Interview with B.R.A.G. Medallion Honoree G.J. Reilly

Garrith OReilly BRAG II’d like to welcome back B.R.A.G. Medallion Honoree G.J. Reilly to Layered Pages! By day, G. J. Reilly is a teacher of (mostly) ICT and Computing in the South Wales valleys, where he lives with his long-suffering wife and 2.4 cats. 

He has an eclectic selection of hobbies, from playing a number of musical instruments with varying degrees of competence to learning the art of contact juggling and teaching sword-based martial arts. Having gained his degree, he spent ten years working in industry, before deciding to change career and head into education.

With an interest in high fantasy, contemporary fantasy and science fiction from a young age, it comes as no surprise that his first work falls into the young adult contemporary fantasy genre.

Hello, G.J.! Welcome back to Layered Pages. It is a delight to be chatting with you again and congrats on another B.R.A.G. Medallion. Please tell your audience how you discovered indieBRAG and self-publishing in general.

Hi Stephanie and thanks very much for having me again, it’s great to be back.

I decided to follow the self-publishing route mainly because I was completely new to the industry. I’ve been writing on and off since I was young, but ‘Inquisitor’ was the very first full-length manuscript I’d ever produced. When a friend got in touch to tell me that there was an exciting open submission opportunity a few years back, I jumped the gun a little and sent it out unpolished and unrefined. What really surprised me was how long it went un-rejected! Of course, with the huge number other submissions, I finally received my very first ‘no’ and was surprised to find that it was incredibly polite and sincere. That’s when I discovered the indie writing community. But until I joined the Goodreads Kindle User Forum in early 2015, I had no idea how vast that community was. Well, one thing led to another and I soon noticed indieBRAG’s name on my screen time and again.

After looking at the quality of work submitted by other honorees at the time, I didn’t think that ‘Inquisitor’ would stand a chance of being accepted, so I put it out of my mind. Then, sometime during that summer, another writer friend brought indieBRAG up in conversation again and persuaded me to send my details. So I did. Then I forgot all about it again, so that I wouldn’t be too disappointed when it was rejected.

Well, I’m sure I don’t need to tell anyone who’s received that confirmation from Geri how it feels! Now I visit the site every day just to marvel at the company I’m keeping and to check out the blog and read the interviews.

Piper_altTell me about your story, Piper.

‘Piper’ continues the Book of Jerrick story two years from the end of part one. Now a Grand Inquisitor in training (under the watchful eye of the ever-present Mr Catchpole), Tamara learns that Michael is alive and begins to form a plan on how to rescue him from the clutches of the Elder Council.

Meanwhile, having fled from their home at the old Masonic temple, Michael, Anna, and their friends learn that the Flayers – grim, half-dead shadows that lurk in the world between the mirror portals – have been growing in number and that the Piper of legend has returned to settle a score with an old enemy.

When Jerrick is forced to take refuge, things inevitably take a turn for the worst. In his absence, the more militant elders of the Council decide that the time is right to break with their passive traditions and take the war to the Inquisition. Having been ordered to guide a team of would-be assassins back to the academy, events take an even darker turn for Michael, as a heart-wrenching mission becomes a battle for survival.

Please tell me about the new Grand Inquisitor and what is the mood or tone he/she makes and how does this affect the story?

Although Tamara Bloodgood is the new Grand Inquisitor, she is very much the puppet monarch of the Inquisition in Britain until she’s eligible to take up her reign at 16.  In spite of the fact that Tamara’s story seems to take more of a backseat in ‘Piper’, she’s perhaps more important than Michael to the tone of the story.

Tamara’s decisions impact the story from the very first page, bringing the Inquisition closer to open conflict with the Council than we’ve ever seen them. Her intentions are absolutely clear and she even goes as far as brokering a deal with the Piper to achieve her goals. Even when she discovers the truth, Tamara’s still intent on the destruction of the Council once she’s rescued Michael from his ‘captors’.

‘Piper’ takes a very much darker, broodier tone than ‘Inquisitor’, but it’s not all Tamara’s fault. It was intended to reflect the changing moods most of us experience during our teenage years. But I didn’t want it to be the angst-ridden melodrama of some other coming of age stories either. Michael’s rite of passage comes in a single incident, where we can tell the kind of person he’ll be later on, but Tamara’s is drawn out for almost the entire length of the book.

Her attempts to break out from under Catchpole’s shadow only serve to draw unwanted attention from some important people. In a way, her drive to succeed forces the magister’s hand towards the end of the book and leads us into the next part of the story. For me, that’s where the most dramatic change happens. I don’t want to reveal the ending, but I wanted there to be an icy feeling to it that reflects what happens to Tamara. Hopefully, readers will feel the full impact of that change in the next book.

Who is Jerrick and what are his motivations?

