Book Review: The Broken Girls by Simone St. James

The Broken GirlsThe Broken Girls by Simone St. James

Berkley Publishing Group

Berkley

Mystery & Thrillers

Pub Date 20 Mar 2018

Description

Vermont, 1950. There’s a place for the girls whom no one wants–the troublemakers, the illegitimate, the too smart for their own good. It’s called Idlewild Hall. And in the small town where it’s located, there are rumors that the boarding school is haunted. Four roommates bond over their whispered fears, their budding friendship blossoming–until one of them mysteriously disappears. . . .

Vermont, 2014. As much as she’s tried, journalist Fiona Sheridan cannot stop revisiting the events surrounding her older sister’s death. Twenty years ago, her body was found lying in the overgrown fields near the ruins of Idlewild Hall. And though her sister’s boyfriend was tried and convicted of murder, Fiona can’t shake the suspicion that something was never right about the case.

When Fiona discovers that Idlewild Hall is being restored by an anonymous benefactor, she decides to write a story about it. But a shocking discovery during the renovations will link the loss of her sister to secrets that were meant to stay hidden in the past–and a voice that won’t be silenced. . . .

My thoughts:

What makes a story? There are several answers to this question. When I read The Broken Girls, several things came to me. Most importantly truth in storytelling and how an author pulls it off. I am all for character development, plot driven stories. They are vital and this story has that but what about truth? Truth in human emotions. Truth in exploring one’s past. Truth in what haunts us. I can honestly say that St. James is an author to follow in these attributes of well-drawn stories. She really connects you to the characters and their story. That is truth. Each character has their own struggles and it brings the plot together in a delicious package of mystery, friendships heartache and meaningful human connections.

I was also delighted to feel a bit creeped out by the small town and the boarding school. The author makes you want to explore the ruins of Idlewild Hall and its past even further. I could easily read another story about the characters and location. Meaning, I didn’t want this story to end!

I can’t really pinpoint which characters stood out to me the most. They were all strong and interesting in this story and I sympathized with them all.

I really like the premise of a journalist who goes to no end to reveal the mystery surrounding her sister’s death and how the present day connects to the past in more than just one way.

I have to say that I feel sorry for the readers who have to wait to read this story when its published. The Broken Girls is truly an amazing story that has captivated me to no end and Simone St. James is my new favorite author! A must read.

I have rated this book five stars!

I obtained a copy of this book from the publishers through NetGalley.

Stephanie M. Hopkins

Characters in Motion With Lindsay Downs

Lady Jolene’s antagonists and how she deals with them.

As the oldest child and senior daughter to The Right Honorable, The Earl and Countess of Hampshire, Lady Jolene Markson is supposed to be able to hold her emotions in check. Nothing should upset or worry her.

Well, that’s not entirely true. There are several people and groups which annoy her to no end. Her antagonists.

At the top of this list is the Metropolitan Police Service, the Met.

As with her parents who had to deal with Bow Street and their runners, Jolene finds the Met to be useless for the most part. Frequently she points out they will find a suspect, guilty or not, and claim they have the criminal. More often than not this person hires her to prove their innocence, which she does with great regularity.

When presented with a case Lady Jolene does her best to make sure they, the Met, learn nothing of what she has found. It’s not that she wishes to make them look bad, they can do that without her assistance.

To Save a Lady by Lindsay GrahamIn the case set forth in To Save a Lady she easily proves to the investigating officer, Thomas Spencer, there was no way his prime suspect, Miss Julia Patrick, could have murdered the young man. He then offers his, without his superiors’ knowledge, assistance in bringing the criminal(s) to justice.

At first Lady Jolene had her reservations about allowing Spencer to partake. Her thoughts change when she notices an affection developing between him and Julia. Eventually Jolene comes to trust him but makes it very clear Spencer is the exception as she will still work to embarrass the Met.

It goes without saying, but I will anyways, her younger brothers and sisters do tend to antagonize her. With them, depending on what they do she usually doesn’t tell on them but deals with the troublesome one on her own.

Without a doubt, though, Lady Jolene’s worst antagonist is none other than The Most Honorable, The Marquis of Lange aka. Brendon.

They had first met years ago and for the most part grew up together. The reason, his parents and her godparents are His and Her Grace, The Duke and Duchess of Clarion.

For Lady Jolene his most annoying trait, sticking his nose into things that aren’t any of his business. He tries to steer her away from possible danger and she constantly resists. Even though they tend to be at each other’s throats at times it is in reality more of a love-hate-love relationship.

