clemens?

It’s convenient to blame Clara for Twain’s abuse of Isabel Lyon and many Twain scholars revile Clara.  Yet, while I pull no punches in Twain’s End showing what a pill Clara truly was in real life, I actually feel sorry for her.  I hope to show in the story how her bizarre family life contributed to her instability.  I was just trying to report why she did the things she did, which was what I was trying to do with all my characters in the book.  I’m not trying to pass judgment them.  My job was to lay out the facts so that readers could decide how they feel.

Self-image is important in characters, how is this important to your characters?

Self-image was everything to Mark Twain.  Samuel Clemens had to maintain his persona as the amiable everyday family man, Mark Twain, if he was to keep the love of the world that he so craved.   As he matured, he attempted to write things closer to his heart but whenever he did, sales flagged.  The public did not welcome his dark side.  They wanted the creator of Tom Sawyer or nothing.

Talk about the courage and strength of your character. -and possibly the isolation your character may feel with these attributes.

I found it interesting that even after Twain and his daughter Clara took a scorched earth approach to publically slandering Isabel, she never fought back.  A large part of this might be due to Isabel’s understanding that she could never win a he said/she said battle with the world’s most beloved man, as Twain was at the time.   The other part, I feel, was that Isabel believed that her own good deeds would eventually vindicate her; surely the truth of her good character would have to come out.  It didn’t.  I wrote Twain’s End as an example of how innocence is sometimes not enough to clear someone’s name.

What are your favorite writings by Twain?

One of my favorites is a little known short story, “A True Story, Repeated Word for Word as I Heard It.”

Mark Twain calls his tale “true,” although of course it’s fictitious.  Yet there a very real truth hidden in this story–the truth about his own grief over the inhuman treatment the family slave received at his parents’ hands.   Twain’s End explores Twain’s relationship with this slave, Jennie, and how it might have affected his thinking.

Do you think any differently of him after researching him?

I went into writing this book with the same basic knowledge of the white-suited wit as any other American:  he was the funny guy who wrote Tom Sawyer and Huckleberry Finn and he rocked the color white before Colonel Sanders ever did.  My research revealed a much more complicated man.  I found that, as is the case

with many other humorists, below his hilarious surface, he was one very angry and melancholic man.  I ended up appreciating what Twain, the product of a difficult childhood, made of himself, and I savor his charisma and cleverness.  Although there is no denying his flaws—and he was at his very worst when striking out at Isabel–I have great sympathy for him as a fellow human.

How long did it take to write your story?

I wrote the story over a two-year period, traveling and researching while writing.  I go to scenes both before and after I’ve written them, and put in 8 – 12 hour days writing (with lots of snacking, walking, and bird-gazing tossed in.)

What are you currently working on?

My next book takes place during the Great Depression in 1934.  Famous people are in it… (to be continued.)

Thank you for the chat, Lynn! Please visit me at Layered Pages again!

It was a treat to talk with you, Stephanie.  Much love to you and the readers of Layered Pages!

For more information, please visit Lynn Cullen’s website. You can also find her on FacebookTwitterPinterest, and Goodreads.

Cover Crush: Goddess of Fire by Bharti Kirchner

Cover Crush banner

I happened upon the book cover below by checking out another book on a publisher’s facebook page. I was drawn to it immediately! Such vibrant and vivid detail and the cover fits the title perfectly. One can tell the cover resonates a dramatic and compelling story of centuries long ago and I would love to be transported back into that time. Hoping to read Goddess of Fire soon!

This cover is receiving a five stars from me!

Goddess of Fire

Goddess of Fire by Bharti Kirchner

Moorti – widowed at just 17 and about to be burned on her husband’s funeral pyre – is saved from the fire by a mysterious Englishman. Taken to safety and given employment by her saviour Job Charnock, Moorti, renamed Maria, must embrace her new life amongst the English traders.

But the intelligent and talented Maria is not content to be a servant for the rest of her life, and seizes the opportunity to learn English. This, she hopes, will bring her closer to the kind and gentle Job. But with so many obstacles in her path, will she be able to overcome adversity and danger in the pursuit of her dreams?

Filled with the heat and beauty of India, Maria’s story of compassion, hope and love lingers long after the final page.

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Be sure to check out my Wish-List 5: The American Civil War!