Simply, Jerrick is the genie of the lamp. His story is a mishmash of the original ‘nights’ legend and the story of Solomon and the Djin (with a few embellishments). Unfortunately, because of the nature of his imprisonment, he decided long before the beginning of the series that he couldn’t lead the Elder Council any longer and now only serves as an advisor.

His motives for everything from the time we first meet him at the end of ‘Inquisitor’ are driven by guilt. To a certain extent, he was responsible for the beginning of the war and for the creation of the Inquisition. When we next meet him, we learn about his part in the Pied Piper’s tale and why he carries a share of the burden for the missing children of Hamelin.

‘Piper’ reveals a little more of Jerrick’s past, and of how a once compassionate idealist becomes the vengeful trickster of many folktales. He’s is a paradox in that his actions seem to be for the good of the Council and for the people he cares for, but his motivation is his own redemption for past mistakes.

Please share with me something suspenseful in your story.

I’d love to, but rather than hearing about from me, here it is:

“ Michael closed his eyes again, centering on the Inquisitor closest to him. Extending his will, he let it wander until it met the warrior’s defences, feeling an unpleasant tingling in his brain as he came into contact with the barrier. Tracing the line of the wall upwards until the tingling subsided, Michael pushed his mind over the top until he came into contact with the barrier’s caster. The Inquisitor’s head snapped upwards immediately. The sickening renewed tingling broke Michael’s concentration.

Okay, he thought. I can’t attack, but perhaps I can disarm.

Just as he had done time and again, Michael began to draw on his target’s power. He willed it upwards until the ribbon of energy arched over the Inquisitor’s shield and wound towards him. Risking a glance, he was elated to see that his attack had gone unnoticed. He stopped, knowing her suspicions would be raised if she suddenly ran out of power.

Is it possible to do more than one at a time? Michael wondered.

Stretching out again, he began with the woman and spread his attention to the next Inquisitor in the circle. As both streamers rose, Michael felt a noticeable difference in the ease of his endeavour, but it was still manageable, so he moved on to a third. The tricolour of energy felt like a sack of wet sand on Michael’s mind, and when it reached him, the squirming of it made him blanch. His stomach felt like he’d eaten an eight-course meal, and his head spun from the effort of moving so much weight so far.

It’s just like the trials, he reassured himself. If I can move an anvil, I can do this. What did Rupert say: “let’s kick some serious booty,”?

This time, he took a deep breath and let his shoulders drop. Watching through closed eyelids, he drew on the nearest Inquisitor once more, splitting his attentions in both directions. The weight of it was much easier to bear as he directed the ribbons to a space above the centre of the circle and held it there. Extending his will to the next in line, Michael felt a jolt of pressure as he watched the fresh colours mingle with the others.

By the time he had completed the circle, his shoulders were shaking and sweat poured down his face.  He groaned with effort, trying to control the ball of energies that hung in the air above the Inquisitors. Unlike the dull, cold iron of the anvil, the ball felt white hot in Michael’s head, as though he were trying to lasso the sun. It struggled against him, wriggling and twisting in Michael’s mental grasp. At last, he cried out in anguish, shuddering with pain as he let it go.”

(From ‘Piper; The Book of Jerrick – Part 2’; by G. J. Reilly)

What are the mirror portals?

Mirrors have been used in stories for as long as there have been fairy tales; either to see over great distances, tell the future or, most famously, to fuel the jealous rage of wicked queens. But as well as for spying, I use them as doorways that magically interconnect like a vast subway system. The rules for using them are a little complicated, but I hope they’re as realistic as they could be under the circumstances. For example, people can only travel between mirrors they can fit through, so your average car rear-view would be great for putting a hand through to steal something, but no good for travelling from London to Paris. Only highly reflective surfaces can be used for travelling; shop windows are good for spying, but not reflective enough to support a stable connection over long distances. Most importantly, however, the heavier the weight travelling between two destinations, the further apart the portals become, making solo travel almost instant, but group travel a much longer journey.

Will there be another book for this story?

Yes, two in fact: The Cull; The Book of Jerrick Part 3, and the final chapter (no official name as yet). I have outlines for character stories in this universe as well – one for Catchpole and one for Jerrick so far, but I’m planning on a well-earned break in another world before I put pen to paper on those.

Where can readers buy your book?

Readers in the UK, you can get both parts at: Amazon

Readers in the US can visit:
Amazon

Or visit any of the other Amazon stores supporting Kindle worldwide.

Thank you, G. J.!

You’re very welcome, it’s been a pleasure!

