Layered Pages: This & That

Last night I had trouble getting to sleep so I decided to get my art on by up-cycling scraps from my mixed media stash. Yesterday, I posted a list of items you can use around your home to create with without breaking the bank. Below are more items to add to that list I thought of last night. These items are fantastic for adding texture and adding to your paste.

Never say you’re not talented and can’t create something. Just play. Creating free-form is beautiful and you’ll never know until you try. You learn something by doing… -Stephanie

nightly Art Final

I will be adding slow stitch through this collage for the finishing touches.

 

 

Idea List of materials for your creations:

  1. Baby Powder
  2. Tea leaves
  3. Tea Bags
  4. Parsley
  5. Oatmeal

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Layered Pages: Creating With Cloth

MeI’ve always loved creating with cloth. There is something soothing about the feel of fabrics, slowly guiding needle through cloth, and layering pieces to create new textures and designs. Working with paper, drawing and painting has the same effect. Creating is my safe space. A time of rest, reflection and recovery-if you will. The act slows your mind down and brings you to present in this fast paced world we live in.

I love books and seeing what others are creating and this year I’m cataloging books in the mixed-media subject at Layered Pages. My wish is for you to be inspired and to find your peace through creating with your hands. There is deep satisfaction in hand work. -Stephanie Hopkins

The Textile ArtistThe Textile Artist: Layered Cloth by Ann Small

Ann Small’s imaginative use of cutting and manipulating techniques, and her layering and colouring tricks, makes this your ‘go-to’ guide for bringing form and texture to your fabric artwork. This book is a rich resource and reference for textile artists seeking new ideas and who want to experiment with reverse appliqué and related techniques such as layering, trapunto, stacks, puffs and fabric manipulation.

Packed with techniques suitable for quilting and other textile art

Three wearable step-by-step projects

Clear, close-up images make layering enjoyable and accessible.

Landscapes in Textile Mixed Media Painting on ClothLandscapes in Textile Mixed Media: Painting on Cloth by Cas Holmes

Combine the textural quality of stitchwork and the spontaneity of paint with this practical, beautiful guide to landscapes in mixed-media textile art. 
Renowned author Cas Holmes brings together the world of the stitcher and that of the painter as she demonstrates her technique known as “stitch-sketching” and shows how to develop your approach to textile art. Focusing on the common language between the two forms, she begins with basic advice on keeping a sketchbook, stitching on paper and fabric, and working digitally. Cas then looks at both urban and intimate spaces, capturing the changing seasons, the technical aspects of painting and dying cloth, experimenting with photos, creating stitchscapes, attaining inspiration from found objects, and so much more.

Stitched TextilesStitched Textiles: Nature by Stephanie Redfern

An inspiring step-by-step guide to creating contemporary textile artworks themed on nature.

Stitched Textiles: The Natural World is the fourth title in this successful theme-based series. It contains an extensive section on techniques, featuring step-by-step guides to machine- and hand-stitching, attaching embellishments and found objects to your work; painting and printing on fabrics including cotton, silk and Khadi paper; and using objects found in nature, such as leaves, to make unique and iconic prints.

The book includes four inspirational projects based on different facets of the natural world: Ocean, Rainforest, Botany, Birds and Animals. Stitched Textiles: The Natural World also features examples of the author, Steph Redfern’s own intricate and detailed works based on nature, exploring the means by which the pieces have been created, and the wonderful stories behind Steph’s journey as an artist.

The wealth of information and visual stimuli in Stitched Textiles: The Natural World is intended to inspire the reader to create their own works inspired by nature, beginning by exploring the use of sketchbooks and study pages, progressing to picking out iconic elements from sketches and photographs, and eventually assembling a stunning, personal piece of stitched textile work on fabric or on cotton-blend Khadi paper, applying handstitch in metallic threads, or machine stitch in whimsical and beautiful patterns, and embellishing with natural beads or found objects.

