Review: The Queen’s Vow by C.W. Gortner

The Queen's Vow

No one believed I was destined for greatness.

So begins Isabella’s story, in this evocative, vividly imagined novel about one of history’s most famous and controversial queens—the warrior who united a fractured country, the champion of the faith whose reign gave rise to the Inquisition, and the visionary who sent Columbus to discover a New World. Acclaimed author C. W. Gortner envisages the turbulent early years of a woman whose mythic rise to power would go on to transform a monarchy, a nation, and the world.

Young Isabella is barely a teenager when she and her brother are taken from their mother’s home to live under the watchful eye of their half-brother, King Enrique, and his sultry, conniving queen. There, Isabella is thrust into danger when she becomes an unwitting pawn in a plot to dethrone Enrique. Suspected of treason and held captive, she treads a perilous path, torn between loyalties, until at age seventeen she suddenly finds herself heiress of Castile, the largest kingdom in Spain. Plunged into a deadly conflict to secure her crown, she is determined to wed the one man she loves yet who is forbidden to her—Fernando, prince of Aragon.

As they unite their two realms under “one crown, one country, one faith,” Isabella and Fernando face an impoverished Spain beset by enemies. With the future of her throne at stake, Isabella resists the zealous demands of the inquisitor Torquemada even as she is seduced by the dreams of an enigmatic navigator named Columbus. But when the Moors of the southern domain of Granada declare war, a violent, treacherous battle against an ancient adversary erupts, one that will test all of Isabella’s resolve, her courage, and her tenacious belief in her destiny.

From the glorious palaces of Segovia to the battlefields of Granada and the intrigue-laden gardens of Seville, The Queen’s Vow sweeps us into the tumultuous forging of a nation and the complex, fascinating heart of the woman who overcame all odds to become Isabella of Castile.

Praise for The Queen’s Vow

“A masterwork by a skilled craftsman . . . Make a vow to read this book.”—New York Journal of Books

“A beautifully crafted piece of historical fiction . . . Gortner’s vivid details blend with his deeply intensive research to re-create Isabella and Castile in a way that the reader will find compelling and immersive, bringing not just the Queen but the whole nation to life.”—RT Book Reviews

“A fascinating story . . . Through his creative and spellbinding storytelling, Gortner’s readers come to know Isabella intimately in mind, heart and body as she lives through a tumultuous time, her intense longing to be the determiner of her own unique destiny.”—Wichita Falls Times Record News

“A novel of triumph as Isabella vanquishes her enemies one by one . . . [She is] a very human and appealing character.”—The Roanoke Times

“Politically charged, passionate . . . [a] well-researched, intriguing historical.”—Bookreporter

 

Review:

 

If you are looking for the perfect introduction to Isabella of Castile, then this is the story for you. At an early age she shows such potential of being the women she has yet to be become. She is an extraordinary women who often faced danger, betrayal, and uncertainties of who she can trust. I greatly admire her intelligence and determination. There are bigger forces at work in this story that I was drawn to other than Isabella becoming Queen in my opinion. I often wonder if later on in her rule of Spain, if she wasn’t so much influenced by the men around her- would she still have acted on the decisions that were made about the Jewish people. Would have all that have been prevented? But I believe she struggled with this greatly and did not relish in the killings of the Jews. Religious persecution started long before her time and has continued through the ages. This is definitely an intense period that Gortner writes about and I believe he has given us a realistic and brilliant portrayal.

There is a banner I posted on a review group saying. ”There is no mistaking a real book when one meets it. It is like falling in love.” That is exactly how I feel about The Queen’s Vow. I highly recommend this novel and hope you will enjoy it as much as I did.

Stephanie

Layered Pages

http://hfvirtualbooktours.com/thequeensvowvirtualtour/

 

Review: The Chalice by Nancy Bilyeau

the chalice

Nancy Bilyeau is building a solid series with her second book centered around Joanna Stafford, a novice who is forced to build a new life for herself after the dissolution of Dartford Priory. While the first book was very good, The Chalice is brimming with even more intrigue and insight into the clash of religion and state during the tumultuous reign of Henry VIII.

Bilyeau is able to bring the great struggle to life through her creation of conflicted characters trying to maintain their principles and beliefs in a time that is at best confused and at worst at odds with the wish of her heroine to live a simple life of devotion. The author’s scholarship is evident in the vivid detail and entwined plot lines of the story.

