Spotlight: Misdirection by Austin Williams

02_Misdirection

Publication Date: June 22, 2014 Diversion Books Formats: eBook, Paperback

Genre: Thriller, Mystery, Crime Fiction Series: The Rusty Diamond Trilogy (Book One)

A street magician needs more than sleight-of-hand to survive getting embroiled in a murder case in this blistering novel of suspense, perfect for fans of Harlan Coben and George Pelecanos.

After years of chasing fame and hedonistic excess in the bright lights of Las Vegas, Rusty “The Raven” Diamond has returned home to Ocean City to piece his life back together. When he finds himself an innocent suspect in his landlord’s brutal murder, Rusty abandons all hope of maintaining a tranquil existence. Acting on impulse, he digs into the investigation just enough to anger both the police and a local drug cartel.

As the unsolved case grows more complex, claiming new victims and inciting widespread panic, Rusty feels galvanized by the adrenaline he’s been missing for too long. But his newfound excitement threatens to become an addiction, leading him headfirst into an underworld he’s been desperately trying to escape.

Austin Williams creates an unforgettable protagonist in Rusty, a flawed but relatable master of illusion in very real danger. As the suspense builds to an explosively orchestrated climax, Williams paints a riveting portrait of both a city—and a man—on the edge.

Buy the Book

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About the Author

03_Austin Williams

The new thriller by Austin Williams, Misdirection, is now available from Diversion Books. It is the first novel of The Rusty Diamond Trilogy. Williams is the author of the acclaimed suspense novels Crimson Orgy and The Platinum Loop. He is the co-author (with Erik Quisling) of Straight Whisky: A Living History of Sex, Drugs and Rock ‘n’ Roll on the Sunset Strip. He lives in Los Angeles.

Follow Austin Williams on Twitter and Goodreads.

Misdirection Blog Tour Schedule

Monday, September 22 Review at The Bookworm

Tuesday, September 23 Review at Sitting in the Stacks

Wednesday, September 24 Spotlight at Tales of a Book Addict

Thursday, September 25 Review at Reading Room Book Reviews

Monday, September 29 Spotlight & Giveaway at Peeking Between the Pages

Tuesday, September 30 Review at The Librarian Fatale

Wednesday, October 1 Review at Any Good Book Review & Giveaway at The Crime Scene

Tuesday, October 2 Review at The Discerning Reader

Friday, October 3 Interview at Any Good Book

Monday, October 6 Review at Me and My Books Review & Interview at Back Porchervations

Tuesday, October 7 Spotlight at Layered Pages

Wednesday, October 8 Spotlight at Flashlight Commentary

Thursday, October 9 Review at Boom Baby Reviews Review & Interview at A Cup Of Tea & A Big Book

Monday, October 13 Review & Giveaway at Book Reviews & More by Kathy

Tuesday, October 14 Spotlight at CelticLady’s Reviews

Wednesday, October 15 Review at Book Nerd

Friday, October 17 Review at Svetlana’s Reads and Views Review at Beth’s Book Reviews

04_Misdirection_Blog Tour Banner_FINAL

 

The French Executioner by C.C. Humphreys

9781402272349-PR

About the Book: The year is 1536, and notorious French executioner Jean Rombaud is brought in by Henry VIII to behead Anne Boleyn, the condemned Queen of England. But on the eve of her execution, Rombaud becomes enchanted with the ill-fated queen and swears a vow to her: to bury her six-fingered hand, a symbol of her rumored witchery, at a sacred crossroads.

Yet in a Europe ravaged by religious war, the hand of this infamous Protestant icon is so powerful a relic that many will kill for it. Bloodthirsty warriors, corrupt church fathers, Vikings, alchemists, and sullied noblemen alike vie for the prize as Rombaud, a man loyal to the grave, struggles to honor his promise.

From sea battles to lusty liaisons, from the hallucinations of St. Anthony’s fire to the fortress of an apocalyptic messiah, The French Executioner sweeps readers into a breathtaking story of courage, the pursuit of power, and loyalty at whatever cost.

What was the most surprising thing you discovered in your research for the novel?

This is a good question.

The French Executioner was my very first novel. Thus I had no real idea how to write one and assumed that one needed to know absolutely everything about a book before you began to write it. (I have since discovered that such obsessive research can be a form of procrastination and now only read for about three months, trusting that the novel and especially the characters will teach me what I need to study as I go along!) Also, I didn’t believe that I would ever truly summon the will (and courage) to actually start. So I spent a lot of time in second hand bookstores scanning shelves, thinking: If I ever do write that book about Anne Boleyn’s Executioner – which I probably never will – but if I do I will put everything into it I want to write about! Ooh, look at this book about slave galleys. I’d want a battle with them. Ooh, here’s one on the Black Mass. That’s definitely in!

So, in the six ears between having the idea for the novel (Anne Boleyn begs her executioner to take her six fingered hand when he takes her head and get rid of it. What happened next) and beginning to write it, I acquired a large library of books I read on various subjects.

The most surprising thing? It was a book about St. Antony’s Fire. This was the mass hallucination that would take villages when the villagers ate bread made from rye, that had been infected by the grain disease ergot – later to be synthesized into LSD. The poor people would eat the bread, and anyone who did would start having terrible contractions and massive hallucinations a few hours later. They would not know what it really was so assumed the Devil had come to take them to his fires. There are reports from all over Europe but the disease began to disappear with better crop techniques in the 18th century. However there was one outbreak in 1952 in a village in France. I bought that book, read it, shuddered – a lot of people died – then used it in my novel, as some of my characters get caught up in the Fire.

Horrible – but very colorful. My main villain is the Archbishop of Siena – a corrupt, decadent, highly educated killer. His hallucinations – full of Biblical and Satanic figures – were especially interesting to write!