Check out this week’s other cover crush over at

Flashlight Commentary-Cover Crush

2 Kids and Tired Books-Cover Crush

A Bookaholic Swede-Cover Crush

The Maidens Court-Coming soon

Book Blast: As Death Draws Near by Anna Lee Hunter

02_As-Death-Draws-NearAS DEATH DRAWS NEAR (LADY DARBY MYSTERY #5)
BY ANNA LEE HUBER

Publication Date: July 5, 2016
Berkley
Harcover & eBook; 336 Pages

Series: Lady Darby Mysteries
Genre: Historical Mystery

The latest mystery from the national bestselling author of A Study in Death tangles Lady Kiera Darby and Sebastian Gage in a dangerous web of religious and political intrigue.

July 1831. In the midst of their idyllic honeymoon in England’s Lake District, Kiera and Gage’s seclusion is soon interrupted by a missive from her new father-in-law. A deadly incident involving a distant relative of the Duke of Wellington has taken place at an abbey south of Dublin, Ireland, and he insists that Kiera and Gage look into the matter.

Intent on discovering what kind of monster could murder a woman of the cloth, the couple travel to Rathfarnham Abbey school. Soon a second nun is slain in broad daylight near a classroom full of young girls. With the sinful killer growing bolder, the mother superior would like to send the students home, but the growing civil unrest in Ireland would make the journey treacherous.

Before long, Kiera starts to suspect that some of the girls may be hiding a sinister secret. With the killer poised to strike yet again, Kiera and Gage must make haste and unmask the fiend, before their matrimonial bliss comes to an untimely end…

AMAZON | BARNES & NOBLE | BOOKS-A-MILLION | IBOOKS |INDIEBOUND

Praise for the Lady Darby Mysteries

“Riveting…Huber deftly weaves together an original premise, an enigmatic heroine, and a compelling Highland setting for a book you won’t want to put down.”—Deanna Raybourn, New York Times bestselling author

“[A] history mystery in fine Victorian style!”—Julia Spencer-Fleming, New York Times bestselling author

“[A] fascinating heroine…A thoroughly enjoyable read!”—Victoria Thompson, national bestselling author

“[A] clever heroine with a shocking past and a talent for detection.”—Carol K. Carr, national bestselling author

03_Anna-Lee-HuberAbout the Author

Anna Lee Huber is the Award-Winning and National Bestselling Author of the Lady Darby Mystery Series. She was born and raised in a small town in Ohio, and graduated summa cum laude from Lipscomb University in Nashville, TN with a degree in music and a minor in psychology. She currently resides in Indiana, and when not working on her next book she enjoys reading, singing, traveling and spending time with her family.

For more information, please visit www.annaleehuber.com. Connect with Anna Lee Huber on FacebookTwitter, and Goodreads.

Tuesday, July 5
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Wednesday, July 6
Layered Pages
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To Read, Or Not to Read

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A Chick Who Reads
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It’s a Mad Mad World
Oh, for the Hook of a Book!

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The Reading Queen
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Brooke Blogs
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Book Nerd
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Giveaway

To win a paperback copy of As Death Draws Near by Anna Lee Huber, please enter the giveaway here. Two copies are up for grabs!

Rules

– Giveaway ends at 11:59pm EST on July 15th. You must be 18 or older to enter.
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– Only one entry per household.
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– Winner has 48 hours to claim prize or new winner is chosen.

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The Real Lincoln: A New Look at Abraham Lincoln, His Agenda, and an Unnecessary War by Thomas DiLorenzo

One of my current writing projects is a thriller based historical events that take place during the Reconstruction of the South in Georgia. I have always been interested in the American Civil War (War between the States) and have always wanted to go further in-depth with my research. The American Civil War is so much more complex than many people realize. Much of my research takes me back much further than I expected to go. All the way back to our Founding Father’s-whose sacrifice and passions forged a great nation. A nation for the People. Anyhow, to get back on what I was saying before-My story’s setting I’m working on takes place in Atlanta and Madison, Georgia. I won’t go into great detail about it just yet but it does take place in the modern times and reveals families in the past torn apart by war, betrayal, and murder while trying to put their lives back together during the Reconstruction.

One of the books I came across on my research Journey is The REAL Lincoln. I am thoroughly intrigued with this book and the authors perspective. Take a look at the book blurb. If you are an enthusiast of American History, I highly recommend this book.