This last book has left me even more interested to see what will become of Joanna Stafford as she follows a tenuous path through the upheaval of her personal life in the political landscape.

Reviewed by Elizabeth Peterson Seidle

Layered Pages Review Team Member

Interview with Author Trini Amador

Gracianna

 

Hello, Trini. I am currently reading, Gracianna and it is a beautiful story. Please tell your audience a little about it and what inspired you to write it.

Hi Stephanie and thanks so much for inviting me to Layered Pages. I really appreciate your work.  I was inspired to write Gracianna because my great-grandmother, Gracianna, used to say to be “thankful” when I was little. At four-years old how can a little boy understand that concept? But over the years I wondered about its meaning. As I say, to many folks, one may not be able to fully understand what “gratitude” really means until we are in our 40’s or 50’s or even older.  

What are some of the true aspects in your book?

The story is bookended… the very open of the story and the very end are factual. And interspersed throughout the book are many, many factual elements.  When I was a very young boy I was found walking around my grandmother’s living room with a loaded German Luger in my hand.  While doing research for the book I learned that my aunt met her grandmother Gracianna’s sister, who I had not heard of and remembers seeing the “mark,” the “tattoo” under her forearm.  She remembers the whispers and that it was not polite to point it out.  My grandfather was a shepherd when he came to the US with his wife. The story of the coin (as an IOU) in the book is all true.

Was there research involved?

Yes, there was tons and tons research! Everything from learning the myth of the Pyrenees Mountains to learning details of World War II, the French Resistance and Auschwitz. I traveled to the Basque Country – my great-grandmothers homeland to get the feel of the topography, (steep) culture (hard work, food and wine) and feeling (a contradiction of the old and the new). That took me to Paris. I learned about the occupation and the attitude of the Parisians and France as a whole. It was depressing.   I sat in the middle of the city taking it all in and then imagined the panzers and half-tracks rolling down the streets. I studied the Le Meurice Hotel, a grand dame hotel whose history is undeniable. I wanted to ensure readers considered what it must have been like for frolicking glitterati of Paris to have been there one day and the entire European Nazi Command rattling through its halls the next.

Then there was Auschwitz. My research took me to Warsaw and Krakow. It was bitter cold. The day I arrived at the concentration camp it was sunny but still bitterly cold. Everyone I came in contact with had a red nose and cheeks. One’s breath fell from the weight of its moisture. The area was devoid of emotion. It was sullen, silent and sunny…but frozen. I could not imagine the desperation. But I tried to convey the feeling I had that day.

What is the most challenging thing about writing stories that take place in the past?

For me writing about to day or the past is the same. Am I able to convey the emotion appropriately? Can my reader appreciate what the character is feeling?  Am I appropriately delivering an evocative scenario? Is it real? Is it relevant? Believable? Does it move the story forward? Is it compelling? Is it interesting?

What was the most challenging scene you wrote and why?

Wow, there were several but one that comes to mind, without spoiling the story line was the very traumatic experience that Gracianna experienced when she was eight years old. Born, “Father Unknown,” Gracianna’s mother was her only link to the future. But when her mother had complications in childbirth everything changed. I dug deep to find an experience that I could relate to in my own life that helped me to express the depth of fear, anger and hurt that she may have experienced.

 Is there a character in your story you relate to the most as far as personality?

It’s funny. Readers that know me have recently told me that they see me in Gracianna. I did not write the story from that perspective. In reality I think I am reflected in parts of each character.

What is your next book project?

Why Stephanie… you are incorrigible. My publisher and others are encouraging me to write the sequel to the Gracianna story. But I have already written an outline for a book that depicts an experience that I had when I was in the music business in Hollywood in the early 90’s. My editor, Hillel Black, who has edited 20 New York Times best sellers has also expressed his interest in working with me again as well. What a joy! I may have to write another book just to have the chance to collaborate with Hillel again.

What genre do you like most?

I enjoy reading short stories. I enjoy to feeling a story develop quickly and get to the point. The opposite of what I just wrote. I knew the story I was telling but I purposefully tried not to get there too fast. This piece need a long introduction to clearly understand the characters and their motivation. I wanted the reader to fully appreciate why they would act the way they would in the future.

What is the truly last great book you have read and that inspired you?