She does have one way, and it’s priceless, of keeping him in line. Her collie, Samson. More often than not the dog achieves the desired purpose. Annoy Brendon by his presence.

Well, my good ladies and gentlemen those are the primary antagonists in Lady Jolene’s life. Yes, Stephanie asked for five of them and I presented three. Well, actually more if you were to count her siblings, the officers at The Met along with Brendon and the years of antagonism between him and Jolene.

If I was a nice guy, of course then I wouldn’t be driving my readers crazy with red herrings and cliffhangers I would tell you a secret. Then again, if I did that then it would be a secret. You’ll have to buy To Save a Lady.

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About me-

Lindasy Graham II

I’ve been an avid reader ever since I was old enough to hold a red leather bound first edition copy of Sir Walter Scott’s The Lady of the Lake in my lap.

So, it only seemed natural at some point in my life I take up pen and paper to start writing. Over time my skills slightly improved which I attribute to my English teachers.

My breakthrough came about in the mid 1970’s when I read a historical romance written by Sergeanne Golon, Angelique. This French husband and wife team opened my eyes to the real world of fiction. Stories about romance, beautiful damsels, handsome heroes and plots which kept me hooked. Of course, being a man, I had to keep my reading hidden from others as that wasn’t appropriate reading for men.

With this new-found appreciation of the written word I took up other books and devoured them as a starving person would a plate of food. I them attempted to write again. I still wasn’t satisfied so I put it aside for years as other events entered my life.

Finally, in the early years of the new millennium I tried again to write and once again met with limited success. At least now I was able to get past the first page or two. Then, in 2006 a life changing event brought me back to my love, I took a job as a security officer. This allowed me plenty of time to read different genres.

My favourite was regency. As I poured through everyone I could get my hands on I knew this could be something I wanted to attempt.

Since 2012 when my debut regency romantic suspense released I was hooked and have, except for a few contemporaries, focused on this genre.

Since 2012 I’ve lived in central Texas. I’m also a member of Romance Writers of America and the Austin, TX chapter.

Where you can find me-

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Twitter- @ldowns2966

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Lindsay Downs-Romance Author

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Characters in Motion with Meghan Holloway

“Often times the best inspiration comes within us.” Writer Meghan Holloway shares with us how she fleshes out her characters to drive the plot.

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Storytelling is, at heart, an exploration of the human condition. More than evocative imagery or lyrical prose or a captivating plot, a story must have a character at its center in whom I can invest.

Achieving a fully-fleshed character is one of the most challenging aspects in writing. Creating a paragon or a villain is a simple thing, but also a flat and unsatisfying achievement. Building a well-rounded character—humane, flawed, fallible, and nuanced—is a task as formidable as it is rewarding.

We writers tend to be a solitary lot for we pursue a sequestered craft. We are watchers, though, sentinels of interaction, cartographers of existence. It is through this lifelong pursuit of observation that we find the lens through which to view the human experience and the clay with which to build our characters.

When I tell a story, I have a two-fold beginning:  I have a plot arch in mind first or a particular setting and event in history I want to explore; but the key piece that moves this germ from idea to tale is character. The plot is what creates the arc of storytelling; the character is the vehicle in which the reader is transported.

Meghan Holloway

About Author:

Meghan Holloway

“My dearest darling …” That was how my grandfather began all of his letters to my grandmother while he was stationed in Okinawa in World War II. I never knew my grandfather, but I’ve poured over his letters. I used to draw lines up the back of my legs, just as my grandmother had as a young woman whose nylons had been donated to make parachutes, and I’ve endlessly pestered my paternal grandfather for stories of his childhood and service. The worn letters and patiently-told stories cemented my interest in history, especially in the WWII era.

I found my first Nancy Drew mystery in a sun-dappled attic at a friend’s house and subsequently fell in love with the grip and tautness of a well-told mystery. I flew an airplane before I learned how to drive a car, did my undergrad work in a crumbling once-all girls school in the sweltering south, spent a summer and fall in Maine picking peaches and apples, finished my graduate work in an all-girls school in the blustery north, and traveled the world for a few years. Now I’m settled down in the foothills of the Appalachians, writing my third and fourth novels, and hanging out with my standard poodle.

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Cover Crush: A Darker Sea: Master Commandant Putnam and the War of 1812 (A Bliven Putnam Naval Adventure) by James L. Haley

 

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I am not a cover designer but I can agree that cover layouts play an important role in the overall presentation of stories and I must admit, often times I first judge a book by its cover.