 Stephanie M. Hopkins

The Real Lincoln

A New Look at Abraham Lincoln, His Agenda, and an Unnecessary War

Most Americans consider Abraham Lincoln to be the greatest president in history. His legend as the Great Emancipator has grown to mythic proportions as hundreds of books, a national holiday, and a monument in Washington, D.C., extol his heroism and martyrdom. But what if most everything you knew about Lincoln were false? What if, instead of an American hero who sought to free the slaves, Lincoln were in fact a calculating politician who waged the bloodiest war in american history in order to build an empire that rivaled Great Britain’s? In The Real Lincoln, author Thomas J. DiLorenzo uncovers a side of Lincoln not told in many history books and overshadowed by the immense Lincoln legend.
Through extensive research and meticulous documentation, DiLorenzo portrays the sixteenth president as a man who devoted his political career to revolutionizing the American form of government from one that was very limited in scope and highly decentralized—as the Founding Fathers intended—to a highly centralized, activist state. Standing in his way, however, was the South, with its independent states, its resistance to the national government, and its reliance on unfettered free trade. To accomplish his goals, Lincoln subverted the Constitution, trampled states’ rights, and launched a devastating Civil War, whose wounds haunt us still. According to this provacative book, 600,000 American soldiers did not die for the honorable cause of ending slavery but for the dubious agenda of sacrificing the independence of the states to the supremacy of the federal government, which has been tightening its vise grip on our republic to this very day.

You will discover a side of Lincoln that you were probably never taught in school—a side that calls into question the very myths that surround him and helps explain the true origins of a bloody, and perhaps, unnecessary war.

Book Description from Amazon.

Interview with Kristen Harnisch!

author KHI’d like to welcome Author Kristen Harnisch today to talk with me about her book, The Vintner’s Daughter. Internationally published author Kristen Harnisch drew upon her extensive research and her experiences living in San Francisco and visiting the Loire Valley and Paris to create the stories for THE CALIFORNIA WIFE and her first novel, THE VINTNER’S DAUGHTER. Ms. Harnisch has a degree in economics from Villanova University and currently resides in Connecticut with her husband and three children.

Kristen, thank you for chatting with me today about your book, The Vintner’s Daughter! I enjoyed reading your story very much! Please tell your audience a little about the story.

The Vintner’s Daughter is the story of Sara Thibault, a winemaker’s daughter, and her struggle to reclaim her family’s nineteenth-century Loire Valley vineyard. In 1895, through a series of tragic events, Sara is forced to flee her French village of Vouvray for America, on a journey that will take her across the Atlantic, to the slums of Manhattan’s Lower East Side, and out west to the rolling hills and sprawling vineyards of Napa, California. In Napa, Sara is determined to follow in her father’s footsteps as a master winemaker, but must face the one man who could either restore her family’s vineyard to her—or prosecute her for her crime.

How is your character(s) influenced by their setting?

In The Vintner’s Daughter, I often use setting to reflect the emotional state of my characters. For example, Sara is deeply attached to Saint Martin, her family’s estate in Vouvray. The vineyard, winery and ancestral home are where she played with her older sister and worked alongside her beloved father. Here she created some of her best childhood memories, learning how to cultivate and press grapes, craft wine and work to secure the best price for each vintage. She felt useful and cherished. When she’s forced to seek refuge at a cloistered convent in Manhattan, its dark stone hallways, austere lifestyle and strict schedules of this temporary home magnify Sara’s inner turmoil. She yearns to break free—and she eventually does.

What draws you in the most about winemaking and how you weaved this into your story?

I wrote The Vintner’s Daughter because I wanted to learn more about the art and science of making wine. Sixteen years ago, in October of 2000, I received the inspiration for the story while standing on the edge of a vineyard in Vouvray, France. The pristine rows of chenin blanc grapevines, the limestone caves, the whitewashed winery on my far left, and the abandoned watchman’s house on my right all captured my imagination. “This,” I thought to myself, “would be the perfect setting for a novel.”

Questions leapt to mind as I toured the Loire Valley cellars. Why have these families chosen to make wine for centuries? How do they choose the grapes they grow, how do they create fine wine, and what challenges do they encounter? The winemakers themselves answered some of my questions, but once I returned home, I also wanted to learn more about the history of the wine trade in California, where I had recently lived. I delved into French and California wine history books, read years of nineteenth-century trade papers such as The Pacific Wine and Spirit Review, consulted a master winemaker, reviewed old maps and photographs at The Napa County Historical Society and toured several family-owned Napa vineyards on foot and on bike. I was fascinated by what I discovered.