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C.C. Humphreys is the author of eight historical novels. The French Executioner, which was his first novel and a runner-up for the CWA Steel Dagger for Thrillers award in 2002, has never before been published in the U.S. The sequel, The Curse of Anne Boleyn, will be published in the U.S. in May 2015.

Humphreys has acted all over the world and appeared on stages ranging from London’s West End to Hollywood’s Twentieth Century Fox. He is also an accomplished swordsman and fight choreographer. For more information, visit http://cchumphreys.com/

Praise for The French Executioner

“Set against the backdrop of the Protestant Reformation, his superbloody Princess Bride-like adventure is, at its heart, a tale of redemption, well-earned and hard-won.” – Library Journal

“This unusual tale conjures visions of an Errol Flynn-type Hollywood swashbuckler…the tale’s well-told, engagingly written, and includes a colorful immersion into a time when life was cheap and danger or death literally waited around every corner. A gory but fascinating…look at the world in the early 16th century.” -Kirkus

 

Sunday’s Book Highlight: Unraveled by M.K. Tod

Unravelled Front Cover Final II

UNRAVELLED: Two wars. Two affairs. One marriage.

In October 1935, Edward Jamieson’s memories of war and a passionate love affair resurface when an invitation to a WWI memorial ceremony arrives. Though reluctant to visit the scenes of horror he has spent years trying to forget, Edward succumbs to the unlikely possibility of discovering what happened to Helene Noisette, the woman he once pledged to marry. Travelling through the French countryside with his wife Ann, Edward sees nothing but reminders of war. After a chance encounter with Helene at the dedication ceremony, Edward’s past puts his present life in jeopardy.

When WWII erupts a few years later, Edward is quickly caught up in the world of training espionage agents, while Ann counsels grieving women and copes with the daily threats facing those she loves. And once again, secrets and war threaten the bonds of marriage.

With events unfolding in France, England and Canada, UNRAVELLED is a compelling novel of love, duty and sacrifice set amongst the turmoil of two world wars.

Reviews

“A sweeping story of love and war with much of the style of Brief Encounter and the passionate intensity of Birdsong. The novel moves from poignant reminiscence, to the carnage of the trenches, to the unravelling of life and memory.” Jenny Barden, author of Mistress of the Sea

“M.K. Tod’s skilful debut novel spanning two world wars deftly illuminates the subtle stirrings of the human heart as movingly as it depicts the horrors of battle.” Barbara Kyle author of Blood Between Queens

“An engrossing historical saga. With narrative insight, compassion and a strong sense of time and place, M.K. Tod observes the inner workings of a marriage as it’s affected by the uncertainty and tumult of both world wars.” Sarah Johnson, Historical Novel Society Book Review Editor

“Ms. Tod’s extensive research shows and provides Unravelled with solid information and authority – and the framework for a touching love story. An eloquent saga that I will not soon forget. I highly recommend it.” Judith Schara Caldwell

“Unravelled is a page turner and then some. Passionate, exciting, and intense, this book depicts the profound effects of both wars on people and focuses on the marriage and family life of the Jamiesons. I was moved to tears a few times.” Suko

“Truly this is a beautifully crafted story, full of emotion, detail and history that will keep readers entranced for hours. A stunning debut effort, sure to be on the top of several must read lists.” Gaele, an Amazon Top 500 Reviewer

Mary Todd

M.K. Tod writes historical fiction and blogs about all aspects of the genre at A Writer of History. Her debut novel, UNRAVELLED: Two wars. Two affairs. One marriage. is available in paperback from Amazon (USCanada and elsewhere), and in e-book formats from AmazonNookKoboGoogle Play and on iTunes. Her second novel, LIES TOLD IN SILENCE was released in July 2014 and is available at the same retailers. Prior to writing historical fiction, Mary had a successful business career. She can be contacted on Facebook, Twitter and Goodreads.

Retail Links

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Review: The French Executioner by C.C. Humphreys

The French Executioner

Pub Date   Oct 1 2014

Review:

Jean Rombaud and executioner brought over from France by Henry VIII to behead Henry’s second wife, Anne Boleyn. The day before her execution Anne request something of Jean and he makes a promise to her that will change the course of his life…..

This story takes you across Europe, in dungeons to slave galleys….and along the way Jean meets the most interesting companions and they find themselves in constant danger. In my opinion the author has achieved and expressed an artistic uniqueness in prose, scenery and action. There are extraordinary events that takes place throughout the story. There was one disturbing scene in particular that I have to admit, I had to skim over. But it did not sway me to put down the book. There are many portrayals of Anne Boleyn and I have to admit I haven’t read her in this light before. Having said that, Anne’s role in this story is easily recognizable and the author’s brief portrayal of her in the beginning sets the tone and backdrop for this intriguing story. When this story is read by my friends, I will be extremely interested in their thoughts of a particular way the author writes about Anne….you will know what I mean when you read the story. The art of writing historical fiction is to make sure the story holds the modern audience attention and the author has certainly achieved this. I am rating this story five stars for originality, lots of action, an incredible intense plot, dynamic character development and vivid scenery. Love everything about it!

Stephanie Moore Hopkins

Interview with Author Kate Forsyth

02_Bitter Greens

Publication Date: September 23, 2014 Thomas Dunne Books Hardcover; 496p ISBN-10: 1250047536

Genre: Historical/Fantasy/Fairy-Tale Retellings

The amazing power and truth of the Rapunzel fairy tale comes alive for the first time in this breathtaking tale of desire, black magic and the redemptive power of love

French novelist Charlotte-Rose de la Force has been banished from the court of Versailles by the Sun King, Louis XIV, after a series of scandalous love affairs. At the convent, she is comforted by an old nun, Sœur Seraphina, who tells her the tale of a young girl who, a hundred years earlier, is sold by her parents for a handful of bitter greens…

After Margherita’s father steals parsley from the walled garden of the courtesan Selena Leonelli, he is threatened with having both hands cut off, unless he and his wife relinquish their precious little girl. Selena is the famous red-haired muse of the artist Tiziano, first painted by him in 1512 and still inspiring him at the time of his death. She is at the center of Renaissance life in Venice, a world of beauty and danger, seduction and betrayal, love and superstition.