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A Darker SeaAbout the book:

A Darker Sea: Master Commandant Putnam and the War of 1812 (A Bliven Putnam Naval Adventure)

by James L. Haley

400 pages

Publisher: G.P. Putnam’s Sons (November 14, 2017)

The second installment of the gripping naval saga by award-winning historian James L. Haley, featuring Commander Bliven Putnam, chronicling the build up to the biggest military conflict between the United States and Britain after the Revolution—the War of 1812.

At the opening of the War of 1812, the British control the most powerful navy on earth, and Americans are again victims of piracy. Bliven Putnam, late of the Battle of Tripoli, is dispatched to Charleston to outfit and take command of a new 20-gun brig, the USS Tempest. Later, aboard the Constitution, he sails into the furious early fighting of the war.

Prowling the South Atlantic in the Tempest, Bliven takes prizes and disrupts British merchant shipping, until he is overhauled, overmatched, and disastrously defeated by the frigate HMS Java. Its captain proves to be Lord Arthur Kington, whom Bliven had so disastrously met in Naples. On board, he also finds his old friend Sam Bandy, one of the Java’s pressed American seamen kidnapped into British service. Their whispered plans to foment a mutiny among the captives may see them hang, when the Constitution looms over the horizon for one of the most famous battles of the War of 1812 in a gripping, high-wire conclusion. With exquisite detail and guns-blazing action, A Darker Sea illuminates an unforgettable period in American history.

My thoughts on the cover:

My good friend and fellow book blogger Erin shared a book at her Flashlight Commentary Facebook Page that caught my eye instantly! I told her I wanted to use the cover for my cover crush. Not only does the cover capture my attention but the history and premise does as well in a big way. I have not read any books by this author and I am trying to figure why I haven’t before!

I am really into American and British History and the time period- so this story is perfect for me. The cover is really powerful and full of color, depth and action. I hope it is as good as it looks and sounds! 

Stephanie M. Hopkins

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Cover Crush is a weekly series that originated with Erin at Flashlight Commentary. Other great book bloggers who cover crush:

Heather @ The Maiden’s Court

Magdalena @ A Bookaholic Swede

Holly @ 2 Kids and Tired Books

Colleen @ A Literary Vacation

Meghan @ Of Quills & Vellum

Book Review: Arrowood by Mick Finlay

Arrowwood new bookReview Arrowood by Mick Finlay

Harlequin (US & Canada)

MIRA

Historical Fiction

Pub Date 18 Jul 2017

Description

1895

London Society takes their problems to Sherlock Holmes. Everyone else goes to Arrowood.

The Afghan War is over and a deal with the Irish appears to have brought an end to sectarian violence, but Britain’s position in the world is uncertain and the gap between rich and poor is widening. London is a place where the wealthy party while the underclass are tempted into lives of crime, drugs and prostitution. A serial killer stalks the streets. Politicians are embroiled in financial and sexual scandals. The year is 1895.

The police don’t have the resources to deal with everything that goes on in the capital. The rich turn to a celebrated private detective when they need help: Sherlock Holmes. But in densely populated south London, where the crimes are sleazier and Holmes rarely visits, people turn to Arrowood, a private investigator who despises Holmes, his wealthy clientele and his showy forensic approach to crime. Arrowood understands people, not clues.

My thoughts:

Sherlock Holmes is not the only private detective in London and if he has competition, it still remains to be seen. Arrowood and Barnett are hard press for a client and when a woman appears at their office seeking help to find her brother, the two detectives reluctantly decide to help her. Before they know it, they find the case more of a challenge than they thought. One of their potential witnesses ends up dead early on in the investigation and things get really heated after that.

Arrowood is an arrogant, silly man in many ways in my opinion. He annoyed me to no end. I have a feeling this might be the author’s goal for this character. As least I hope since I’ve been brutally honest about how I feel about him. The question is Arrowood’s characterization important for the story? There were a few times I wanted Barnett to slap him stupid. Though I have to admit his method in finding clues and questioning witnesses is an interesting one. He seemed to pride himself in being the opposite of Sherlock and had no problems in expressing that-too often in my opinion. Having said that, there were times I felt sympathy for him. Maybe just a little. If it weren’t for Barnett, the story wouldn’t hold much weight for me. I wish Sherlock had come along to shake things up.

I would like to add that I felt there were too many characters in the story. At times, it was a bit of a challenge to keep up. However, I do understand that in order for detectives to solve a case, they must interact and talk to a lot of people. Still…

The ending was satisfactory. In a nutshell, this was just an okay read for me. I expected more…

I rated this book a generous three stars.