I am inspired by anything that F. Scott Fitzgerald wrote. I love the pacing and the clarity and the delivery. There are some linkages between Gatsby and my story. Constance, Gracianna’s sister had many of the characteristics of Daisy Buchanan. She was an attractive and bubbly, shallow and selfish unaware how her actions could affect anyone. Both became acutely aware of their actions along the way.

What is your favorite quote?

…from Chilkoot Charlie’s in Anchorage, Alaska, “Where we cheat the other guys and pass the savings on to you.” 🙂

Thanks for inviting me, Stephanie!

Thank you, Trini!

 

Trini

 

Trini Amador  vividly remembers the day he found a loaded German Luger tucked away in a nightstand while wandering through his great-grandmother’s home in  Southern California. He was only four years old at the time, but the  memory remained and he knew he had to explore the story behind the gun.  This experience sparked a journey towards Gracianna, Amador’s debut  novel, inspired by true events and weaving reality with imagination.  It’s a tale drawing from real-life family experiences.

Mr. Amador is a traveled global marketing “insighter.” He is a  sought-after guru teaching multinational brand marketers to understand  how customer and consumer segments behave based on their needs, values,  motivations, feeling and values. He has trained over five thousand brand marketers on how to grow brands in over 20 countries in the last 15  years. His counseling has been valued at global brands including General Electric, Microsoft, AT&T, Yahoo!, Sun Microsystems, Google, Jack  Daniel’s, The J.M. Smucker Co., DuPont, Mattel, and Rodale, Inc..

Amador is also a founding partner with his wife and children of  Gracianna Winery, an award-winning winery located in Healdsburg,  California. The winery also pays tribute to the Amador Family’s maternal grandmother, Gracianna Lasaga. Her message of being thankful lives on  through them. The Gracianna winery strives to keep Gracianna’s gratitude alive through their wine. Learn more at: www.gracianna.com, like Gracianna Winery on Facebook or follow them on Twitter @GraciannaWinery.

Amador resides in Sonoma County with his family.

 

Link to Tour Schedule: http://hfvirtualbooktours.com/graciannavirtualtour/
Twitter Hashtag: #GraciannaTour

 

Gracianna banner

 

Review: The White Princess by Philippa Gregory

the white princess

 

The White Princess opens as the news of the battle of Bosworth is brought to Princess Elizabeth of York, who will learn not only which rival royal house has triumphed, Tudor or York, but also which suitor she must marry: Richard III her lover, or Henry Tudor her enemy.

A princess from birth, Elizabeth fell in love with Richard III, though her mother made an arranged betrothal for her with the pretender to the throne: Henry Tudor. When Henry defeats Richard against all odds, Elizabeth has to marry the man who murdered her lover in battle, and create a new royal family with him and his ambitious mother: Margaret Beaufort, The Red Queen. But, while the new monarchy can win, it cannot, it seems, hold power in an England which remembers the House of York with love.

The new king’s greatest fear is that somewhere, outside England, a prince from the House of York is waiting to invade and re-claim the throne for the house of York. Fearing that none of his new allies can be trusted, Henry turns to his wife to advise him, all the time knowing that her loyalties must be divided. When the young man who would be king finally leads his army and invades England, it is for Elizabeth to decide whether she recognizes him as her brother and a claimant to the throne, or denies him in favor of the husband she is coming to love.

Description from Goodreads.

 

Expected publication: July 23rd 2013 by Touchstone

 

My review:

There were a few things in this story that stood out and I found interesting considering some of the history facts or speculations- if you will- that I know. In Gregory’s story Elizabeth of York and Richard lll were lovers. I don’t know a whole lot of details during this period but from what I heard there is evidence that Richard was extremely fond of Elizabeth, but not to the extent of being lovers.

Henry and his mother (Margaret Beaufort) were often times harsh, belittling, and unfeeling towards Elizabeth. That did not sit well with me at all. I felt that if Elizabeth would only wise up to the fact that she indeed had power, and if she would only discover it... (Did she discover that you ask? That is something you will have to find out.) I came to the conclusion early on in the story that maybe one of the reasons why she was treated as she was by her husband and mother-in-law…. was because they knew what power she could possibly wield and kept her down because of it. That is one way to look at it.