Every bottle of wine contains nearly three pounds of grapes and the vulnerability of this fruit is striking: over the last century and a half, grapes have fallen victim to pests, rodents, frost, mildew and Prohibition in the United States. Still, with a precise blend of hard labor, science and art, winemakers continue to perfect the wines that fill our glasses. I remain inspired and humbled by their efforts.

In The Vintner’s Daughter, I weave my knowledge of winemaking into Sara’s story and with my descriptions, I try to bring the reader into every scene—to taste, touch, see, smell and hear the beauty of the vineyards and the winemaking process as the characters do.

The Vintners Daughter by Kristen Harnisch II

What are Philippe Lemieux’s strengths and weaknesses?

Philippe is the product of a loving mother and an abusive, controlling father who favored his older brother, Bastien. After their mother died, Philippe left France to make his own way as a winemaker in America, settling as far away as possible from his father and brother—in Napa. He is an astute and trustworthy businessman and has made quick friends (and a few enemies) among his fellow winemakers. He’s had his share of indiscretions, but perhaps his biggest faults are that he’s too quick to judge and sometimes overly protective of those closest to him.

One of the themes in your story was about the Suffragette movement, can you tell us a little about that and why you chose to include that in your story?

The late 1800s were such an exciting time in American history because the women’s rights movement was gaining momentum. Our culture was experiencing a dramatic shift. Women were coming out of the kitchens and taking active roles in their family’s businesses or farms, or working in the city factories. In the last decade of the 1800s, although there was a vocal minority of women who pushed for the right to vote, most women were more concerned about their right to safe working conditions, to earn a fair wage and to open an individual bank account. They marched in their cities and towns to show their support and influence and after several decades, the legislature started to listen.

I chose to include details about the suffrage movement because, before conducting my research, I didn’t realize that the majority of suffragettes were also members of Women’s Christian Temperance Union, which supported a prohibition of alcohol. Sara, a winemaker, finds herself caught between her desire to fight for women’s rights and her commitment to protect the production and sale of wine. This conflict creates quite a dilemma for Sara in the story’s sequel, The California Wife.

What are your personal motivations in storytelling?

I was a banker for nine years before I decided to stay home and raise my children. That’s when I started to dream about writing a novel. In 2000, when I was inspired to write Sara’s story, I didn’t know how to write fiction! I took online writing classes and re-wrote the story ten times over fourteen years. It was one of the most time-consuming but rewarding leaps of faith I’ve ever taken. My motivations were simple: to challenge myself intellectually and to escape the laundry!

What are the changing emotions you have as a writer?

When I sit down to write a novel, I’m both excited and plagued with self-doubt. The only way to overcome this is to silence the voices in my head that continually ask, “What if it’s not as good as your last novel?” or “What if the critics hate it?” I focus on the story and making it the best I possibly can—and then I release it into the world. Beyond that, I have little control over how it’s received. This is the creative process!

What is your writing process?

When I write historical fiction, I start by researching the topics I’d like to cover, and many times I’ll uncover interesting real-life events that help me to construct the plot and conflict of the novel. Then I’ll make a haphazard attempt to outline the plot, which I’ll use as a guideline, but I prefer to dive in and start writing. I write in three-hour blocks, in the morning and/or late evening when the kids have gone to bed, and I usually don’t write scenes in order. Instead, I write about what excites me on that particular day—an argument between the characters, an earthquake, a shooting, a tender moment between characters—whatever I feel emotionally prepared to tackle. Coffee, afternoon tea and the occasional glass of wine in the evening all help the flow of creativity!

Where can reader buy your book? At your local bookseller, at Amazon.com, Audible, Barnes & Noble, Books-A-Million, or anywhere! The Vintner’s Daughter is available in paperback, e-book and audio book!

Find Kristen Online:

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Characters in Motion with Janet Wertman

I’d like to welcome Janet Wertman to Layered Pages today. Janet is taking part in my characters in Motion series and talks with us about her earliest draft of Jane the Quene. Be sure to check out her links below and click on her website to learn more about her.

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Janet WertmanFirst, let me thank you for this series and the opportunity to discuss Characters in Motion. It was a fun exercise for me – especially since it was a topic I struggled with. I didn’t get to create the story from my characters, I had to create my characters from the story…and likable ones at that!

My debut novel, Jane the Quene, is the story of Jane Seymour, the third wife for whom Henry VIII executed Anne Boleyn. A lot of people know the basic facts, and virtually all of them are Team Anne.  But there is a way to tell Jane’s story that highlights its natural poignancy. That’s the story I wanted to tell, the one that would give Jane a team of her own – or at least acceptance.