Another Relevant Post:

Stitch Mindspace

Stitch Mindspace: Knit Stitch/Embroidery Books

Layered Pages Journal BannerPart I:

My main focus this year on mix media projects are adding stitching, knitting and embroidery so I thought, “Why not create an online catalog of the books I want to acquire on the subject?” This blog post is part one of my catalog and I hope this will be a great source for my fellow mix media artists to follow. Down below I will add the links to my other books in this series are that relevant to this blogging journey. If you have any book recommendations on this subject, please leave a comment in the comment area. I hope you all have a great week and I hope to see y’all back tomorrow here at Layered Pages! -Stephanie

Stitch Dictionary by Lucinda GandertonStitch Dictionary by Lucinda Ganderton

Four Star Review on Goodreads:

‘The art of embroidery has been defined simply as the ornamentation of textiles with decorative stitchery.’

In this book, Lucinda Ganderton provides a clearly illustrated, step by step guide to over 200 decorative and practical stitches. A copy of this book has been part of my reference library for almost ten years, and I refer to it whenever I am looking for a decorative stitch for a particular purpose or when I need to remind myself exactly how to work a particular stitch.

‘It is an ancient craft which encompasses a wealth of history, and the same stiches are used by embroiderers throughout the world.’

After a section entitled ‘How to Use This Book’, this book contains six chapters. The first chapter covers the equipment, threads and fabrics used for stitchery, and the different techniques involved. This is followed by a library of the 234 stitches featured within the book, with the page reference to the instructions for each particular stitch.

For example: Back Stitch Rings (p102). Turn to page 102 for pictures of how to work the stitch, advice on what it is useful for and the method used and materials required to work this intermediate level stitch. I could have really used this book when I was attempting my first French knots!

The stitches are organised into four categories:
Line and Border Stitches
Filling Stitches
Openwork Stitches
Needlepoint Stitches

The colour illustrations for each stitch are clear and uncluttered, and there is an illustration of the completed stitch as well.
I most recently referred to this book for decorative border stitches for some applique I’m attempting. The only problem I have is that there are so many different stitches to choose from: an entire world of possibilities.”

-Jennifer Cameron-Smith

AlterKnit Stitch Dictionary 200 Modern Knitting MotifsAlterKnit Stitch Dictionary: 200 Modern Knitting Motifs

Break the rules–knit outside the lines!

AlterKnit Stitch Dictionary takes an unexpected look at stranded colorwork with 200 new motifs. These non-traditional colorwork charts are perfect for the creative knitter looking to break away from the ordinary. Derived from graphic design elements, these fresh motifs include everything from geometric mountains, waves, and spirals to modern bikes, skulls, and sheep.

Dive into stranded colorwork with confidence with a section on reading charts, working floats, and choosing colors. Learn how stranded colorwork can be used in design with five accompanying projects including mitts, cowls, and sweaters. Plus, use your imagination to modify, deconstruct, and combine the unique motifs to create your own designs.

Be inspired to break the rules and use charts in creative ways with AlterKnit Stitch Dictionary.

Embroidery A Step-by-Step Guide to More than 200 StitchesEmbroidery: A Step-by-Step Guide to More than 200 Stitches

Embroidery is the ultimate stitch dictionary and the ideal guide to embroidery, whatever your level of expertise.

The perfect reference guide to needlework, Embroidery is a comprehensive guide to inspire and inform sewers of all levels. Find advice on which thread, needles, or fabrics work with which techniques, and take a look at an incredible 200 stitches — with levels of difficulty, step-by-step instructions, and ideas on where and how to use them.

This practical guide covers sewing tips for dressmaking, needlepoint, and embroidery stitches, with detailed information simply presented in illustration-rich pages. With Embroidery it’s easy to find exactly which stitch is right for your next sewing project.

Other Relevant posts:

Book Wish-List: Visible Mending

 

Saturday Sunday: Weekend Vibes

tea cup image

Photo by Stephanie Hopkins

I want to thank you all for your support and visiting Layered Pages. Have a bless weekend. See you on Monday!