Gregory gives an interesting perspective of Henry’s character and it was a real issue for me. He became agitated, fearful and obsessed with being de throne. His behavior reminded me of someone on the edge of losing it completely. As I continued reading on I kept on thinking, “If Henry’s name or his obsession and fear of a pretender who could possibly over throw him was mentioned one more time I was wanting to jump right in the book and give him a good shake and a what for!

The overall dynamics of Henry, Margaret Beaufort and Elizabeth’s relationship is bold and complicated- in this story- to say the least. I did rather liked how Elizabeth’s character developed towards the end and the outcome of that. Elizabeth’s thoughts and feelings toward her husband and mother-in-law is certainly a complex one and she is someone I think we could all learn a thing or two from. Although it is in the present tense, it was interesting to read this story in her point of view. I felt it could have been presented to the reader a bit stronger than written.

History in my view tends to be subjective. Whether how an historian or an historical fiction writer is interpreting the past, the key is to make it believable. In historical fiction- readers asked themselves, “Could this have possibly have happen this way and does it blend well with the fictional aspects of the story?” “Or is it historically accurate?” As an avid reader of history and historical fiction-this story I did not always get that feeling, if you will. Although, in the author’s notes, Gregory says, “This book is written on a number of levels. It is a fiction about a mystery-so two steps from any historically recorded facts; but at the heart of it are some historical facts that you can rely on, or study for yourself.” So I will leave it up to you-the reader-to form your own opinions.

How this story was written and the characterization certainly has given me food for thought and I look forward to doing further research to draw my own conclusions. I recommend this novel to people who enjoy lite Historical Fiction.

Stephanie

 

Review: Call Me Zelda by Erika Robuck

call me zelda

Committed to a Baltimore psychiatric hospital in 1932, Zelda vacillates between lucidity and madness as she fights to forge an identity independent of her famous husband. She discovers a sympathetic ear in her nurse Anna Howard, who finds herself drawn into the Fitzgerald’s tumultuous lives and wonders which of them is the true genius. But in taking greater emotional risks to save Zelda, Anna may end up paying a far higher price than she ever intended.

In this thoroughly researched, deeply moving novel, Erika Robuck explores the boundaries of female friendship, the complexity of marital devotion, and the sources of both art and madness.

 

Review:

 

Confession: I’ve never read a Fitzgerald novel – not even The Great Gatsby. I had no idea that Zelda Fitzgerald was a talent in her own right, let alone that she had published a novel of her own. Their early years were so glamourized, and I had happily settled down for a recounting of their early, glamorous years full of maddening creativity and parties. But then – then, I heard a broken Mrs. Fitzgerald say “call me Zelda,” and with one look from her piercing eyes I was drawn quietly into Anna’s story of being nurse and friend to the famous writer’s wife.

 

I say Anna’s story because it is her story. This is not a book portraying an in-depth look at Zelda’s life. It’s about what comes after the party, the glamour, the ravages of broken bodies and minds, the horrors of world war and the suppression of creativity. Anna is a paradox of a character: she is strong yet susceptible – not in a cutesy heroine way – but in a true way. She has lost her husband and child, yet finds fulfillment and meaning in her work. Her work with Zelda consumes her, at first because she yearns for escape, then because she comes to love Zelda as a dear friend. Anna’s friendship becomes a necessary balm to Zelda’s soul. As Zelda retreats deeper into the dark places of her mind and away from Anna, the big question is, will Anna choose to not merely exist, but live?

 

Call Me Zelda touches on many themes, but Robuck makes them flow together seamlessly – or rather flow in the often jarring and crazy timing in which life produces them. The characters and setting descriptions are true to the period. Despite the numerous obstacles the characters face, I came away believing that there is beauty found in life’s mangled messes and hope for redemption in the brokenness.

 

Reviewed by Beth Bulow

Layered Pages Review Team Member

 

Review: The Chosen Shell by Katherine Sartori

The Chosen Shell

After the onslaught from a vocal and sometimes impertinent media about the troubled state of the Vatican and Catholicism, Katherine Sartori’s The Chosen Shell is a nice surprise. It is not as in-your-face flashy as some books and television series like the Borgia’s are, though that is not to say that there are not a few gritty scenes. The sincerity and genuineness of Satori’s voice comes through the narrative in a way that does not cover up what so many non-believers (and some believers) find hypocritical in the church’s teachings versus its practices and attitudes expressed in the daily life’s of its followers, nuns and leaders.