Locked away in a tower, Margherita sings in the hope that someone will hear her. One day, a young man does.

Award-winning author Kate Forsyth braids together the stories of Margherita, Selena, and Charlotte-Rose, the woman who penned Rapunzel as we now know it, to create what is a sumptuous historical novel, an enchanting fairy tale retelling, and a loving tribute to the imagination of one remarkable woman.

Hello, Kate! It is a pleasure to chat with you today about your story, Bitter Greens. What a beautiful and creative premise. Rapunzel is a tale I have known since childhood…what inspires you about Rapunzel to begin with?

I have been fascinated with the Rapunzel fairy tale since I first read it as a little girl. I was always puzzled by the mysteries in the tale: why did the witch lock up the girl? Why did she have to climb up her hair to get into the tower? How did the girl’s hair get so long? Questions like that niggled at me, and so I began to think up possible explanations for them.

Shamefully, I have to admit I have never paid much attention to the writer (s) of the story and had no idea it was penned by women. What is it that fascinates you about their lives the most?

I am a storyteller as well as a writer, and so I’ve always been interested in the ways stories endure over time, told and retold and retold again. I became interested in finding out the origin of the tale in the early stages of planning my novel, and was hugely excited when I stumbled across the life story of Charlotte-Rose de Caumont de la Force, who wrote the version of the tale as it was first told while she was locked up in a convent after scandalizing the royal court at Versailles with her love affairs and refusal to bow to societal norms. She was such a fascinating woman and the parallels between her story and the fairy tale she wrote struck me at once.

What were some of the historical events that took place in the setting of this story?

BITTER GREENS moves between two historical settings. The first is Renaissance Venice, and takes in 16th witchcraft hunts, the devastation of the plague, and the extraordinary art of Tiziano Vercelli, best known in English as Titian. The second setting is the sumptuous royal court of 17th century France, ruled over by Louis XIV, the Sun King. Charlotte-Rose de la Force was his second cousin and a maid-of-honour serving the queen. During her life, she saw the cruel persecution of the French Protestants, c alled Huguenots, and the scandal of the Affair of the Poisons, which saw hundreds of people arrested and tortured on suspicion of Satanism and murder.

Selena stands out to me the most. What are her strengths and weaknesses? And in what way does she inspire-if she inspires that is…?

Kate: Selena is a Venetian courtesan and the witch of the tale. Selena witnessed the terrible punishment of her mother, after she was unfaithful to her patron, and so sets herself to enact revenge on those who took part. She studies ‘stregheria’, the Italian art of witchcraft, in an attempt to shape her own life. She is afraid of the passing of time and the coming of death, and so hates clocks and watches, but is also passionate, sensual, and determined.  Although she is strong and clever, she also has a strong streak of cruelty in her and locks girls up in a tower for her own nefarious purposes, so I’m not sure she can be seen as an inspiration!

Could you please give me an example of Renaissance life in Venice? Something romantic, perhaps?

Venice in the 16th century was a place of great wealth, beauty and culture.  Its streets were full of merchants from all over the world, all speaking their own tongues and wearing the clothes of their nation. Women were gorgeously dressed in silks and satins and cloth-of-gold, and wore totteringly high wooden chopines to protect their delicate silk slippers from the water that often overflowed from the canals.  Artists such as Michelangelo, Titian and Bellini created works of startling beauty, and every palace and cathedral was painted and ornamented to within an inch of their life. At Carnevale, men and women dressed up in their finest clothes and hid their faces behind masks so that they could wander the narrow streets and plazas of the many islands, free to love anyone they pleased. Many people began to wear masks all year long, in order to enjoy the freedom of anonymity, until the practice was outlawed in 1797. Mask-makers were revered, and had their own rules and their own guild.

What compels the old nun to tell Charlotte-Rose the tale who is sold by her parents for a handful of bitter greens? Is there a particular message she wants her to grasp?

I think Seraphina wants to help Charlotte-Rose learn to accept her fate with grace, and to make the most of the life she has been given. We cannot always choose what happens to us in our lives, but we can choose how we deal with it.

What is Charlotte’s personality like?

She is strong-willed, quick-witted, passionate, and very stubborn. She does her best to live a self-determined life, and finds the strictures of the patriarchal society in which she lives very difficult to negotiate. All she wants is to live and love as she chooses, and to write – yet these things are constantly being denied to her, and so she is frustrated and angry, particularly in the beginning of the book. She is also afraid and determined not to show it, and this makes her seem proud and even arrogant. She is also, I’m afraid, rather vain, but then she lives in the royal court of Versailles where everything is about show.

Is there one thing you find remarkable about Venice in 1512?

Venice had always been a city remarkable for its religious and cultural toleration, yet this began to change around this time. The world’s first ghetto was established in Venice in 1516, and other races and religions began to find themselves having their freedom curtailed as well. This was partly as a result of a long-waged war against Constantinople, and partly because of religious fervor caused by terrible outbreaks of the bubonic plague.

What was your process for this story and how long did you work on it?

Bitter Greens was a complex and challenging novel to write, and took me a long time to research. All in all, it took me seven years to write! I began by learning everything I could about the two periods my story was set in, and by studying the history of the Rapunzel fairy tale (I ended up doing a doctorate on this.) I then wrote each of the three narrative threads independently from each other, and then wove them together. It was like writing three novels instead of one!

What do you love most about writing?