I obtained a copy of this book from the publishers through NetGalley.

Stephanie M. Hopkins

DNF: Girl in Snow by Danya Kukafka

Girl in SnowGirl in Snow

by Danya Kukafka

When a beloved high schooler named Lucinda Hayes is found murdered, no one in her sleepy Colorado suburb is untouched—not the boy who loved her too much; not the girl who wanted her perfect life; not the officer assigned to investigate her murder. In the aftermath of the tragedy, these three indelible characters—Cameron, Jade, and Russ—must each confront their darkest secrets in an effort to find solace, the truth, or both.

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My thoughts:

I was excited about starting this book over Labor Day weekend. I wasn’t working and had carefully chosen the books I wanted to read. Girl in Snow was second on my list. When I first started reading this book, I really found the characters interesting except for Lucinda. The story starts off with her being dead but you really don’t connect to her and you don’t feel sympathy-at least I didn’t.

As I got further in the story it started to fizzle and fizzle quick. I got about 20% in and realized this probably won’t be a finish read for me but I rallied on a little longer to see if it got better. Half way through the book, I gave up. When a person writes a thriller and there is nothing thrilling about it…ahem, go back to revisions! I know that sounds really harsh but it needed to be said. Don’t get me wrong, the premise is great and the characterization had potential for a physiological thriller but it missed its mark.

Another thing, I needed more dialogue and action coming from the characters! Showing in is very important in story-telling.

I am not rating this book since I did not finish it.

I received a copy of this book from the publishers through NetGalley. I feel bad for not liking this story but felt necessary to give my honest opinions why I did not finish the book.

Stephanie M. Hopkins

Characters in Motion with Historical Fiction Writer Judith Arnopp

Judith Arnopp II

Margaret Beaufort – The Beaufort Chronicles Books 1 – 3

Hi Stephanie, I am so happy to be part of your new series of blogs; thank you so much for including me.

As you know the characters in my books are historical figures from English history, mostly of the late medieval and Tudor period. They have all been written of before, many, many times but I enjoy adding my own version to the traditional view. Although I wouldn’t call myself a revisionist, I do like to find a different perspective. Instead of recording what they did, I like to consider why they did it. This is often difficult to judge from the outside; I like to hone in on the inner self and reveal the part of us that we often prefer to keep hidden from the world.

By far my most challenging protagonist so far has been Margaret Beaufort. Margaret appears in many novels set around the Wars of the Roses and is usually depicted as a negative character, a schemer and plotter. She has even been cast as a potential murderer of the missing princes in the Tower although my research has thrown up nothing to suggest that was so. My novels that comprise The Beaufort Chronicles illustrate the events of the Wars of the Roses through Margaret’s eyes, and trace the changes in her character as she grows from a child of eight to a woman of mature years, the mother and grandmother of kings and queens.

Before I began writing I had to consider why Margaret has been depicted so negatively and this research brought me to her portraits. The only surviving representations of Margaret were taken in later life, after her son won his crown. She presents a pious pose, in the attitude of prayer, or clutching a book, the symbol of great learning. I think this dour image may explain why she has not been the heroine of many novels but Margaret clearly wasn’t born old. Even old women have known youth and love. She was once young, records indicate she possessed a sense of humour, favoured red gowns, and had a great love of finery both in clothing and furnishings. Margaret’s resilience is astonishing. She puts me in mind of a beetle that can’t be crushed. Her journey from the child bride of Edmund Tudor to whom she bore a son at the age of thirteen, to the mother of the first Tudor king is really quite incredible.

At the beginning of the wars between Lancaster and York, Margaret and Henry were relatively insignificant members of the House of Lancaster. After Henry VI’s demise and the death of the Prince of Wales, Edward of Lancaster, Margaret and Henry were suddenly thrown into the spotlight. While Henry was exiled, Margaret began to fight her son’s battles – and she fought ceaselessly to that end for the rest of her life.

Under the reign of Edward IV she petitioned the king for her exiled son’s properties and titles to be restored. She was on the brink of obtaining this when Edward died suddenly in 1483 and England was cast once again into chaos. Margaret was at the centre of activities during Richard III’s acquisition of the crown, she served him loyally at first but at some point midway during his reign, she changed tack and began to plot with Elizabeth Woodville. Together they raised money and support for an army to bring Henry Tudor home. But, on the eve of the Battle of Bosworth Margaret had no idea what the outcome would be. Under house arrest she could only pray, her nerves in tatters as she waited to discover if her actions had resulted in triumph for the Tudors or in the death of her only son.