The Chosen Shell is fiction and memoir combined. Because of this and the subject matter, the life of an introverted troubled teenager who on the cusp of a turning into an adult decides to become a nun, the flow of the novel was at times a bit slow. There were times I wanted the story to move along. The Chosen Shell is not a literary novel, but it could have been, and could be, if Sartori expanded on the other characters and allowed them to bring out more of the main character, Celie, through action or dialogue.

I absolutely love Satori’s description of San Francisco and Muir Woods having visited both places a number of times. I felt at home, like I was part of the action. I also liked Sartori’s description of the convent and other places Celie and other nuns gathered. It is a world that I wanted to learn about; Sartori is a diligent charismatic guide.

I loved about the novel was the way Sartori incorporates the writing life into the narrative, from the time she was a school girl in school through to the end. Celie feels and acts like a writer in the novel. I empathized with her struggle to maintain her voice even as her identity as an author is threatened by her vocation.

The Chosen Shell is a gem, one that I would highly recommend. I would give it on Goodreads 4-4.5 stars.

Reviewed by Susan Berry

Layered Pages Review Team Member

Reviews for 2014

Pretty soon I will be working on the list of books I will be reviewing for 2014. If you’re interested in me reviewing your lovely novel, give me a shout out! Remember, I favor Historical Fiction (no erotica, witchcraft or paranormal) and I will only be accepting 12 books for review! Oh, and one more thing….I’m adding Christian Fiction to the list! Thanks!

 

layeredpages@yahoo.com for my review guidelines!

 

Stephanie

Layered Pages

Review: Interred with Their Bones by Jennifer Lee Carrell

Interred with their bones

What do you say when an author combines Shakespeare with a mystery that traverses two different lifetimes? And it’s the author’s first work of fiction, no less? Amazing. Could it have been better? Of course. There’s not many works that cannot stand to be improved.

For lovers of Shakespeare, as I am, Interred is a delight, as Carrell includes copious amount of detail about the writer, his life and works, the on-going debate as to his identity, and the search for works that could be attributed to him. Athenaide’s “Hamletonian” estate, including the trick of hidden passageways that lay behind fireplaces, was a nice bonus.

The mystery part seemed almost to be a part of the back story, Shakespeare the motivating force of the book. Hints of this were found in the sudden appearance of a British detective inspector (in American terms – a plain clothes police detective) in the States and the way Athenaide’s housekeeper ended up collapsing in the driveway. A little warning or foundation for these, and others like them, would have helped smooth over the rough edges. My other main concern was the pile up bodies and Kate’s somewhat lack of concern of whom might be doing it – a continuing naiveté that should have been dispelled after the second body?

That being said, I loved Kate in that she made me want to go out and conduct research and read some Shakespeare. The ending was better than most mysteries, which seem to end with all the threads tied, all the issues resolved. It was also a surprise, which seemed to pull the mystery out of the back story and merge it with the Shakespearean elements.

Overall, I would give it 3.5 stars, if Goodreads accepted half stars.

Reviewed by Susan Berry

Layered Pages Review Team Member

Review: Cascade by Maryanne O’Hara

cascade

Love, loss and conflicting loyalties and promises- this story sweeps you into the 1930’s, a town in Cascade, Massachusetts. Who is fighting for their very own survival of a flood that is to create a reservoir for Boston. A women-Desdemona, who has made promises to her dying father and bound to the man she married. Yet she yearns to for a life of an artist and falls for a young Jewish man. Author Maryanne O’Hara brings you raw emotions in her characters, their lives and gives you a sense of timeless love and beauty. I have to admit when I opened the first page and started reading, I had a hard time getting into it. So I stepped away for a few days and went back to it. Because I literally had just finished a book that was set in the 19 Century and I picked this one up immediately afterwards.  Not the best idea in the world….once I picked it up again, the story drawled me in and I was memorized. I truly admire the authors writing style and her way with characterization. The story all around is just beautiful-like I mentioned above and I highly recommend this novel.

Stephanie

About the Author

Maryanne O'Hara

Maryanne O’Hara was the longtime associate fiction editor at the award-winning literary journal Ploughshares. She received her MFA from Emerson College fifteen years ago, and wrote short fiction that was widely published before committing to the long form. She lives on a river near Boston.

http://www.maryanneohara.com/

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Interview with Author Evan Ostryznuik

Stephanie: Hello Evan, thank you for chatting with me today. Please tell me about your book, “Of Fathers and Sons.”