Everything! I love the first period, when my mind is alive with story possibilities and I’m reading and researching and thinking and daydreaming. I love the actual writing process, and all the amazing serendipitous discoveries I make. And I love to edit too – that’s when the story really begins to fall into shape.

Who are your influences?

I think every single book I have loved – and there are hundreds of thousands of those!

Praise for Bitter Greens

“Kate Forsyth’s Bitter Greens is an enthralling concoction of history and magic, an absorbing, richly detailed, and heart-wrenching reimagining of a timeless fairytale.” —Jennifer Chiaverini, New York Times bestselling author of Mrs. Lincoln’s Rival

“See how three vividly drawn women cope with injustice, loneliness, fear, longing. See how they survive—or perpetrate—treachery. Surrender yourself to a master storyteller, to delicious detail and spunky heroines. Bitter Greens is a complex, dazzling achievement.” —Susan Vreeland, New York Times bestselling author of Clara and Mr. Tiffany and Girl in Hyacinth Blue

“A magical blend of myth and history, truth and legend, Bitter Greens is one of those rare books that keeps you reading long after the lights have gone out, that carries you effortlessly to another place and time, that makes you weep and laugh and wish you could flip forward to make sure it all ends happily ever after—but for the fact that if you did so, you might miss a line, and no line of this book should be missed.” —Lauren Willig, New York Times bestselling author of The Ashford Affair

“Kate Forsyth wields her pen with all the grace and finesse of a master swordsman. In Bitter Greens she conjures a lyrical fairytale that is by turns breathtaking, inspiring, poetic, and heartbreakingly lovely. Set like a jewel within the events of history, it is pure, peerless enchantment.”—New York Times bestselling author Deanna Raybourn

“Bitter Greens is pure enchantment–gripping and lyrical. From the high convent walls where a 17th century noblewoman is exiled, to a hidden tower which imprisons an innocent girl with very long hair, to the bitter deeds of a beautiful witch who cannot grow old–Kate Forsyth weaves an engrossing, gorgeously written tale of three women in search of love and freedom. A truly original writer, Forsyth has crafted an often terrifying but ultimately redemptive dark fairy tale of the heart.”—Stephanie Cowell, American Book Award-winning author of Claude & Camille

“Kate Forsyth’s Bitter Greens is not only a magnificent achievement that would make any novelist jealous, it’s one of the most beautiful paeans to the magic of storytelling that I’ve ever read.”—C.W. Gortner, author of The Queen’s Vow and The Confessions of Catherine de Medici

“Threads of history and folklore are richly intertwined to form this spellbinding story. Kate Forsyth has excelled herself with Bitter Greens. Compulsively unputtdownable.”—Juliet Marillier, national bestselling author of Flame of Sevenwaters and Heart’s Blood

Buy the Book

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About the Author

Kate Forsyth 1

Kate Forsyth wrote her first novel at the age of seven, and is now the internationally bestselling & award-winning author of thirty books, ranging from picture books to poetry to novels for both adults and children. She was recently voted one of Australia’s Favourite 20 Novelists, and has been called ‘one of the finest writers of this generation. She is also an accredited master storyteller with the Australian Guild of Storytellers, and has told stories to both children and adults all over the world.

Her most recent book for adults is a historical novel called ‘The Wild Girl’, which tells the true, untold love story of Wilhelm Grimm and Dortchen Wild, the young woman who told him many of the world’s most famous fairy tales. Set during the Napoleonic Wars, ‘The Wild Girl’ is a story of love, war, heartbreak, and the redemptive power of storytelling, and was named the Most Memorable Love Story of 2013.

She is probably most famous for ‘Bitter Greens’, a retelling of the Rapunzel fairy tale interwoven with the dramatic life story of the woman who first told the tale, the 17th century French writer, Charlotte-Rose de la Force. ‘Bitter Greens’ has been called ‘the best fairy tale retelling since Angela Carter’, and has been nominated for a Norma K. Hemming Award, the Aurealis Award for Best Fantasy Fiction, and a Ditmar Award.

Her most recent book for children is ‘Grumpy Grandpa’, a charming picture book that shows people are not always what they seem.

Since ‘The Witches of Eileanan’ was named a Best First Novel of 1998 by Locus Magazine, Kate has won or been nominated for numerous awards, including a CYBIL Award in the US. She’s also the only author to win five Aurealis awards in a single year, for her Chain of Charms series – beginning with ‘The Gypsy Crown’ – which tells of the adventures of two Romany children in the time of the English Civil War. Book 5 of the series, ‘The Lightning Bolt’, was also a CBCA Notable Book.

Kate’s books have been published in 14 countries around the world, including the UK, the US, Russia, Germany, Japan, Turkey, Spain, Italy, Poland and Slovenia. She is currently undertaking a doctorate in fairytale retellings at the University of Technology, having already completed a BA in Literature and a MA in Creative Writing.

Kate is a direct descendant of Charlotte Waring, the author of the first book for children ever published in Australia, ‘A Mother’s Offering to her Children’. She lives by the sea in Sydney, Australia, with her husband, three children, and many thousands of books.

For more information please visit Kate Forsyth’s website and blog. You can also find her on Facebook, Twitter, Pinterest, and Goodreads.

 

Spotlight: Come Dancing by Leslie Wells

02_Come Dancing

Publication Date: June 8, 2014 Allium Press Formats: eBook, Paperback

Genre: Contemporary Romance

Julia is a book-loving publisher’s assistant. Jack is a famous British rock star. “Opposites attract” is an understatement.

It’s 1981. Twenty-four-year-old Julia Nash has recently arrived in Manhattan, where she works as a publisher’s assistant. She dreams of becoming an editor with her own stable of bestselling authors—but it is hard to get promoted in the recession-clobbered book biz.