“We always have to choose to live our lives to the fullest.  No one is better or worse than anyone else.  We are different and beautiful.” ~ Mattie Stepanek

Stitch Mindspace: Calm

Mix Media Image for bannersThe movement of hand stitching slows my mind down and clears out all the day’s clutter. I’m able to focus and explore my creative side and be at peace with myself. With stitching the sky’s the limit. There is no right or wrong way to stitch. Your expression is your own. My stitching is free form and without the industrial look-if you will. When beginning your journey in finding your inner stitch-as I like to call it- you will be astonished with how quickly you grow as a person and your outlook on life!

Brush your fingers along the fabrics and adsorb the colors and textures. Be in the moment. You’ll be inspired. You’ll be at peace. Calm. -Stephanie

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Jewelry In The Making With Sarah

SarahToday my friend Sarah Volkert is a guest on Layered Pages to share her creative journey with us. When I met Sarah a few months ago at a Posh n Sip and I was thrilled to discover her creative side and it is always exciting to discover fellow artists. Let’s get our art on! 

Sarah, it is a pleasure to be featuring your jewelry line on Layered Pages today! When I first met you and discovered that you have a creative side to you, I was overjoyed! Tell me how you got into jewelry making?

Thank you so much for featuring me on your page, Stephanie! I got into jewelry making about 5 years ago, but it was not my first crafting love. I cross-stitch, crochet, and knit as well. So, I was at a craft store one day and noticed a beading magazine that featured bead stitching (I didn’t know that was a “thing”) and it looked interesting, so I bought the magazine and supplies to make a bracelet. I picked it up very quickly, and I spent about 3 years learning and practicing before I started selling my items.

Is there a specific style you stick with or do you mix it up?

I think I mix it up a little too much, to be honest! I personally have an eclectic style, and there is just so much that I think is beautiful and interests me that it’s hard to pick one. If I had to narrow it down, I’d say my style is modern and/or boho.

What are the platforms you sell on?

I have a shop on Etsy and I sell on Poshmark. About 90% of the jewelry items I have for sale on Poshmark are made by me.

What are some ways you upcycle pieces you might use to make your creations?

I save beer bottle caps and pop tops to make jewelry with, although I have yet to list any pieces. I’m hoping to get to that within the next couple of months. I’ve also had jewelry I’ve bought break and I will save the beads and chain from those and make a new piece out of them.

Sarah 4

How much time a week do you spend on your jewelry making?

I’m lucky if I get a few hours!

I’m a stay-at-home mom and my kids are young (5 and 2), but I try to squeeze in an hour here and there when I can. There are also the other aspects of running a business that need my attention and take time away from creating. Christmas is always crazy, but after everything settles down my goal is to spend at least 8 hours a week on creating.

What advice would you give someone who wants to get into making jewelry?

There are so many possibilities with what you can do, it’s pretty overwhelming. I would tell someone to pick one technique or stitch they would like to learn to do, but don’t invest a lot of money into it until you’re sure it’s something you’re going to enjoy. Also, I think it’s pretty easy to get discouraged, especially when you’re starting out, so if something isn’t working or you’re getting confused or frustrated, just take a break from it for an hour or a day and come back. I still have to do that from time to time!

A Weekend Of R&R

MeGood morning and happy Monday! I hope you all had two days of rest and renewal to start off the new week right.

The last few days I’ve had a bad cold and I rested in my recliner all weekend while working on my projects, exploring new ideas, stitch doodling, prepping upcoming projects, reflecting and being in the present. I thought a lot about blending the old with the new and the re-purpose ones clothes, and what it means for the environment. For a deep appreciation of keeping the old ways of mending and sewing alive. I also reflected on my creations and how I express them. For me, there is no wrong way in doing so.

January CollageSaturday I was working on my secret project pretty much all day then decided to take a break from it and prep scraps for a Sashiko/Boro influence/ mix media art collage project I’m starting in January. I haven’t sewed any of the fabrics down yet. I’m still in the process of placing the fabrics. Anyhow, it’s going to be about a 12×12 collage. I’ll probably frame it once its completed or if I change my mind, use the collage in another project. There is no pressure in making a final decision. I did go ahead and slow stitched on denim square.