Most women, especially on the winning side, would be applauded for these actions, hailed as a heroine but Margaret is always seen rather differently. She has become the archetypal interfering mother in law, the cold hearted pious busy body, a critic of the etiquette of the royal court. To some extent these things are true but there was also another side. She was loyal, forgiving, careful of the welfare of her household, and a great benefactress of churches and colleges throughout the realm. I felt it appropriate that she be given the opportunity to present her own version of events.

Margaret prays a lot – most people did in the middle ages. She meditates. She likes to garden and is interested in healing, her still room is well supplied with remedies. She passed this habit on to her grandson, Henry VIII, who was terrified of contagion, and also liked to dose his household when they fell ill.

Margaret possessed a dry humour and I have embellished this in my books. She has a wicked wit, and when she chooses, she can make the most biting of replies. During her years of struggle she is often a victim but she plays the long game. She serves Elizabeth Woodville faithfully, gains her friendship, visits her in sanctuary and comes to know the royal children, including her future daughter in law, Elizabeth of York and the younger of the princes, Richard of Shrewsbury. After becoming involved in Buckingham’s rebellion her life was in King Richard’s hands but he chose leniency and placed her under house arrest, in the custody of her husband, Thomas Stanley. But she didn’t give up.  Margaret had absolute faith that God was on her side. When the time came for her to move against Richard III, she financed Henry, risking both her security and position. Without doubt, Margaret Beaufort is the most heroic women I have ever written about.

Her insecure environment sometimes makes her prickly, defensive and seemingly proud. In public she adopts a confidence that she doesn’t really feel. Each decision she makes, she makes blindly – the reader and I are privileged by hindsight and know she will triumph but when I am writing, I have to remember Margaret was on a knife edge, in dangerous times and her life was often in peril. Throughout The Beaufort Chronicles Margaret is isolated, in conflict with the world but she is possessed of such courage and strength that she achieves all her desires. On reaching her goal however, she discovers that fate isn’t done with her just yet.

Because I write in the first person, I am in a sense, stepping into Margaret’s shoes and moving through the events of the Wars of the Roses. When I am writing I become Margaret. I don’t always stick to the traditional motivations because I am writing from the inside. Her relationships are varied. Her devotion to her son, from whom she is exiled for fourteen years until the day after Bosworth, is unswerving. Although she serves Edward IV’s queen her loyalty to Lancaster does not change but self-preservation is her only way forward. Records indicate that she and Elizabeth Woodville worked together in Henry’s cause and I have developed the relationship into a cautious friendship. She wants to trust Elizabeth but she is wary, never sure. Margaret finds it difficult to trust anyone which is not surprising when you consider her experience.

After Henry finally made good his promise to marry Elizabeth of York, Margaret’s relationship with her daughter in law develops over time into friendship and admiration. This may not have been the case had Elizabeth not been so compliant for there is no doubt that Margaret liked to be in charge. She ordered how Henry’s court should be run, how the apartments should be furnished, how the children should be raised – and Elizabeth seems not to have minded too much, although there are a few instances when she rebelled, or stood her ground.

In my books it is Margaret’s innermost thoughts and opinions that flesh her character. For instance when she encounters someone or something she shares her private opinion with the reader, criticizes manners, the style of dress, assesses each man’s loyalty to her son, their possible usefulness in her quest. In these books Margaret’s opinions are the only ones that are relevant because she is telling her own story. This way, Margaret’s experiences (hopefully) become the reader’s and her joys, happiness, fears and grief are immediate.

Her relationship with her four husbands took some consideration on my part. Margaret was first married as an infant to John de la Pole, the seven year old son of the Earl of Suffolk. After the Earl’s disgrace, the marriage was annulled and she was married instead to Henry VI’s half-brother Edmund Tudor, Earl of Richmond who was in his mid-twenties. Her second marriage took place when she was just twelve or thirteen years old. Usually the marriage would not have been consummated but Edmund could not take possession of her lands until she bore a son. I could have taken the route of an unhappy forced union but there are no records of Margaret ever showing resentment toward Edmund; she spoke gently of him and in her will she asked to be interred with him at Grey Friars in Carmarthen but the request was ignored. Had she born him any ill will I don’t think she would have asked to be laid with him. I chose to develop the relationship. Edmund is her protector, her husband, the father figure she lacked, and Margaret forms a sort of teenage crush for a man her senior by around thirteen years. Some authors have chosen to demonize Edmund Tudor and turn him into a child abuser but it was the fifteenth century – a different world, we shouldn’t judge by modern day standards.