The earliest drafts of the novel failed to do that. I wanted to make sure I got the story factually right, so I established my markers – very specific dates on which things happened – and I filled in the characters based on how they were reported to have acted at that time (I did have some wiggle room thanks to conflicting reports from inconsistent chroniclers, which let me pick and choose from a tapestry of stories that many had heard before, and reinterpret them in the way that felt right to me). As my writing books suggested, I told each scene from the point of view of the person most impacted in it …but that led to me giving voices to eight people – Jane, Henry, Edward, Cromwell, Anne Boleyn, Anne Seymour, even Mary. Jane’s voice and experience were lost, and the story was flat.

Then I found a great developmental editor who told me that I needed to forget the objective story and make it all about Jane’s personal experience. I could keep my timeline but I had to drastically cut the POVs. She originally suggested keeping only Jane’s voice, but I knew I needed a second someone to tell the other side of the story, someone who could detail the actual plotting that was taking place. Cromwell was the perfect choice – he was another vilified character with a poignant story (though the poignancy does not emerge until the close of this book), and he allowed me to reveal more of Henry (Jane saw him as good, Cromwell saw him as evil).

jane-the-queen-book-cover

From there, everything just fell into place. Since everything I wanted to say had to be filtered through Jane or Cromwell, I found myself showing more and telling less. Making each scene unfold slowly, with sensory details to anchor it. This was fiction after all and I was able to layer in the imagined private moments of Jane’s journey.  The September 1535 meeting in the gardens, the April 1536 hunting trip where Jane learns that Anne will die…these were the key pieces of the narrative. Invented, but still loosely based on facts (like the fact that Henry loved concocting medicines…the fact that hunting involved unmaking the deer and sharing the “good” organs on the spot…).  I had almost free rein with these, except for one particular pivotal scene: The December 1536 confluence of two blessed events (Mary’s return to court, London gathering on the frozen Thames to cheer on the royal procession to church) with two tragic ones (Jane’s father dying and another miscarriage). Luckily, everything worked (assuming a relatively speedy messenger!).

I’m finding the same challenges in the sequel: I am currently working on The Path to Somerset, which is the story of Edward Seymour (another vilified character with a poignant story…I have a pattern!) during the second three-set of Henry’s wives (Henry’s crazy years). Jane was about morality, Somerset is about power and risk. I am really enjoying getting to motivation in between the things we know happened…though I have to say I look forward to the editing process as I already know some places to be smoothed out a bit!

Janet Wertman

Author Links:

LINKS

Amazon US

Amazon UK

Amazon AU

For more information on Janet and her book Jane the Quene, go to her wonderful website, where she blogs on Tudor history.

Facebook Author Page

My Twitter

Jane’s Twitter (yes, she has her own – and tweets different stuff than I do!):

Pinterest

Google+ 

Be sure to check out Nancy Bilyeau’s  interview with Janet!

 

 

 

 

Book Review:June by Miranda Beverly-Whittemore

JumeTwenty-five-year-old Cassie Danvers is holed up in her family’s crumbling mansion in rural St. Jude, Ohio, mourning the loss of the woman who raised her—her grandmother, June. But a knock on the door forces her out of isolation. Cassie has been named the sole heir to legendary matinee idol Jack Montgomery’s vast fortune. How did Jack Montgomery know her name? Could he have crossed paths with her grandmother all those years ago? What other shocking secrets could June’s once-stately mansion hold?

Soon Jack’s famous daughters come knocking, determined to wrestle Cassie away from the inheritance they feel is their due. Together, they all come to discover the true reasons for June’s silence about that long-ago summer, when Hollywood came to town, and June and Jack’s lives were forever altered by murder, blackmail, and betrayal. As this page-turner shifts deftly between the past and present, Cassie and her guests will be forced to reexamine their legacies, their definition of family, and what it truly means to love someone, steadfastly, across the ages.

My thoughts:

I love stories where there is a dual timeline of events past and present. I found this story to be genuinely absorbing. Though I have to say in the beginning Cassie’s story intrigued me more than her grandmothers story, June. There are so many wonderful characters and characters you will want to throttle in this story and the glam of Hollywood stars, a rambling old home-Two Oaks that was spectacular in its heyday. Voices of the past haunting Cassie as she is faced with discovering her family’s legacy.