Julia blows off steam by going dancing downtown with her best friend, Vicky. One night, a hot British guitarist invites them into his VIP section. Despite an entourage of models and groupies, Jack chooses Julia as his girl for the evening—and when Jack Kipling picks you, you go with it. The trouble is … he’s never met a girl like her before. And she resists being just one in a long line.

Jack exposes her to new experiences, from exclusive nightclubs in SoHo to the Chateau Marmont in Hollywood; from mind-bending recording sessions to wild backstage parties. Yet Julia is afraid to fall for him. Past relationships have left her fragile; one more betrayal just might break her.

As she fends off her grabby boss and tries to move up the corporate ladder, Julia’s torrid relationship with Jack takes her to heights she’s never known—and plunges her into depths she’s never imagined.

With a fascinating inside look at publishing, this entertaining story of a bookish young woman’s adventures with a rock superstar is witty, moving, and toe-curlingly steamy.

Come Dancing Bonus Scenes

Scene One | Scene Two

Praise for Come Dancing

“Leslie Wells brings to life all the eclectic, edgy style of New York City at the dawn of the 1980s as she spins a story of spine-tingling romance and the complex issues that can threaten a relationship. Through her effervescent writing style she catapults the reader into a world of excess and indulgence, while delving into some honest and heartfelt struggles along the way. … Come Dancing is a love story with lots of heart and plenty of heat.”

—Casee Marie, Literary Inklings Book Reviews

“5 Blushing Stars!! Come Dancing is quite the story. I loved this story and could not put it down. I got lost in the story, imagining the rock stars and their groupies partying it up, while finding themselves and falling in love. Opposites certainly do attract and make for an explosive time! You will love the many layers of Jack; you will also want to smack him at times too. Julia will have you rooting for the underdog and wishing she had a better clothes fund 🙂 Through it all, the many naysayers and people out to split them up, they make it work! Fate seems to finally take its stand and allows for this fairytale story to end the way it should—hot, sexy and combustible!”

–Kellie, Blushing Divas Book Reviews

“I’m never sure what to expect when I venture away from historical fiction, but I found Leslie Wells’ Come Dancing quite enjoyable. Though more contemporary than my usual fare, I think the novel has a lot of heart and is a story many people will be able to relate to.

By far, my favorite aspects of the piece were the atmospheric qualities of the narrative. This is a New York before cell phones and digital cameras. It has different rhythm to it and follows a social structure that is entirely different from the New York of today. There is a contrast in that, something both familiar and almost foreign that really appealed to me.

There is a tangible affection between Julia and Jack which I truly appreciated, and I admired the journey their relationship takes over the course of the story. . .. A pleasant fiction, Come Dancing is brimming with both humor and heart. A realistic romance that is sure to entertain.”

–Erin, Flashlight Commentary Book Blog

Buy the Book

Amazon US | Amazon UK | Barnes & Noble | Book Depository | IndieBound

About the Author

03_Leslie Wells Credit © Leslie Wells

Leslie Wells left her small Southern town in 1979 for graduate school in Manhattan, after which she got her first job in book publishing. She has edited forty-eight New York Times bestsellers in her over thirty-year career, including thirteen number one New York Times bestsellers. Leslie has worked with numerous internationally known authors, musicians, actors, actresses, television and radio personalities, athletes, and coaches. She lives on Long Island, New York.

Author Links

Website | Blog | Facebook | Google+ | Goodreads

Sign Up for Leslie Wells’s Newsletter.

Come Dancing Blog Tour Schedule

Monday, September 8 Review at Blushing Divas Book Reviews

Tuesday, September 9 Review & Giveaway at SOS Aloha

Wednesday, September 10 Review & Excerpt at What’s On the Bookshelf

Thursday, September 11 Spotlight at Sizzling Hot Books

Friday, September 12 Review & Giveaway at The Boyfriend Bookmark

Monday, September 15 Review at Tea Cups and Book Love Review & Giveaway at Peeking Between the Pages

Tuesday, September 16 Review, Interview & Giveaway at A Dirty Book Review

Wednesday, September 17 Interview at Romance Book Junkies

Thursday, September 18 Review & Excerpt at Shelly’s Book Blog

Friday, September 19 Review at Must Read Books or Die

Tuesday, September 23 Review at Flashlight Commentary

Wednesday, September 24 Review at Book Nerd

Thursday, September 25 Spotlight & Giveaway at Paranormal Book Club

Sunday, September 28 Review at Devilishly Delicious Book Blog

Monday, September 29 Review at Lustful Literature

Wednesday, October 1 Guest Post at Bibliophilia, Please Spotlight at Layered Pages

Monday, October 6 Review & Giveaway at A Bookish Affair Review & Excerpt at Jorie Loves a Story

Tuesday, October 7 Review at Turning the Pages Interview at Jorie Loves a Story

Wednesday, October 8 Review at The Life & Times of a Book Addict

Friday, October 10 Review at Satisfaction for Insatiable Readers

Tuesday, October 14 Review & Excerpt at Michelle & Leslie’s Book Picks

Wednesday, October 22 Interview at Room with Books

Thursday, October 23 Review at Lusty Penguin Reviews

Monday, October 27 Review at So Many Books, So Little Time

Tuesday, October 28 Spotlight at Just One More Chapter

Thursday, October 30 Review at The Danish Bookaholic

04_Come Dancing_Blog Tour Banner_FINAL

 

Review: Voyage of Strangers by Elizabeth Zelvin

Voyage of Strangers

Pub Date   Sep 30 2014

The year is 1493, and young Jewish sailor Diego Mendoza has returned from Columbus’s triumphant first voyage with tales of lush landscapes, rivers running with gold, and welcoming locals. But back home in Spain, Diego finds the Inquisition at its terrifying peak, and he must protect his spirited sister, Rachel, from betrayal and death. Disguising herself as a boy, Rachel sneaks onto Columbus’s second expedition, bound for the new lands they call the Indies. As the Spaniards build their first settlements and search for gold, Diego and Rachel fall in love with the place, people, and customs. Still forced to hide their religious faith and Rachel’s true identity, the brother and sister witness the Spaniards’ devastation of the island in their haste to harvest riches.