Her third husband, Henry Stafford, was her own choice. Not a love match but chosen for protection and to prevent her being married off politically for a second time. Although her son, Henry, remained in the custody of his uncle, Jasper Tudor, she and Stafford visited him several times in Wales and sent regular letters and gifts. Stafford died from wounds sustained at the Battle of Barnet where he fought for York. Their marriage seems to have been content, with a slight breach when he declined to fight for Lancaster but supported Edward IV. During this period I allowed Margaret to become stronger, more headstrong and determined to be accepted at the Yorkist court so she could win back her son’s lands.

Stafford’s death after the Battle of Barnet left her vulnerable and, once more at the mercy of fortune hunters, she made the tactical choice of allying herself with Thomas Stanley, a powerful baron, high in the king’s favour. This opened the way for Margaret at court and all that came after. There is very little about her relationship with Stanley but it seems they were tolerant of each other. They lived apart for much of the time but visited and remained on good terms. I had some fun with this relationship. Margaret took control of my pen and showed a Thomas who was a bit of a likeable fool with an abrasive manner and little patient with the niceties of court. He reveals to Margaret a sensuous side of her nature she had previously ignored, a complexity that she wrestles to come to terms with. At the time of their marriage they needed each other, once Henry became king and Margaret was no longer in need of Stanley’s influence or protection, their relationship settles into one of irritated tolerance.

Each step Margaret takes along the path to her destiny is littered with difficulties. Even after her son has won his crown and she has the highest position at his court, she is still beset with doubt. She and Henry find it hard to trust – little wonder at the mire of treason and betrayal they have negotiated. Henry Tudor’s reign, particularly the early part, is beset with uprisings, pretenders to his throne, traitors in his court. Neither he nor his mother can rest easy. Every curtain conceals a dagger, and every closed door hides another plot against them.

At one point Henry finds some consolation. He has three sons to follow him and he has just secured the longed for alliance with Spain by marrying his heir to the Infanta, Catherine of Aragon. The Tudor dynasty is at last secure, their bloodline stretching endlessly ahead. But, one by one, the children begin to die.

Child mortality was commonplace in the middle ages but devastating nonetheless. Having already lost a daughter, Elizabeth, in 1495, tragedy struck again. First, sixteen month old baby Edmund died in 1500. The royal couple would scarcely have recovered when their pride and joy, the royal heir, Prince Arthur of Wales died at Ludlow in 1502. Henry and Elizabeth with just one son to follow them, immediately began to try for another. A daughter was born to Elizabeth in 1503 but tragically Elizabeth herself did not survive. She was taken ill a few days later and died suddenly, her newborn daughter followed soon after. Henry Tudor was left with just one son, his heir who was later crowned King Henry VIII.

The king died in 1509. Seemingly, at the age of sixty-six, Margaret’s reason for living had ended and she survived him by just two months.

About Judith:

Judith lives on the coast of Wales in the UK with her husband John. She studied creative writing and Literature at university and went on to study for a master’s degree in medieval studies. She now combines those skills to craft historical novels, short stories and essays.

Judith Arnopp website

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Book Review: The Life She Was Given by Ellen Marie Wiseman

The Life She Was GivenOn a summer evening in 1931, Lilly Blackwood glimpses circus lights from the grimy window of her attic bedroom. Lilly isn’t allowed to explore the meadows around Blackwood Manor. She’s never even ventured beyond her narrow room. Momma insists it’s for Lilly’s own protection, that people would be afraid if they saw her. But on this unforgettable night, Lilly is taken outside for the first time–and sold to the circus sideshow.

More than two decades later, nineteen-year-old Julia Blackwood has inherited her parents’ estate and horse farm. For Julia, home was an unhappy place full of strict rules and forbidden rooms, and she hopes that returning might erase those painful memories. Instead, she becomes immersed in a mystery involving a hidden attic room and photos of circus scenes featuring a striking young girl.

At first, The Barlow Brothers’ Circus is just another prison for Lilly. But in this rag-tag, sometimes brutal world, Lilly discovers strength, friendship, and a rare affinity for animals. Soon, thanks to elephants Pepper and JoJo and their handler, Cole, Lilly is no longer a sideshow spectacle but the circus’s biggest attraction. . .until tragedy and cruelty collide. It will fall to Julia to learn the truth about Lilly’s fate and her family’s shocking betrayal, and find a way to make Blackwood Manor into a place of healing at last.