There is some twist to the plot and I have to say, I guessed what was going to happen but not in every detail of the plot. There were some surprises for me.

I found this story to be thoroughly enjoyable and atmospheric. I also enjoyed the authors details to Two Oaks and the roots planted there by not only the people that lived in the house but by the people in the town that affected their lives. I wouldn’t mind revisiting this story again one day.

I rated this book four stars!

Book Spotlight: Loving Eleanor by Susan Wittig Albert

02_Loving EleanorLoving Eleanor
By Susan Wittig Albert

Publication Date: February 1, 2016
Persevero Press; Thorndike (Large Print)
Hardcover, Paperback, eBook, Large Print

Genre: Historical Fiction/Biographical Fiction

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When AP political reporter Lorena Hickok—Hick—is assigned to cover Mrs. Franklin D. Roosevelt, the wife of the 1932 Democratic presidential candidate, the two women become deeply, intimately involved. Their relationship begins with mutual romantic passion, matures through stormy periods of enforced separation and competing interests, and warms into an enduring, encompassing friendship that ends only with both women’s deaths in the 1960s—all of it documented by 3300 letters exchanged over thirty years.

Now, New York Times bestselling author Susan Wittig Albert recreates the fascinating story of Hick and Eleanor, set during the chaotic years of the Great Depression, the New Deal, and the Second World War. Loving Eleanor is Hick’s personal story, revealing Eleanor as a complex, contradictory, and entirely human woman who is pulled in many directions by her obligations to her husband and family and her role as the nation’s First Lady, as well as by a compelling need to care and be cared for. For her part, Hick is revealed as an accomplished journalist, who, at the pinnacle of her career, gives it all up for the woman she loves. Then, as Eleanor is transformed into Eleanor Everywhere, First Lady of the World, Hick must create her own independent, productive life.

Drawing on extensive research in the letters that were sealed for a decade following Hick’s death, Albert creates a compelling narrative: a dramatic love story, vividly portraying two strikingly unconventional women, neither of whom is satisfied to live according to the script society has written for her. Loving Eleanor is a profoundly moving novel that illuminates a relationship we are seldom privileged to see and celebrates the depth and durability of women’s love.

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Praise

“Albert captures Hick’s spirit with energetic prose, painting a colorful picture of her fascinating life together with and apart from Eleanor. Although this memoir is fictional, the author draws upon thousands of personal letters, first-person accounts by others, and further research to present a compelling possible narrative of the relationship between Eleanor and Hick. Albert’s illuminating afterword adds important context to her narrative choices, and a comprehensive bibliography will encourage additional research. This warm, extensively researched novel will entrance readers and inspire them to look further into the lives of two extraordinary women.” —Kirkus Reviews (starred review)

“Albert captures the turbulent thirties and forties with affecting detail, writing a novel notable not only for its emotional authenticity, but for its careful historicity. The nuances of Eleanor and Hick’s relationship are both moving and involving. Loving Eleanor is an intelligent love story with huge historical appeal.” —Foreword Reviews

“Susan Albert has done it again with another engaging, rich portrait, this time of women in love. Drawn from history, the love story of First Lady Eleanor Roosevelt and journalist Lorena Hickok is full of excitement, drama and pathos. Both women of great intelligence and deep feelings, Eleanor and Lorena move from lovers to lifelong friends in the context of the most turbulent times of the 20th Century. As same-sex relationships finally move toward full acceptance in our culture, Albert’s book reminds us that love has always been love, no matter the partners.” —Robin Gerber, author of Leadership the Eleanor Roosevelt Way

“Loving Eleanor, Susan Wittig Albert’s novelized memoir of Lorena Hickok’s intimate relationship with Eleanor Roosevelt, is both richly nuanced and impressively detailed. Drawn from the thirty years of correspondence Hickok donated to the FDR Library toward the end of her life, “Hick’s” voice felt utterly authentic to me, always real, raw and compelling. Hick is a dichotomy—a tough, streetwise Associated Press reporter, and a tender, devoted friend and lover. This is not only an important book, but a great read. Loving Eleanor deserves to be at the top of your reading list!” —Ellen Hart, author of The Grave Soul, a Jane Lawless Mystery

“Susan Albert has, with imagination and deep knowledge of the historical record, supplied the missing pieces of the love story of Eleanor Roosevelt and Lorena Hickok. Here is everything we wish we knew. I couldn’t put it down.” —Leila Rupp, Professor of Feminist Studies, UC Santa Barbara,

“This birds-eye view of the FDR years is engaging from the first sentence. With Eleanor Roosevelt’s long-time lover as its narrator it navigates the catastrophes of the era and the heartbreak of women loving women in an unwelcoming time.” —Rebecca Coffey, author of Hysterical: Anna Freud’s Story

About the Author03_Susan Wittig Albert

Susan Wittig Albert is the award-winning, NYT bestselling author of the forthcoming historical novel Loving Eleanor (2016), about the intimate friendship of Eleanor Roosevelt and Lorena Hickok; and A Wilder Rose (2014), about Rose Wilder Lane and the writing of the Little House books.