This unflinching look at Columbus’s exploration and its terrible cost to the native Taino people introduces two valiant young people who struggle against the inevitable destruction of paradise.

Review:

When I saw this up for review on Netgalley, I jumped at the chance to review this! I couldn’t believe my luck when I was approved! First off, I have wanted to read a story with Columbus and about his voyages for a very long time…while this story does not entirely center on that…it still was an amazing read! Diego and Rachel made such an impression on me. Their story is extraordinary and Diego’s duty to protect Rachel and his brotherly love to her is admirable and courageous! The adventure they embark on is so entertaining and exciting. And the danger they face will have you clinching your teeth and holding your breath, waiting to find out what the outcome will be. I know….this all sounds rather dramatic, but it is true.

I was also really drawn into the setting and period of the story…..one feels like they are actually there on the ship and in the first settlements, living the lives they are living. How wonderful is that? I wanted this story to continue and I would love to read more about Diego and Rachel’s adventures….

I was very impressed with how the author portrayed Columbus as well….you see a side to him that you might not read about in the history books. And we all love a good sea adventure!! You will get that in this book! I thoroughly enjoyed discovering and learning about the Taino people as well and found them really fascinating and would like to learn more about them and their culture. I will definitely be on the lookout for more books from this author and I highly recommend you read this story.

Stephanie Moore Hopkins

Review: The Poet’s Wife by Rebecca Stonehill

The Poets Wife

Pub Date: September 26, 2014

An unforgettable journey into the heart of one family torn apart by war. Granada, 1920. Free-spirited Luisa and young poet Eduardo fall in love, cementing a bond that can never be broken. Behind the jasmine filled courtyard, perched amongst houses like clouds on a hilltop, stands a beautiful villa; Carmen de las Estrellas. Beneath its walls live Eduardo and Luisa with their thriving family, but war is looming, casting its shadow over the household. When Civil War finally breaks out, Luisa and Eduardo must fiercely protect those dear to them. Yet these are turbulent times, and as each of their children begin to make their way in the world, the solace of home cannot shield them from the horrors of war.

Review: I would first like to say that this is an extraordinary story. I haven’t really read any fiction that depicts the civil war in Spain during this early 1900’s and it was deeply emotional to read about. I have to admit I had a different mind- set going into this story due to the title because I feel like the story doesn’t really center around Luisa but around her whole family and what they experienced first-hand during this turbulent time.

There are a few things I feel I should point out and normally I tend to stay away from little things that bother me about stories due to the fact I really did enjoy reading this story. I would have liked to have seen stronger character development of Luisa and I felt her relationship with her husband Eduardo wasn’t quite convincing me of their love for each other….for several reasons but I won’t comment. You just need to read the story to form your own opinion. Also, this story expands over a large period of years but towards the end of the story it jumps quite a bit to the story of Isabel’s daughter. Which I did enjoy reading about but I felt it was rushed.

The characters that really stood out to me the most was Isabel, Mar and Pablo. I loved all three immensely and I would have like to have seen a little more back story on Pablo. I felt the author did a fabulous job with the setting, and the historical detail and I like the author’s style of writing. I felt I was really in that period…one of the important things I like to experience when reading in this genre. All in all this is a story worth reading and I do recommend it to all.

Stephanie Moore Hopkins

One Writer’s Life by Sarah Kennedy

Ten years ago, I called myself a poet. A writer of poetry, a critic of poetry, a teacher of poetry both old and contemporary. I loved novels, and I read them voraciously, but when I sat down to create, what came out were poems. Was I a calm, meditative person, my gaze fixed on eternity as I composed my deathless verse? No way! I was fitful, nervous, writing here and there in fifteen- or twenty-minute intervals of breathless intense concentration, sometimes between classes at my college, when a student had used that absolutely perfect word that my imagination had been seeking.

My poems ranged in subject from the painfully personal to the distantly narrative, and as I grew older, those autobiographical tendencies waned. My scholarly training was largely in the Renaissance, and I found myself teaching the eighteenth century, as well. As a researcher, I was often in the UK, seeking out materials that would help me understand the lives of women—always a central concern of mine—who had lived in the past. As a doctoral student, I was pushed, most of the time, to study the great male writers, but as a professor I wanted to fill in the gaps, to include women in my discussions. I was particularly interested in women’s spiritual and domestic lives, and this curiosity led me to read the medieval mystics Julian of Norwich and Margery Kempe. Jane Grey, Mary Tudor (“Bloody Mary”), Anne Askew—all of these women suffered for their beliefs, and I wanted to know how ordinary women might have coped with the great changes in England as it shifted from being a Roman Catholic to a Protestant country.

And something happened along the way: I became a novelist. It began one summer in Wales, when I was digging into the National Library, reading old recipe manuscripts and account books, kept by women in the seventeenth and eighteenth centuries. These books were full of personal information about debts, expenses, love matches gone awry, popular songs and sermons. This was an academic project, but reading these women’s words altered my imagination. I began to hear them talking in my head . . . and in my poems. My work got longer, almost (but not quite) reaching the right-hand margin. A friend told me, after reading these poems, “You ought to write a novel.” At the time, I said no, but the seed was planted. And one day, standing in a bookstore with an armload of historical novels, I turned to my husband and said, “I’m going to write one of these.”