Be sure to check out G.J. Reilly’s B.R.A.G. Interview for his book, The Book of Jerrick-Part I here

A message from indieBRAG:

We are delighted that Stephanie has chosen to G.J. Reilly who is the author of, Piper, our medallion honoree at indieBRAG. To be awarded a B.R.A.G. Medallion ®, a book must receive unanimous approval by a group of our readers. It is a daunting hurdle and it serves to reaffirm that a book such as, Piper, merits the investment of a reader’s time and money.

indiebrag team member

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What it Means to Appear on Layered Pages by Anna Belfrage

I’ve said it before, and I’ll say it again: a writer needs help to increase visibility of their books, and some people are generous enough to be willing to extend that helping hand, expecting nothing in return. One such person is Stephanie Hopkins, who runs a blog called Layered Pages where she frequently interviews authors, posts reviews and hosts guest posts. I’ve had the fortune of being featured a number of times on Stephanie’s blog – my most recent visit was about writing historical fiction, a subject as close to Stephanie’s heart as to mine. Now just because you’re featured on a blog, that won’t necessarily increase your author image. But Stephanie shares and tweets, she really helps spread the word, and that does help. A lot. For an Indie author like me, Stephanie and other book bloggers represent an invaluable asset – a channel to connect with would-be readers I might not otherwise reach. And it sure helps that to everything Stephanie does, she brings that genteel Southern charm!

Anna Belfrage

03_Anna Belfrage

Had Anna been allowed to choose, she’d have become a professional time-traveller. As such a profession does not exist, she settled for second best and became a financial professional with two absorbing interests, namely history and writing.

Presently, Anna is hard at work with The King’s Greatest Enemy, a series set in the 1320s featuring Adam de Guirande, his wife Kit, and their adventures and misfortunes in connection with Roger Mortimer’s rise to power.

When Anna is not stuck in the 14th century, chances are she’ll be visiting in the 17th century, more specifically with Alex and Matthew Graham, the protagonists of the acclaimed The Graham Saga. This series is the story of two people who should never have met – not when she was born three centuries after him.

Anna can be found on her website, on Facebook and on her blog. Or on twitter and Amazon.

Q&A About Beta Readers with Author E.M. Powell

Stephanie: I would like to introduce Author E.M. Powell. She is here to take part in my series about Beta Readers and has some very interesting and helpful things to say….E.M. is the author of the #1 Amazon bestseller, The Fifth Knight, a medieval thriller based on the murder of Thomas Becket in Canterbury Cathedral in 1170. The next book in the series, The Blood of The Fifth Knight, will be published by Thomas & Mercer in late 2014. Visit her website or her facebook page . The audio version of The Fifth Knight can be purchased here: Amazon

Do you use beta readers?

E.M.: Yes.

Stephanie: I know of a few authors who use beta readers for different phases of their manuscript. How many do you use and in what phase of your WIP do you require them?

E.M.: I am also one of those authors! First reader is my long-suffering spouse. Many people would think that this is a recipe for domestic turmoil. But he’s extremely sensible and he knows the importance of getting things right. If he thinks something’s not working, he says so, and more importantly, why. Next is my agent, the peerless Josh Getzler. You could argue that an agent is not a beta reader but he certainly meets the definition. Again, he is completely honest and probably over-kind with some of the stuff I have put before him. He’s also brilliant with editorial suggestions. At this early stage, it’s asking them to read on a partial. Then a full. And once a whole lot of changes have been made, it’s over to my team of three other beta readers.

Stephanie: What is it that you look for in a beta reader? And what is the importance of them?

E.M.: I think the important word here is reader. None of the people who so generously help are writers. As for importance, it’s impossible to quantify just how important they are. Something that I think might be working fine in my head can get a universal thumbs-down. And they’re always right. I don’t use beta readers for grammar/spelling/typos specifically. To me that’s a different request and if they’re looking for those issues, then the chances are, they’re going to be thinking less about the characters and the story.

Stephanie: How do you choose your beta readers?

E.M.: It’s a tricky decision and one which is probably individual to every writer. I don’t have a choice about my agent seeing early versions- which is good! For me, it’s all about trust. So yes, I have chosen my spouse and three friends. But all of them know how much this matters to me and all of them understand the importance of my manuscripts working as novels. I know they won’t say things are great when they’re not.

The_Fifth_Knight_V4

Stephanie: What has been your experiences with them?

E.M.: All good. And when I use the word good, I don’t mean that they say everything is good. But good in the sense that I have been told where I’m going wrong. And you know what? They’ve been right. Right to the extent that I deleted 20,000 words out of the first 30,000 word partial of my current novel. Yes, it was painful, but I was weirdly happy to do it. I had a little voice in the back of my mind telling me things weren’t working. My first-round beta-readers confirmed that.

Stephanie: How often do you take their advice and what is the impact they have had on your writing?

E.M.: See above! In terms of the impact, it was about me recognizing my strengths (fast-paced action) and delivering more of that. And it’s so much more fun to write! In the ill-fated partial. I was even boring myself.

Stephanie: Do you use them for every book you write?

E.M.: Yes, I have used other writers for my unpublished novels (which will never see the light of day!). I have had tremendously useful feedback from different individuals over the years and honed my craft that way. But I think the group I have now works and I don’t want to change it. And they’re very good value for money. Only Josh sees a commission- the rest just have to help me drink wine!

Thank you, E.M.!