My thoughts:

If I remember correctly in the last few years I have read a total-including this one-three book that include a circus setting. These stories capture my attention for many reasons. Especially when the story takes place during the depression era in the early 20th Century. The Life She Was Given has a uniqueness to the story unlike the others I have read before it. It should be obvious what it is by reading the book description.

Normally, when I read stories this good, I devour it in a couple of days but I decided to savory this one. During the 1930’s and into the 40’s, the circus struggled to stay open due to the depression. Often times they had to make tough choices and this story shows some of that.  Often times they were cruel, heartbreaking and unnecessary decisions. I have to say that ignorance plays a big part in the decisions. Another theme in this story was the “freak Show,” and how these extraordinary people were treated. There are several other themes to this story that moved me and really portrays how cruel life can be. We all have many things to learn from this story and I highly recommend people read this book.

Wiseman’s ardent portrayal of an era, subject and setting, sets the stage for an unforgettable read.

I have rated this book five stars.

Stephanie M. Hopkins

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Cover Crush: Oil and Marble (A Novel of Leonardo and Michelangelo) by Stephanie Storey

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I am not a cover designer but I can agree that cover layouts play an important role in the overall presentation of stories and I must admit, often times I first judge a book by its cover.

Oil and Marble A Novel of Leonardo and MichelangeloOil and Marble: A Novel of Leonardo and Michelangelo by Stephanie Storey

Hardcover, 320 pages

Published March 1st 2016 by Arcade Publishing

Legendary geniuses clash in both art and life in this “tremendously entertaining” novel of Leonardo da Vinci and Michelangelo (The New York Times).

For a few years at the very beginning of the sixteenth century, Leonardo da Vinci and Michelangelo Buonarroti both lived and worked in Florence. Leonardo was a charming, handsome fifty-year-old at the peak of his career. Michelangelo was a temperamental sculptor in his mid-twenties, desperate to make a name for himself.

Michelangelo is a virtual unknown when he wins the commission to carve what will become one of the most famous sculptures of all time: David. Even though his impoverished family shuns him for being an artist, he is desperate to support them. Living at the foot of his misshapen block of marble, Michelangelo struggles until the stone finally begins to speak. Working against an impossible deadline, he begins his feverish carving.

Meanwhile, Leonardo’s life is falling apart: he loses the hoped-for David commission; he can’t seem to finish any project; he is obsessed with his ungainly flying machine; he almost dies in war; his engineering designs disastrously fail; and he is haunted by a woman he has seen in the market—a merchant’s wife, whom he is finally commissioned to paint. Her name is Lisa, and she becomes his muse.

Leonardo despises Michelangelo for his youth and lack of sophistication. Michelangelo both loathes and worships Leonardo’s genius. Both will become immortal through their art.

Oil and Marble is the story of their nearly forgotten rivalry and “a rewarding read for art aficionados and fans of historical fiction” (Booklist). Here, Stephanie Storey brings early 16th-century Florence alive, bringing to life the minds and souls of two Renaissance masters with extraordinary empathy.

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My thoughts on the cover, title and premise:

I came across this book on Amazon and as an art history lover, I became intrigue with its cover. I recognized the style and hue immediately. How in the world have I not come across this book already, I ask myself? I love everything about the cover, title and premise. I look forward to reading the story to find out if it is as good as it looks.

Stephanie M. Hopkins

Cover Crush is a weekly series that originated with Erin at Flashlight Commentary. Her latest cover crush HERE

Other great book bloggers who cover crush:

Heather @ The Maiden’s Court

Magdalena @ A Bookaholic Swede-Coming soon

Holly @ 2 Kids and Tired Books-Coming soon

Colleen @ A Literary Vacation-Coming soon

Meghan @ Of Quills & Vellum-Coming soon

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Social Stratification in the Arts

by Mitchell James Kaplan

We want to believe in the tired cliché, La Boheme, the noble artist-as-rebel rejecting the vanity of status and the pecking order. This is of course a romantic notion – the artist as conscience, free of society’s hangups, liberated through self-expression. Its roots extend deeper than the romantic period, back to the medieval monastery – the ultimate opt-out for aristocrats who yearned for a more authentic life.