Sarah Kennedy's Book Cover

And I did . . . and the stories keep coming. I began with The Altarpiece, a novel about a young nun who’s being forced out of her convent by Henry VIII’s men. She’s devout, but she’s also aware of the corruptions in the church. She struggles to find a new way to keep her old faith and to adapt herself to the changing world without losing her essential self. Her story continues in City of Ladies, to be released in October 2014 and moves right into the dangerous world of Henry’s court in the third volume, The King’s Sisters, coming out in August 2015.

And, surprisingly, my writing self has changed along with my genre. I now write every evening—or afternoon if the evening promises to be busy—in a long block of quiet, solitary time. I write until I’m exhausted. And I generally write with a newfound tranquility that comes of a long-term goal. Novelists don’t get the intermittent rewards that poets get as they place individual pieces in journals; we have to have an eye on the page in front of us and on the book that will emerge at the end. And most of the time, it’s just the writer and the page, alone, working toward the finish line.

 Sarah Kennedy

Is being a novelist a lonely calling? In some ways, I suppose it is. Most of the writers I know tend to be rather solitary individuals, and I’m no exception. I’m most content pulling weeds in my garden, feeding and watching the birds that visit the yard, and sitting with a book. I wouldn’t, however, call myself lonesome. I’m never bored, and I’m never at a loss for something to do. Characters of all kinds are always with me, demanding attention, a chance to show what they’re thinking and a stage on which to act out their lives. Sometimes, they won’t even let me alone to sleep!

I do love to travel, but even on trips abroad I like to explore places, usually historical sites, by myself, going wherever my mood or fancy strike me and investigating who lived there and what happened to them. I like to imagine even ruins filled with men and women, talking, laughing, weeping—living out their dramas. And then I return to the blank page and fill it, giving them flesh and personalities and conflicts to overcome, if they can.

And guess what? They become my friends, even the baddies, as authentic to me as many physical people I know. And with friends from everywhere—Tudor England to contemporary Virginia—I’m never, really, by myself at all.

Sarah Kennedy

Interview with Author Lucinda Elliot

02_Ravensdale

When the group of highwaymen headed by the disgraced Earl of Little Dean, Reynaud Ravensdale hold up the hoydenish Isabella Murray’s coach, she knocks one of them down and lectures them all on following Robin Hood’s example.

The rascally Reynaud Ravensdale – otherwise known as the dashing highwayman Mr Fox – is fascinated by her spirit.

He escaped abroad three years back following his supposedly shooting a friend dead after a quarrel. Rumour has it that his far more respectable cousin was involved. Now, having come back during his father’s last illness, the young Earl is seeking to clear his name.

Isabella’s ambitious parents are eager to marry her off to Reynaud Ravensdale’s cousin, the next in line to his title. The totally unromantic Isabella is even ready to elope with her outlaw admirer to escape this fate – on condition that he teaches her how to be a highwaywoman herself.

This hilarious spoof uses vivid characters and lively comedy to bring new life to a theme traditionally favoured by historical novelists – that of the wild young Earl, who, falsely accused of murder by the machinations of a conniving cousin and prejudged by his reputation, lives as an outlaw whilst seeking to clear his name.

‘Ravensdale’ is a fast paced, funny and romantic read from the writer of ‘That Scoundrel Émile Dubois’, following the adventures of his equally roguish cousin and set in 1792, just prior to the French Revolution, two years before ‘That Scoundrel Émile Dubois’.

Stephanie: Hello, Lucinda! Thank you for chatting with me today. It is not often I read romance or Historical romance and one with humor into it to boot. Please tell me what sets yours apart from others in this genre?

Lucinda: It’s a pleasure to talk to you. And as for being given an opportunity to go on and on about my writing, what writer could resist that? In answer to your question, I suppose all writers think of their writing as being a thing apart from all the rest -it’s our tragedy that most readers have a different take on the matter. My particular way of flattering myself that mine stands out is to believe that the ironical approach in all my novels is original. I like to share fun with the reader with pointing out the clichéd aspects of some situation while inviting the reader to join with me in enjoying it anyway. ‘Ravensdale’ is an outright satire, but for all that, one which I hope draws the reader into the fun of the adventure and into sympathizing with the characters, who while based on the stereotypes of the clichés of traditional historical romance, are meant to develop into fully rounded characters as the story progresses.

Stephanie: Please tell me a little about, Isabella.

Lucinda: Isabella breaks all the rules – she doesn’t want to play the role of the traditional passive female, and she’s very gung-ho and quite unladylike. She wants to learn to shoot accurately, to fight effectively and she loves a wild gallop in her brother’s breeches, straddling her horse and taking high hedges. She’s a tall, strapping woman with a long mane of black hair and flashing black eyes, and has everyone’s idea of a ‘gypsyish’ attraction. She despises the injustices she can see in her world and would like to try and right a few by emulating Robin Hood and stealing from the rich to give to the poor.

Stephanie: What is an example of a humor part in your book?

Lucinda: Well, this is fairly typical: –

‘Kate’s younger sister Suki came from the back. Seeing her, Flashy Jack, his bright fair hair disguised under powder, took his porter to the bar. Kate came for the dirty plates. “Soup not to your liking?” she asked Ravensdale, who had gone to stand gazing out of the window, arms folded across his chest.

“It was well enough.”

“Have you got guts ache? You keep on leaving your food.”

The landlord, Tom Watts, so strapping and healthy that he didn’t remember when he had last left his own, turned, shocked. “You don’t want to get anything like that; I’ve known cases, strong one month, and invalids at the fireside the next.”

Mr Fox scowled and said nothing.

“Have you got bellyache?” Kate determined to speak plain though the fellow was a real toff, even, some said, none other than the Disgraced Lord Little Dean.

He kept silent, glowering into his porter.

Flashy Jack warmed to his theme: “He’s holding on round the chest. It could be lung trouble. That can be caught early. I knew a man, fading away with it, till his wife had him gargle rum every day. That set him to rights.”