Evan: A pleasure to be here. Well, the novel takes place in 1395 in northern Italy, where tensions among the great regional powers were running high – the schism in the Catholic Church had not yet closed; Florence and Milan were gearing up for another war; Venice was starting to show interest in the mainland; in other words, there was a fine balance of power in the region and just about any conflict could ignite a war that would engulf the whole peninsula. The ruler of the strategically located Marquisate of Ferrara had just died and left a minor in his place. This uncertainty was enough to attract the attention of the great powers, and each of them knew that the territory’s occupation by one or another power would tip that fragile balance. Also, the Este family was popular as wise rulers and excellent soldiers, and so keeping them as an ally was good policy. This is the broad picture. Specifically, the story is about how that minor, the twelve-year-old Niccolo d’Este, fought his uncle and tried to overcome his own insecurities and challenges. And the English Free Company arrives to help.

evans book

Stephanie: Sounds really fascinating and I enjoy reading novels that take place during that time period in history. What was your inspiration for this story?

 

Evan: The inspiration for this story came from the Este Inheritance itself, which included not just land and lakes, but also a legacy of strong and wise rule. The boy had a lot to live up to. Until this time, the city of Ferrara and its surrounding area comprised more or less a backwater in Italian politics, but the Este family was able transform this marginal territory into one of the great Renaissance centers, politically, socially and culturally. They introduced a number of administrative innovations that secure their, fostered economic progress, and patronized progressive thinkers. The events of 1395, specifically the civil war between the two main branches of the Este family, were pivotal in this regard. Not just the fate of the city was involved, but also the legacy of the Este family, since had things turned out differently, Ferrara would have likely taken another direction or been absorbed by one of the neighboring powers. There was a lot riding on this war.

Also, the fact that a child on the cusp of adolescence was at the heart of intrigue gave me a change to pursue writing about the High Middle Ages from a different angle. Character interactions have to be plotted with especial care to make them convincing, juvenile understanding and expectations had to be considered and integrated into the plot, and even parents must be found a role. In some ways, Geoffrey Hotspur is just a boy himself.

Stephanie: How long did it take you to write this novel?

Evan: Since Of Fathers and Sons is a part of a series, I could say that they novel can be traced back to the literary birth of Geoffrey Hotspur 3-4 years ago. It grew out of the great mass of research I did on the 14th-15th centuries. The actual setting of this story down on paper took about a year, after several fits and starts. While I have the story lodged in my head, finding the right voice required several shots at the target.

Stephanie: What was some of the research involved?

Evan: I was fortunate to get my hands on a few key texts that really helped bring to life the Este clan and the Marquisate of Ferrara, which meant that I had few gaps to fill with what I like to call ‘oblique research’. By this I mean reading up on related period settings, families, events, and the like and making educated assumptions about how my story might have looked like. All genuine historians do this, since the historical record is never close to being complete or satisfying. I always find the researching for a novel a lot of fun, whether access is easy or difficult. I not only learn so much about the people and the period, but so many ideas for the novel manifest themselves from the research – details, information, relationships, and even dialog just pour themselves into the gaps of the story’s structure. I think, like most writers, I could spin the story out indefinitely and it would be no less engrossing.

Stephanie: What are some of the fictional aspects?

Evan: The two leaders of the English Free Company are fictional, or rather they are composites of a number of historical personages. To some degree, they are archetypes. Just read Chaucer! As a result, their journey is necessarily fictional, although the setting and the major events of their adventure are well grounded in historical reality. The point is to reflect the zeitgeist as closely as possible through an independent literary agent. No historical figure was ever able to visit all the great moments of their time! Geoffrey Hotspur and his companion can do that and bring both the events and those who truly made them to vibrant light.

Stephanie: What intrigues you the most about Geoffrey Hotspur and John of Gaunt?

Evan: What most intrigues me about these men is their relationship to fatherhood and patriarchy. Hotspur is an orphan of unknown provenance and a ward of Gaunt, while the great duke had a troubled relationship with his own son, the eventual King Henry IV and was poor father figure to the last Plantagenet king, his nephew Richard II. The tensions inherent in patriarchal relationships, particularly in the Middle Ages, are some of the main themes of the English Free Company series. Geoffrey in particular is troubled by it, for reasons of fear and insecurity, and as a result many of his decisions and views are strongly colored by this question. Both men had strong determined characters, yet long-term success always seemed to elude them. Family was crucial, but difficult. The role of the father was particularly important at this time and crucial in the lives of his sons. A poor or unsuccessful father could have dire consequences for the entire family and its descendants.