In reality, the society of artists is not different than any other society. Speaking only of literary society, which I know better than the others: there is an upper class of Nobel, Pulitzer, and Man Booker Prize winners. There’s an upper-middle class of best-selling authors. There’s a middle class that, like the middle class in the rest of society, has been dramatically shrinking through the last decades. In the publishing industry, this stratum is called the “mid-list.” And there’s the lower class of self-published authors – “lower-class,” that is, in the eyes of some conventionally published authors.

Authors can occasionally climb up this totem pole, but it isn’t easy. A parvenu has a hard time gaining acceptance in old-money circles. And then there are the nobles déchus, those whose Nobel prizes are growing dusty. They’re no longer earning, but they retain their pedigree. Perhaps the bottle speaks to them more, these days, than the Muse. Whatever. It doesn’t really matter what they write, anyway. No matter what they scribble, the critics will line up in praise. Their place on the totem pole is fixed.

Clearly, there are two status symbols that determine where an author fits in this social system, prizes and money. These markers serve two primary purposes: they determine the pecking order within the society of artists (who gets to express contempt for whom, and who gets to envy whom) and they help steer readers toward “books of quality.”

But what, exactly, is a book of quality? I’ll give you a hint. Study Literature at the college of your choosing. Get a PhD, even. You’ll get to read of lot of great books. But no one will be able to tell you why they’re great. On the day when you receive your degree, you still won’t be able to answer that most basic of questions any better than people who never finished college – or never even started – people like Maya Angelou, Truman Capote, Mark Twain, Charles Dickens, William Faulkner, and William Shakespeare.

Don’t get me wrong. Within the context of any culture, at a given moment, there may well be something like a consensus. Books that reflect the world-view of the educated class are going to win the prizes. Everyone likes a mirror, after all. At least, everyone who considers herself or himself to be beautiful. And books that express the yearnings and fears of the merchant and professional classes will earn their authors substantial material rewards. But none of this has anything to do with quality. Some of my favorite living authors have been the recipients of major prizes. Some are best-sellers. Some are unknown.

Quality is not measured in dollars or prizes. Quality is measured in the taste buds. You know it when you bite into it. And the good news is, there are still authors who care about quality more than status. But, as in every age, they are few and far between. And you may not find them where you would expect to find them. Sometimes, browsing in a used book store, I’ll pull out a tome that no one has seen in decades, start reading, and think, Wow, I never heard of this author. This is great. Maybe no one else ever heard of that author, either. Maybe no one ever will.

I think of Felix Mendelsohn, and how he revived the reputation of Johann Sebastian Bach. What would have happened to Bach, had Mendelsohn not come along? But then, Bach wrote for God, not for man. Maybe, just maybe, wherever he is – in the ground, in heaven – Bach doesn’t really care.

About Author:

Mitchell Kaplan Streawberry fields

Mitchell James Kaplan, a graduate of Yale University, is the author of the prize-winning novel, “By Fire, By Water.” He is currently putting the final touches on his second novel, “Same Stars, Different Constellations,” which is set in Brittania, Rome, and Judea in the first century.

By Fire, By WaterAbout By Fire, By Water:

Paperback: 284 pages

Published May 18, 2010

Recipient of the Independent Publishers Award for Historical Fiction (Gold Medal), the Foreword Book of the Year Award for Historical Fiction (Bronze Medal), and an honorable mention in the category of General Fiction for the Eric Hoffer Award.

Luis de Santángel, chancellor to the court and longtime friend of the lusty King Ferdinand, has had enough of the Spanish Inquisition. As the power of Inquisitor General Tomás de Torquemada grows, so does the brutality of the Spanish church and the suspicion and paranoia it inspires. When a dear friend’s demise brings the violence close to home, Santángel is enraged and takes retribution into his own hands.  But he is from a family of conversos, and his Jewish heritage makes him an easy target. As Santángel witnesses the horrific persecution of his loved ones, he begins slowly to reconnect with the Jewish faith his family left behind. Feeding his curiosity about his past is his growing love for Judith Migdal, a clever and beautiful Jewish woman navigating the mounting tensions in Granada. While he struggles to decide what his reputation is worth and what he can sacrifice, one man offers him a chance he thought he’d lost…the chance to hope for a better world. Christopher Columbus has plans to discover a route to paradise, and only Luis de Santángel can help him.

Within the dramatic story lies a subtle, insightful examination of the crisis of faith at the heart of the Spanish Inquisition. Irresolvable conflict rages within the conversos in By Fire, By Water, torn between the religion they left behind and the conversion meant to ensure their safety. In this story of love, God, faith, and torture, fifteenth-century Spain comes to dazzling, engrossing life.

Available on Amazon HERE