My thoughts on the cover and my overall impression about my first glimpse of the story description:
Although the cover reminds me a bit of a movie poster (maybe it’s the positioning of the fonts?), I still love it and the colors used. If you read the book description below, even the main character is a, “Redhead.” That one got a smile out of me. Now, it would have been hilarious if the character’s name was, “Auburn.” As in, “Auburn the Lionheart.” Ha! I’m getting a kick out of this week’s cover crush write up! On a sober note, is there not enough contrast in the layout? Hmm…Or maybe the ladies color of dress and travel trunk does the trick? Or is it her looking off to the distance of a new world unknown to her? See how her upper body is slightly turned with her left arm behind her back? Its as if she is unsure she should continue on, knowing the dangers she obviously will be facing. Regardless, the cover definitely has a dramatic effect going on.
I’m curious as to how the author portrays Olive-since this is based on a true story- and if she will be another predictable heroine I often see in stories or how will the author portray the different cultures mentioned. However, the story does draw on Olive’s own letters and secret diaries so there is that. Will this story truly be real life like or will it be sugar coated so not to offend anyone? If you know the history of Africa during that time or of anytime, you’ll understand where I’m coming from.
Also, I’m invested in keeping an eye on how this story influences readers. Having said all this, St. Martin Press is one of my favorite publishers because they tend to publish quality stories. The gist of what I’ve read from the description below is that Olive the Lionheart entails jungles, swamps, cities, deserts, letters, secret diaries, cobras, crocodiles, wise native chiefs, a murderous leopard cult, a haunted forest, and even two adorable lion cubs. Whew, that is a lot to digest. Sign me up! -Stephanie
Olive the Lionheart
Lost Love, Imperial Spies, and One Woman’s Journey to the Heart of Africa
by Brad Ricca
St. Martin’s Press
Biographies & Memoirs
Pub Date 11 Aug 2020
Description
In 1910, Olive MacLeod, a thirty-year-old, redheaded Scottish aristocrat, received word that her fiancé, the famous naturalist Boyd Alexander, was missing in Africa.
So she went to find him.
Olive the Lionheart is the thrilling true story of her astonishing journey. In jungles, swamps, cities, and deserts, Olive and her two companions, the Talbots, come face-to-face with cobras and crocodiles, wise native chiefs, a murderous leopard cult, a haunted forest, and even two adorable lion cubs that she adopts as her own. Making her way in a pair of ill-fitting boots, Olive awakens to the many forces around her, from shadowy colonial powers to an invisible Islamic warlord who may hold the key to Boyd’s disappearance. As these secrets begin to unravel, all of Olive’s assumptions prove wrong and she is forced to confront the darkest, most shocking secret of all: why she really came to Africa in the first place.
Drawing on Olive’s own letters and secret diaries, Olive the Lionheart is a love story that defies all boundaries, set against the backdrop of a beautiful, unconquerable Africa.
This book is avaible for request at NetGalley.
Cover Crush is a weekly series that originated by Erin at Historical Fiction Reader
Other book bloggers who participated in the great cover crushes series.
Magdalena at A Bookaholic Swede
Colleen at A Literary Vacation
Heather at The Maiden’s Court
Holly at 2 Kids and Tired
(All book reviews, interviews, guest posts, art work and promotions are originals. In order to use any text or pictures from Layered Pages, please ask for permission from Stephanie.)

If I Were You: A Novel
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Paper Collage Chinese Style by Zhu Liqun Paper Arts Museum
Finding Dora Maar

It’s 1905, and the Japanese victory over the Russians has shocked the British and their imperial subjects. Sixteen-year-old Leela and her younger sister, Maya, are spurred on to wear homespun to show the British that the Indians won’t be oppressed for much longer, either, but when Leela’s betrothed, Nash, asks her to circulate a petition amongst her classmates to desegregate the girls’ school in Chadrapur, she’s wary. She needs to remind Maya that the old ways are not all bad, for soon Maya will have to join her own betrothed and his family in their quiet village. When she discovers that Maya has embarked on a forbidden romance, Leela’s response shocks her family, her town, and her country firmly into the new century.
I’ve always loved creating with cloth. There is something soothing about the feel of fabrics, slowly guiding needle through cloth, and layering pieces to create new textures and designs. Working with paper, drawing and painting has the same effect. Creating is my safe space. A time of rest, reflection and recovery-if you will. The act slows your mind down and brings you to present in this fast paced world we live in.
The Textile Artist: Layered Cloth by Ann Small
Landscapes in Textile Mixed Media: Painting on Cloth by Cas Holmes
Stitched Textiles: Nature by Stephanie Redfern
The Scholar by Dervla McTiernan
Becoming Mrs. Lewis by Patti Callahan
The Golden Yarn (Mirrorworld #3) by Cornelia Funke
First Light by Geoffrey Wellum
Home Work: A Memoir of My Hollywood Years by Julie Andrews Edwards, Emma Walton Hamilton
I’m having such a fabulous time reading Bilyeau’s latest stories. Not only that but creating art based off her book covers. There is definitely a blue theme going on with her last three books!
DREAMLAND by Nancy Bilyeau
Part I:
Stitch Dictionary by Lucinda Ganderton
AlterKnit Stitch Dictionary: 200 Modern Knitting Motifs
Embroidery: A Step-by-Step Guide to More than 200 Stitches