Stephanie: Will there be a third book in this series?

There will be a third, fourth and fifth book of the series! The next adventure of Geoffrey Hotspur follows hard on the heels of this one, but takes place in exotic locales in the Outremer, or the Levant. 1396 was the year of the very last European Crusade in the Holy Land, and there is no way Geoffrey is going to miss it! Hospitaller knights, Hungarian lords, Grand Constables of France, and poor squires with gather to drive the Ottoman Turks out of Christendom.

Stephanie: How exciting! What is the most challenging aspect of writing Historical Fiction?

Evan: The most challenging aspect of writing Historical Fiction is filling in the blank spots. Finding the stories is easy. The historical record is by nature fragmentary, especially for the Middle Ages, and so I must make convincing, educated assumptions about so many things. Some are inferred, such as personal motivations, based on the historical consequences. For example, battlefield tactics, which are crucial to my novels, have been recorded, but the application of these tactics by this or another company sometimes require backward projection based on the result of the battle or the observations of contemporary chroniclers. On more than one occasion I have had to delete large chunks of text because what I wrote either could not fit in with what History had to say or was contradicted by a newly discovered piece of research.

Stephanie: When did you first begin to write and knew you wanted to be an author?  

Evan: Funny enough, in elementary school I began creating stories through pictures with no words attached. I would take a sheet of 8.5X11 and draw a scene of…whatever. Then I would take more paper and draw the same collection of figures and setting in another way, and again, until I had a sort of film that I would tape together to produce a single visual narrative. This was fun until the teacher said enough was enough and I had to get back to work. Proper writing I did not start until college, when I would write short stories and vignettes from my life, mainly for myself, but also for others to be amused. I continued writing these vignettes until after I completed my doctorate at Cambridge, when I gave myself that challenge of writing a novel based on my interests in history. I did, and no one wanted to publish it. However, the very process of writing generated many other ideas for different novels and stories, which I found very gratifying. Now, the ideas are running out of control!

Stephanie: What advice would you give to someone who wanted to write in this genre?

Evan: Getting the facts straight is the most obvious suggestion, but if I hard to offer a single piece of key advice regarding historical fiction, I would have to say that the writer had better make sure that his or her story cannot take place at any other era. Otherwise, it loses its purpose. What I mean by that is that character, setting, motivations, mentality, even speech needs to be grounded in the historical period. Always fear anachronisms. If the work is sloppy or unconvincing, the author will swiftly lose credibility. This threat is particularly great for historical fiction because nothing can be taken for granted. The reader wants to believe he or she is proverbially going back in time. Other genres have their own challenges, but they are less dependent on good, hard technical research. Fantasy and science fiction can have whatever set of internally logical rules they want; contemporary fiction is easy to portray by virtue of direct experience; detective novels have well established structures. For historical fiction, you are only as good as your research and your ability to transfer it convincingly to the blank page.

Stephanie: What is your favorite quote?

Evan: This is a tough question because I live in fear of unconscious plagiarism. But one that has stuck with me for its humor and hard truth is a few words attributed to Oscar Wilde: “Be yourself; everyone else is already taken.”

Stephanie: Evan, it was an honor to chat with you! Thanks!

evanEvan Ostryzniuk was born and raised on the prairies of western Canada. After graduating   from the University of Saskatchewan with a B.A. in History and Modern Languages and an M.A. in Modern History, Evan crossed the ocean to do post-graduate work at the University of Cambridge, concluding four years of research with a doctoral thesis on the Russian Revolution. He then found his way to Eastern Europe, where he took up positions as a magazine editor, university lecturer and analyst in the financial services sector before rising in the ranks of the local publishing industry to become Editor-in-Chief of a popular weekly.

Evan Ostryzniuk currently resides in Kyiv, Ukraine near a very large candy factory. He has travelled extensively, including the locations of his novels. Of Fathers and Sons: Geoffrey Hotspur and the Este Inheritance is his second novel.

http://www.evanostryzniuk.com/[SH1]

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