“He ain’t got a cough.” Kate pointed out.

The object of their concern shifted under their gaze, which seemed to penetrate to his innards.

“I hear you don’t until that phlegm sets in. Then, before you know it, you’re spitting blood.”

“Mercy.” Suki joined in. She knew that they would all end on the gallows, but this was immediate.

The Chief Brigand, clearly only silent through reluctance to be ungallant to the women, turned on Jack: “Hold your noise, damn you! My insides are my own affair.”

Kate, undeterred, held up one finger: “I know the very thing, whatever it is. That cure I got from that pedlar works on anything. I’ve even tried it on baby there.” She smiled on her infant, sleeping in his cradle at the side of the bar.

“Well, you shouldn’t give it him, Kate. Those poisoners have surely caused more deaths than any honest rogue.” Mr Fox made for the door and stood outside, still slightly hunched and gazing across the yard to where the hens scrabbled about in the dust.

“There’s no pleasing some folk.” Kate went back to collecting the dishes.

“There ain’t any pleasing him these last couple of weeks.” Jack turned his attention back to Suki.’

Stephanie: What was the inspiration for your story? And do you have any other stories in this genre?

Lucinda: What was the inspiration? Traditional historical romances, I suppose; I always felt they accepted sex roles and social injustice too readily. I read a good few of them many years ago, when as a teenager I was snowed in at home in the Clwyd Valley for some time; I got through a lot of stuff on the bookshelves, which included job lots of books my mother had got as part of a ‘lot’ at various auctions. So, I read numerous novels by Georgette Heyer, Barbara Cartland and so on. I always thought sending up the cliches of the genre, if not done maliciously, would be fun. You know, the Disgraced Wild Young Earl Turned Outlaw, the Spirited Heroine, the Conniving Cousin who Stands to Gain from the Heir’s Disgrace, etc. ‘Ravensdale’ is actually a prequel to my first novel, ‘That Scoundrel Emile Dubois’ which was a take on traditional gothic – vampires, brigands and the heroine isolated in a deserted mansion, surrounded by a wicked household.

Stephanie: Were there any challenges in writing, Ravensdale?

Lucinda: Oh, yes. I had a dismal period of writer’s block for a couple of weeks where I just couldn’t get through some problems with bringing the characters together for the grand finale of the story. But I always find that period of writer’s block happens; you just have to wait, groaning, for the obstruction to clear. There was the historical research on the savage penal code of the time and the activities of highwaymen and so on, but a tedious amount of research is part of the ground work of writing about a past age.

Stephanie: What was the process and how long did it take to write your story?

Lucinda: It took me six months and then I sent it off to my writing partner, who suggested some revisions. Believe it or not, I start writing first thing in the morning, in a notebook in longhand, aiming for an average of four hundred words but hoping for five hundred. Later in the day, I type that bit up, editing as I go along. Every day I’m tempted to put it off, but that’s typical of writers, I think.

Stephanie: What do you like most about writing? And when did you know you wanted to be a writer?

Lucinda: I love the excitement of creating an imaginary world and the possibility of sharing it with people. Probably at fourteen I knew I would write sometime, but I took a long time to get down to it seriously – or as seriously as I can be about anything.

Stephanie: What do you like most about Historical Romance?

Lucinda: Quite honestly, I’m not a great reader of historical romance generally these days, but I do like the world free of cars more than anything!

Stephanie: In your bio, it says you were brought up in old houses. Do you feel that this has helped your creativity in your writing?

Lucinda: Without a doubt; I know the layout of big old houses. Also, they would all have made fine settings for a gothic novel.

Stephanie: Where in your home do you like to write and how often do you write?

Lucinda: In the spare room, which serves as a sort of study. Usually I put in a minimum of three hours a day.

Stephanie: Who are your influences?

Lucinda: Innumerable – Jane Austin, Elizabeth Gaskell, Pushkin, Shakespeare, Patrick Hamilton, Thackeray, even that writer of appalling nineteenth century romances, Charles Garvice (yes, he was on the bookshelves during that long period of being snowed in).

Stephanie: What book(s) are on your night stand?

Lucinda: They vary. At the moment, believe it or not, ‘King Lear’ and ‘The Virago Book of Ghost Stories.

Stephanie: Thank you, Lucinda!

Lucinda: It is for me to thank you, as the French say.

Buy the Book

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About the Author

Lucinda Elliot loves writing Gothic style stories, which isn’t surprising because she was brought up in a series of big old isolated houses which her parents were refurbishing (it wasn’t so fashionable back then). After that, she lived, studied and worked in London for many years and now lives in Mid Wales with her family.

She loves writing about strong women to complement gung ho males.

Her interests do include weight training and body shaping,and she was once a champion Sports fighter, but apart from that her interests are quite geeky. Reading classic novels, conservation, gardening, and even names and their meanings (bring on the carrot juice). She loves a laugh above anything.

For more information please visit Lucinda’s website. You can also connect with her on Goodreads.

Ravensdale Blog Tour Schedule

Monday, September 22 Review at Flashlight Commentary

Tuesday, September 23 Interview at Layered Pages

Wednesday, September 24 Review at Book Lovers Paradise

Thursday, September 25 Review at “Good Friends, Good Books and a Sleepy Conscience: This is the Ideal Life.” Spotlight at Historical Tapestry

Saturday, September 27 Spotlight at Romantic Historical Fiction Lovers

Sunday, September 28 Review at Carole’s Ramblings

Monday, September 29 Interview at Let Them Read Books

Tuesday, September 30 Review at WTF Are You Reading? Review at Devilishly Delicious Book Blog

Thursday, October 2 Review at Book Nerd Spotlight at Just One More Chapter

Friday, October 3 Spotlight at SOS Aloha

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