About the Cover: Firstly, I have to confess that it wasn’t the cover that directed my attention to this book, but the title. If I were designing the layout, I’m not entirely sure I would have chosen the shade of blue to contrast the Mona Lisa painting. Nonetheless, if you look closely, you will see the cracks in the painting carrying over to the right side of the cover. I thought that was a nice touch and the pealing of the upper left corner and tears in the image represents age.
About the Book: The Mona Lisa is a famous portrait painting by artist Leonardo da Vinci and is, without a doubt, the most talked about painting in history. I remember as a young child learning about the Mona Lisa and the artist. I have to admit, throughout most of my life, shockingly, the painting didn’t leave an impression on me as one would expect. It wasn’t until later in my adulthood that I developed an appreciation for the painting and the history. Maybe, it’s because of its artist and depiction in various forms and media that sparked an interest in me to learn more about its creation.
I’ve added The Last Mona Lisa by Jonathan Santlofer to my book pile and look forward to reading the story. – Stephanie Hopkins
Published August 17th 2021 by Sourcebooks Landmark
August, 1911: The Mona Lisa is stolen by Vincent Peruggia. Exactly what happens in the two years before its recovery is a mystery. Many replicas of the Mona Lisa exist, and more than one historian has wondered if the painting now in the Louvre is a fake, switched in 1911.
Present day: Art professor Luke Perrone digs for the truth behind his most famous ancestor: Peruggia. His search attracts an Interpol detective with something to prove and an unfamiliar but curiously helpful woman. Soon, Luke tumbles deep into the world of art and forgery, a land of obsession and danger.
A gripping novel exploring the 1911 theft and the present underbelly of the art world, The Last Mona Lisa is a suspenseful tale, tapping into our universal fascination with da Vinci’s enigma, why people are driven to possess certain works of art, and our fascination with the authentic and the fake.