Her award-winning fiction also includes mysteries in the China Bayles series, the Darling Dahlias, the Cottage Tales of Beatrix Potter, and a series of Victorian-Edwardian mysteries she has written with her husband, Bill Albert, under the pseudonym of Robin Paige.

She has written two memoirs: An Extraordinary Year of Ordinary Days and Together, Alone: A Memoir of Marriage and Place, published by the University of Texas Press.

Her nonfiction titles include What Wildness is This: Women Write About the Southwest (winner of the 2009 Willa Award for Creative Nonfiction); Writing from Life: Telling the Soul’s Story; and Work of Her Own: A Woman’s Guide to Success Off the Career Track.

She is founder and current president (2015-2017) of the Story Circle Network and a member of the Texas Institute of Letters.

For more information please visit www.susanalbert.com and www.LovingEleanor.com, or read her blog. You can also find Susan on Facebook, Twitter, Google+, Goodreads, and Pinterest. Like the Loving Eleanor page on Facebook.

Review: A Death Along the River Fleet (Lucy Campion Mysteries #4) by Susanna Calkins

A Death Along the River FleetLucy Campion, a ladies’ maid turned printer’s apprentice in 17th-century London, is crossing Holborn Bridge over the vilest portion of the River Fleet one morning when she encounters a distraught young woman, barely able to speak and clad only in a blood-spattered nightdress. The woman has no memory of who she is or what’s happened to her, and the townspeople believe she’s posessed. But Lucy is concerned for the woman’s well-being and takes her to a physician. When, shockingly, the woman is identified as the daughter of a nobleman, Lucy is asked to temporarily give up her bookselling duties to discreetly serve as the woman’s companion while she remains under the physician’s care. As the woman slowly recovers, she begins-with Lucy’s help-to reconstruct the terrible events that led her to Holborn Bridge that morning. But when it becomes clear the woman’s safety might still be at risk, Lucy becomes unwillingly privy to a plot with far-reaching social implications, and she’ll have to decide how far she’s willing to go to protect the young woman in her care.

My thoughts:

A Death Along the River Fleet is the first book I have read by Susanna Calkins and probably the first historical fiction book I have read that takes place soon after the great London fire. The title of the book, the cover and the premise really drew me in. I was completely absorbed in the story from the very beginning.

I’d have to say that Lucy Campion is now one of my favorite female heroines. She is strong, intelligent, wise even. I love her process of thought and her desire to help people. The fact that she works as a printer’s apprentice helps a great deal too! Also, how the people around her respond to her is fascinating. Really strong character development here.

There are solid historical aspects to this story and I was thrilled with the intrigue! How the story unfolded and how the clues were stacking up was brilliant! This is about the best mystery story I have read in a long time. I really can’t say enough great things about this book. I highly recommend it. Now I will be sure to go back and read the other three books that came before this one!

Rated: Five Stars!

I obtained a copy of this book through NetGalley for an honest review.

Stephanie M. Hopkins

The Dark Lady’s Mask by Mary Sharratt

02_The Dark Lady's MaskThe Dark Lady’s Mask: A Novel of Shakespeare’s Muse
by Mary Sharratt

Publication Date: April 19, 2016
Houghton Mifflin Harcourt
Hardcover, eBook, Audio Book; 416 Pages

Genre: Historical Fiction

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Shakespeare in Love meets Shakespeare’s Sister in this novel of England’s first professional woman poet and her collaboration and love affair with William Shakespeare.

London, 1593. Aemilia Bassano Lanier is beautiful and accomplished, but her societal conformity ends there. She frequently cross-dresses to escape her loveless marriage and to gain freedoms only men enjoy, but a chance encounter with a ragged, little-known poet named Shakespeare changes everything.