I would really like to stress that your stitches don’t have to be perfectly straight. Make your creations your own. That is unless you’re working on a art piece for someone who is paying for straight stitches, if its something you prefer or working with patterns. Please keep in mind that slow stitching is forgiving and if you are not satisfied with what you stitched, you can go back and change it. Enjoy the process. Slow down and breath.

Sunday was another day of resting and a bit of planning for the pattern of my Denim Rag Quilt. I arranged my Grandmother’s scraps the way I want them-for the most part. I need to put a lighter denim square in the upper right corner. I did play around with some visible stitching on one of the quilt squares. The process was so relaxing! I won’t be doing stitching patterns on all of them. However, I’m slow stitching on the scrap patches. I’m sewing this quilt by hand as much as possible.

I’ve been jumping around on projects this weekend. That’s how I roll!

Follow my closet @artsycouture42 and use my code: ARTSYCOUTURE42 to get a free $10 credit when signing up for Poshmark! www.poshmark.

See you next time! Bye for now.

Stephanie

 

 

Book Wish-List: Visible Mending

From what little I’ve read so far on the subject of Visible Mending AKA Sashiko Stitching is that it is traced back to the Edo era of Japan. The translation for Sashiko is “little stabs” refers to running stitch through fabric that is visible to the eye. One would find these visible mending on clothing of Japanese working people. This method of stitching extends the life of the clothing…

Furthermore, in my opinion shows an appreciation for the value of fabrics and the respect for resources that go into making the clothes. To take value of what one has no matter the quantity. Sashiko is important and I hope it continues to grow in awareness, is learned by many more people and will never be forgotten. Today you will find many different patterns of Sashiko and as the trend grows you become educated on how important it is to up-cycle your clothes for various reason which I will share in another post. Today I’m sharing three books that I have added to my wish-list and hope to acquire them soon to better educate myself in the art of visible mending, to educate consumers and the for my own preservation projects.

Side note: The Edo era of Japan is the period between 1603 and 1868.

Stephanie Hopkins

Mending Matters“Mending Matters explores sewing on two levels: First, it includes more than 20 hands-on projects that showcase current trends in visible mending that are edgy, modern, and bold—but draw on traditional stitching. It does all this through just four very simple mending techniques: exterior patches, interior patches, slow stitches, darning, and weaving. In addition, the book addresses the way mending leads to a more mindful relationship to fashion and to overall well-being. In essays that accompany each how-to chapter, Katrina Rodabaugh explores mending as a metaphor for appreciating our own naturally flawed selves, and she examines the ways in which mending teaches us new skills, self-reliance, and confidence, all gained from making things with our own hands.”

 

Slow Stitch“Sometimes less is more—and quality is more important than quantity. That’s true in textile art too, and this much-needed guide brings a meaningful, thoughtful, and sustainable approach to stitchery. See how to slow down and experience more joy in your craft by trying simple techniques based on traditional practice, reusing and reinventing materials, and limiting equipment. Richly illustrated throughout, this inspirational book will connect with those who seek a new way of working—whether it’s starting a stitch journal or joining a community of like-minded artists.”

 

Ultimate Sashiko Sourcebook“Sashiko, the traditional Japaneses technique of needlework quilting, uses simple running stitch to create beautifully decorative patterns ideal for patchwork, quilting and embroidery. Sashiko (pronounced shash-ko) means ‘stab stitch’ and refers to the small running stitch that is worked to build up distinctive decorative patterns, of which there are hundreds. The book begins by exploring the origins of the technique to strengthen clothes and to make them warmer. Getting Started describes everything you need to begin stitching, including selecting suitable fabrics and threads, marking out patterns on the fabric, as well as the stitching technique itself. Ten project chapters show how easy it is to use sashiko patterns to make beautiful items for the home. The sashiko patterns are described in step-by-step detail in the pattern library, showing you exactly how to achieve each individual pattern with ease. Finally a gallery of work by contemporary Japanese textile artists provides extra inspiration.”