Aemilia grabs at the chance to pursue her long-held dream of writing and the two outsiders strike up a literary bargain. They leave plague-ridden London for Italy, where they begin secretly writing comedies together and where Will falls in love with the beautiful country — and with Aemilia, his Dark Lady. Their Italian idyll, though, cannot last and their collaborative affair comes to a devastating end. Will gains fame and fortune for their plays back in London and years later publishes the sonnets mocking his former muse. Not one to stand by in humiliation, Aemilia takes up her own pen in her defense and in defense of all women.

The Dark Lady’s Mask gives voice to a real Renaissance woman in every sense of the word.

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Advance Praise

“An exquisite portrait of a Renaissance woman pursuing her artistic destiny in England and Italy, who may — or may not — be Shakespeare’s Dark Lady.”
— MARGARET GEORGE, internationally bestselling author of Elizabeth I

“Perfectly chosen details and masterful characterization bring to life this swiftly moving, elegant story. As atmospheric and compelling as it is wise, The Dark Lady’s Mask is a gem not to be missed.”
— LYNN CULLEN, bestselling author of Mrs. Poe and Twain’s End

“Mary Sharratt’s enchanting new novel, The Dark Lady’s Mask, is a richly imagined, intensely romantic and meticulously researched homage to lauded poet, Aemilia Bassano Lanyer, an accomplished woman of letters who many believe to be Shakespeare’s Eternal Muse. Sharratt unfolds a captivating tale, a compelling ‘what if ’ scenario, of a secret union that fed the creative fires of England’s greatest poet and playwright.”
— KATHLEEN KENT, bestselling author of The Heretic’s Daughter

“Mary Sharratt is a magician. This novel transports the reader to Elizabethan England with a tale of the bard and his love that is nothing short of amazing. Absorbing, emotional, historically fascinating. A work of marvelous ingenuity!”
— M.J. ROSE, New York Times bestselling author of The Witch of Painted Sorrows

“I enjoyed this exciting fantasy of Shakespeare’s ‘dark lady.’ There was adventure, betrayal, resilience, and above all, the fun notion that Shakespeare might have had far more than a muse to help him create his wonderful plays.”
—KARLEEN KOEN, bestselling author of Dark Angels and Before Versailles

“Through the story of Aemilia Bassano, a talented musician and poet, Mary Sharratt deftly tackles issues of religious and gender inequality in a time of brutal conformity. The Dark Lady’s Mask beautifully depicts the exhilaration and pitfalls of subterfuge, a gifted woman’s precarious reliance on the desires of powerful men, and the toll paid by unrecognized artistic collaborators. Resonant and moving.”
—MITCHELL JAMES KAPLAN, author of By Fire, By Water

“In The Dark Lady’s Mask, Mary Sharratt seduces us with a most tantalizing scenario —that the bold, cross-dressing poet and feminist writer Aemilia Bassano is Shakespeare’s mysterious muse, the Dark Lady. Romantic, heart-breaking, and rich in vivid historical detail and teeming Elizabethan life, the novel forms an elegant tapestry of the complexities, joys, and sorrows of being both a female and an artist.”
—KAREN ESSEX, author of Leonardo’s Swans and Dracula in Love

“Mary Sharratt has created an enchanting Elizabethan heroine, a musician, the orphaned daughter of a Jewish Italian refugee who must hide her heritage for her safety. Taken up by powerful men for her beauty, Amelia has wit and daring and poetry inside her that will make her a match for young Will Shakespeare himself and yet she must hide behind many masks to survive in a world where women have as much talent as men but little power.”
— STEPHANIE COWELL, author of Claude & Camille: A Novel of Monet

“Prepare to be swept away by Mary Sharratt’s latest foray into historical fiction. Inspired by the true story of poet, Aemilia Bassano, THE DARK LADY’S MASK explores her relationship with William Shakespeare. Richly detailed and well researched, this lush tale brings Aemilia out of the shadows of history and let’s her emerge as one of the founding mothers of literature. Drama, intrigue, and romance will have readers racing through this brilliant celebration of the muse.”
PAMELA KLINGER-HORN, Sales & Outreach Coordinator, Excelsior Bay Books

About the Author03_Mary Sharratt

MARY SHARRATT is an American writer who has lived in the Pendle region of Lancashire, England, for the past seven years. The author of the critically acclaimed novels Summit Avenue, The Real Minerva, and The Vanishing Point, Sharratt is also the co-editor of the subversive fiction anthology Bitch Lit, a celebration of female antiheroes, strong women who break all the rules.

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